Blackburnian Warbler

Blackburnian Warbler, Dendroica fusca, Paruline à gorge orangée Point Pelee Provincial Park, Ontario ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DMKII, 500mm F4 and 2XII tele-converter ISO 400, F8 1/400s Manual

Certainly one of my favorite warblers, here's a favorite image from Point Pelee National Park a couple of years ago. There are times when placing the subject smack in the middle of a vertical image just works so well. Check out my Songbirds of Pelee Workshop May 8-12, 2010. 

The only North American Warbler with an orange throat, the Blackburnian Warbler, Dendroica fusca, was named after Anna Blackburne, an English Botanist. The male Blackburinan Warbler's orange throat appears to be glowing, giving it such previous names as "Firethroat" and "Tourchbird". Bent (1953) wrote, "Blackburnian seems to be a doubly appropriate name, for its upperparts are largely black and its throat burns like a brilliant orange flame amid the dark foliage of the hemlocks and spruces". Favoring Hemlocks, they feed and nest in the upper and outer portions of coniferous trees, perhaps to avoid competition with other closely-related species. Hidden in dense foliage or in Usnea lichen, and often as high as 85 feet, Blackburnian Warbler nests are an uncommon victim of Brown-Headed Cowbird parasitism.

Gannets Galore Workshop August 17-19, 2009 Bonaventure Island, Quebec. A Christopher Dodds Workshop

Still some space left...

Northern Gannets GANNETS GALORE, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKII, 70-200mm F2.8 @ 70mm ISO 250, F9 1/1000s Manual with Canon 580 EX Flash @ -1-2/3

Join Christopher Dodds at the largest Northern Gannet colony in the world. Bonaventure Island, off the Gaspe Peninsula of Quebec, is home to more than 55,000 nesting pairs of Northern Gannets. You haven’t really seen a Gannet until you see the activity at a breeding colony. Bonaventure Island is perhaps one of the world’s best places to teach avian flight technique. Other photographic opportunities will include all aspects of breeding behavior; courtship display, bowing (territorial display), sky pointing, fencing (two mates clashing their bills together while pointing skyward), mutual preening and copulation. Most of the nests will be occupied and will contain babies at various stages of development. We’ll be feet away from adults feeding their young on their nests. The workshop is timed to coincide with the annual Mackerel run, so we'll have plenty of opportunities to photograph these magnificent birds diving; sometimes forming huge diving funnels containing thousands of birds. Other photographic possibilities include thousands of nesting Black-legged Kittiwakes, Common Murres, Black Guillemots, Rozorbills, Gulls, Grey Seals and various Whales. Highlights will include a daily four hour adventure on a 24 foot Zodiac Hurricane (weather permitting). We should have ample opportunities to photograph Gannets diving and feeding in large funnels.
Northern Gannets Nesting Material Exchange, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKII, 300mm F2.8 and 1.4XII Tele-converter  ISO 250, F8 1/800s Manual

"A trip of a lifetime. The workshop was amazing. The scenery was awesome and the people were fabulous. Chris Dodds' knowledge of our subjects was expansive. The instruction was top notch, We were given so many opportunities to explore and learn the aspects of shooting pictures under conditions that allowed us to work with light, speed and movement. There were so many aspects of photography I had never paid much attention too but Chris incorporated them in my experience effortlessly, patiently and with the understanding what is necessary to accomplish beautiful and professional photographs. Chris is thoroughly professional, knowledgeable and very personable." Marla Moore Arlington Heights, IL

Northern Gannets THE DIVE, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DMKIII, 70-200mm F2.8 with 1.4XII Tele-converter @250mm Hand-held from Zodiac Hurricane 733 ISO 320, F8, 1/1600s Manual

Daily 4 hour Zodiac Adventure

Access to Bonaventure Island is tightly controlled, and it is impossible to land on the island before nine o’clock. The addition of the Zodiac voyage is the best way to maximize the morning light and photograph Gannets in a most unique way. This is your chance to spend four hours (weather permitting) onboard our 12 person (though our group of six will be the only passengers on board), 24 foot Zodiac on each of the three mornings of the workshop. Our Captain will be a huge asset to our expedition as he has lived in Perce all of his life and has spent the last twenty years building the largest (and best) passenger ferry service to the Island and whale watching tour company. Our Captain is an expert pilot who naturally positions his Zodiac in exactly the right place for photography. We will be his only passengers and he will be sure to maximize our time aboard. We will have many opportunities to photograph nesting Black-Legged Kittiwakes, Razorbills, Common Murres and Grey Seals: all at close range. We'll have many opportunities to photograph diving Gannets. After our Zodiac trip, we will land on the main wharf of Bonaventure Island at about nine o’clock and enjoy home-made sandwiches, juice and coffee before setting off on a 1.75 mile hike (mostly uphill with our gear) to the colony, where we’ll spend the remainder of the day.

Northern Gannets Fencing, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKIII, 500mm F4 Lens Wimberley Head and Gitzo Tripod ISO 250, F14, 1/200s Manual, Canon 580EXII Flash in manual; full power with LumiQuest SoftboxIII

“Thank you for a magnificent workshop. Your efforts on our behalf were nothing short of heroic. I don't know where you get your energy, from Sun up to long after it set, you were working to make this the best photographic event that any of us had ever experienced, and you succeeded. Bonaventure Island is a photographers paradise, I have never returned from a workshop with so many '"Portfolio shots". If all your endeavors as fruitful, can't wait to get my lens on those Snowy Owls this winter.............I had a heck of a good time doing what I love, thanks to you" Malcolm MacKenzie West Palm Beach, Florida

Northern Gannet Portrait, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKII, 500mm F4 Lens with 1.4X II Tele-converter ISO 400, F11, 1/800s Manual, Canon 580EXII Flash ETTL II 1/16 power manual

Who should attend:

This workshop is highly recommended for any level photographer. Whether you are completely new to bird photography, an experienced amateur, or a seasoned pro. There will be something to photograph all day long and I will have plenty of time to tailor your instruction to your abilities. The seasoned pro can take full advantage of my site knowledge and this is the only way to circumnavigate the island in a Zodiac before the island opens at 9AM.

Northern Gannet SKYPOINTER, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKII, 500mm F4 Lens with 1.4X II Tele-converter ISO 400, F11, 1/800s Manual, Canon 580EXII Flash ETTL II 1/16 power manual

Common Murre, Uria aalge, Guillemot marmette Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733 ISO 400, F6.3, 1/2000s Manual Mode

Lens choice:

One of the great advantages of being only a few feet from our subjects is not needing to own or bring any super telephoto lenses. Great images can be made with focal lenghts from 15mm to 600mm during this workshop. I often use my 70-200mm F2.8, or my 300mm F2.8 for flight images; while my 500mm (with both the 1.4X and 2X teleconverters) are ideal for tight portraits. Many succesfull images are made with 400mm.

Northern Gannet 7 weeks old, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKII, 500mm F4 Lens with 1.4X II and 2X II Tele-converters ISO 400, F16, 1/100s Manual, Canon 580EXII Flash ETTL II 1/16 power manual

Getting there....

77km from Gaspe Airport (YGP)
776km from Quebec City Airport (YQB)
1029km from Montreal Pierre Elliot Trudeau Int’l Airport (YUL)

Northern Gannet landing with sea weed, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKII, 500mm F4 Lens ISO 400, F6.3, 1/800s Manual, Canon 580EX Flash ETTL II - 1 and 2/3

What's included....

Four nights hotel accommodatin (single occupancy).
Three 4 hour excursions on a Zodiac boat (weather permitting), and return from Bonaventure Island to Perce on a larger, commercial ferry.
Three picnic breakfasts (sandwich, juice & coffee)
Three days admission to Bonaventure Island
Three full days photographic instruction and Introductory slideshow on the evening before the workshop

Northern Gannet DIVING, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DMKII, 70-200mm F2.8 Lens @200mm from Zodiak ISO 250, F6.3, 1/1600s Manual

Group size....

Our group will be limited to six participants

Price....

CAD$2,395.00 per person. Non-refundable Deposit of CAD$1,000.00 is due with booking, balance of CAD$1,395.00 due 90 days prior to workshop. Please email me your contact information (chris@chrisdoddsphoto.com) and remit payment to:

Christopher Dodds
Box 112
Franklin Centre, QC
Canada
J0S 1E0

Bonaventure Island is THE best place in the world for Avian flight photography. Be prepared to be a little over-whelmed by the activity there. It is one of my favorite places on this earth, and I can't wait to share it with you.

Questions....

Feel free to email me at: chris@chrisdoddsphoto.com or call me at +1 (450) 827-1007

Gray Seal, Halichoerus Grypus, Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733 ISO 400, F5, 1/2000s Manual Mode

Snow Goose Reflection and kudos..

Snow Goose REFLECTION (Chen Caerulescens, Oie des neiges) Bosque del Apache National Wildlife Refuge, Socorro, New Mexico, USA. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 Lens with 2X II Teleconverter, tripod and Wimberley Head II. ISO 250, F16, 1/400s in Manual Mode - no flash. CLICK HERE TO ORDER A PRINT OR LICENSE IMAGE FOR PUBLICATION.

I photographed Snow Geese in Quebec and New Mexico this past fall and am in the process of making a submission, so I thought I'd share one of my favorites. I was carefully moving around trying to isolate single birds on the calm water when I noticed this bird stretch it's wings. Although I missed the initial wing-strech, I was able to eventually isolate it and patiently wait for it to repeat it's behavior; as birds often do. I was extremely lucky, as just a few short seconds after this capture, another Goose moved in a blocked my view, as often happens.

Snow Goose LANDING with iron oxide stain (Chen Caerulescens, Oie des neiges) Reservoir Beaudette, Victoriaville, Quebec Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIII, 500mm F4 Lens with 2X II Teleconverter, tripod and Wimberley Head II. ISO 500, F8, 1/1000s in Manual Mode. CLICK HERE TO ORDER A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Snow Geese often have red stains on their heads from gathering food in mud containing iron oxides.

More Kudos...

...I am a reasonably good nature photographer, and have always been interested in macro photography (especially flowers). I enrolled in this workshop to learn bird photography because many of my previous attempts at bird photography have been less than satisfactory. I found Chris to be extremely knowledgeable about the area, the birds, and photography techniques but also enthusiastic about photography and about helping the workshop participants to improve their individual photographic skills. I needed help with using flash, and Chris was able to make suggestions which are helping me to use flash with much more confidence. He was always offering suggestions to help me with my photography. He knew what I needed, because he asked what I wanted to get from the workshop. After this workshop, I also have much greater confidence in using the histogram in the field to evaluate my exposures. This area of improvementin addition to the improvement with using flash will help my photography going forward.
I was amazed at the non-stop action of the birds flying all day and the endless possibilities of photographing birds flying, landing, and taking off. Chris recognized changes in the direction of the wind and he was able to have us move to a better vantage point for better photo possibilities. There were some vantage points on the ground where the nesting birds were no more than 10-12 feet from the board walk (and sometimes much closer). Because of this, there was ample opportunity to photograph the birds with moderate telephoto lenses.
Chris has been to this area many times and the people know him well. The people of the area like him and as members of his group, the people were very friendly to the workshop participants. Chris has arranged nice accommodations and was able to suggest good restaurants for our evening meals. The day started early but Chris was able to offer a variety of photo opportunities from daylight to sundown. I was very pleased with the images I was able to make on the second day when it was cloudy with a light rain for much of the day. I will have more confidence in the future about the possibility of photographing on rainy days.
Above all, I had fun at this workshop. I enjoyed talking to Chris about all sorts of his previous experiences, and he was interested in the experiences of the workshop participants. I would recommend Chris as a workshop leader and look forward to being a "student" in one or more of his future workshops. My workshop experience was better that I had anticipated (and I had expected it to be a great experience).

Dennis Stone Columbus, Indiana

The Common Murres of Bonaventure Island

Common Murre, Uria aalge, Guillemot marmette Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1D MKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733

ISO 400, F6.3, 1/2000s Manual Mode

Common Murre, Uria aalge, Guillemot marmette Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1D MKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733

ISO 400, F6.3, 1/2000s Manual Mode

Bridled Common Murre, Uria aalge, Guillemot marmette Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1D MKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733

ISO 400, F6.3, 1/2000s Manual Mode

Bridled Common Murre, Uria aalge, Guillemot marmette Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1D MKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733

ISO 400, F6.3, 1/2000s Manual Mode

If you were to listen to the critics, consistently obtaining critically sharp images of dark, freakishly fast birds against dark backgrounds is impossible with the latest offerings from Canon. The internet was, and continues to be on fire with the number of posts claiming the all new EOS 1D mark III series autofocus system was / is flawed. well, I was late to the game, or got a gem, but I see no problems with the one I'm using. In fact, I would not have done as well with a Mark II in these conditions. If you would like to make critically sharp images from a moving Zodiac (and it was moving a lot), make sure you select a shutter speed of at least 1/2000 of a second, acquire focus on the bird while it is approaching and follow through until, during, and after your pressing the shutter button. Imagine that it is like a good golf swing; followthrough is key. Practice photographing birds in flight every chance you get, practice "bobbing" around in a boat and take lots of images while continuously checking the histogram.

August 17-19, 2009 Gannets Galore Workshop

I still have room available for the August 17-19, 2009Gannets Galore workshop. Click here for more information.

TOP TEN REASONS TO JOIN ME ON BONAVENTURE ISLAND:

I received this in an email from Stan Buman from Carroll, IA:

I joined Chris for the 2009 Gannets Galore Workshop on June 19 -21. It was a great learning experience and a wonderful three days. Here are the top ten reasons why I would recommend attending a workshop with Chris.
1. Chris knows the workshop locations and subjects. He has been to the Northern Gannet colony over 375 times, giving him intimate knowledge of the island and bird behavior. All professional wildlife photographers will tell you that knowledge of the subject is crucial for obtaining quality images.
2. With this knowledge, he works hard to put you in the right place by constantly monitoring weather conditions (such as wind direction) and bird activity.
3. Chris is respectful of, and well respected by, the Park Service employees. He treats them well and they treat him well.
4. The Gannets Galore Workshop is more than just photographing on the island. Photography from the Zodiac boat adds a whole new dimension to the diversity of images and bird species.
5. While birds are his primary focus, he is willing to photograph other subjects; Gray Seals come to mind.
6. He is a good birder. It isn’t just all about Gannets.
7. Being a top-notch photographer, Chris knows what it takes to get great images. He is willing to share his knowledge with his participants.
8. I am a better bird photographer because of Chris. Leading by example, he challenged me to work harder on my skills and work outside my comfort zone.
9. For those of you who live to eat, Chris will make sure you are well fed (quality and quantity). I eat to live but think I gained weight on this trip.
10. His ability to speak French comes in handy for us ignorant Americans who never learned to speak anything but English.

The Common Murre

The Common Murre is found in the seas of the Northern Hemisphere, but unlike the Thick-billed Murre, it prefers ice-free waters. On some islands in the Gulf of St. Lawrence, it nests in dense colonies on narrow cliff ledges, in semi-enclosed rock cavities and in deep fissures, occasionally sharing its quarters with the Razorbill. The Common Murre can fly up-to 200 kilometers from the nest to find food for their chicks, and, like the Northern Gannet, they can dive as deep as 100 meters, and depths of 180meters have been recorded. Courtship displays include bowing, billing and preening. The male points its head vertically and makes croaking and growling noises to attract a female. The eggs vary in color and pattern to help the parents recognize them, each egg is unique. They make no nest and their single egg is incubated on bare rock. Average fledging age is about 21 days, during which the male and female feed the chick with Capelin and sand lance, carrying them one at a time. Both male and female Common Murres moult after breeding and become flightless for 1-2 months. After the breeding season, the Gulf populations move toward the Atlantic and winter off the coasts of Newfoundland. In southern populations they occasionally return to the nest site throughout the winter. Northern populations spend the winter farther from their colonies. A group of murres are collectively known as a "bazaar" and a "fragrance" of murres (and you should get a whiff of the fragrance under the colony on Bonaventure Island).

In Québec, the Common Murre breeds only in the Gulf of St Lawrence. It is especially abundant on Bonaventure Island, with over 27 000 pairs, and on the Sainte-Marie Islands, where nearly 20 000 pairs nest alongside several other alcid species, including Razorbills and Atlantic Puffins. The Common Murre populations in the Gulf have recovered a great deal during the 70s and 80s but currently, the numbers on the Lower North Shore are still distinctly smaller than those reported by 19th century naturalists. According to their accounts, an estimated 350 000 pairs of Common Murres bred there at the turn of the century, whereas today there are a mere 20 000. Poaching and human disturbance are the main causes of this decline.

More KUDOS...

The reviews keep pouring in...this time from Rick & Melody Curtis from Flower Mound, TX. Rick & Melody were with me in Alaska for my Eagle workshop in March, and they are a ton of fun;

Chris,
Thank you for the wonderful time we had at your “Gannet Galore” Workshop! As always, we came away with some “awesome” pictures and expanded our knowledge not only about photography but the birds as well. We were fortunate to have a variation of the weather (fog, rain, sun, & cloudy), which presented us with a new learning experience daily also challenged us to think about what we had learned and apply it accordingly. The differences in the photos were a testimony to your ability to teach us how to use variation in shutter speed, exposure and composition. Even though we tried your patience on occasion, we swear we learned to "keep it to the right" and trust the histogram. Those “crazy birds on the rock” were so much fun to watch, it was easy to forget to take pictures. Your enthusiasm and joy of photography is contagious, making the workshop extremely fun.

We look forward to spending time with you again at another workshop in the near future. Thanks for the great experience; it is one we will remember for a long time.

Thanks again!!
The Texas Zoomers (aka Rick and Melody Curtis)

Gray Seals of Bonaventure Island

Gray Seal, Halichoerus Grypus, Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1D MKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733

ISO 400, F4.5, 1/2000s Manual Mode

Here's a few Grey Seal images captured from the Zodiac during my recent Gannets Galore workshops. Being in the Zodiac allowed us to get low and close; very close. An easy way to ensure sharp images while hand-holding large lenses from a rolling boat is to use a high shutter speed; notice that I've chosen 1/2000 of a second. There is quite a sizable Grey Seal population around Bonaventure Island in the Gulf of the St. Lawrence. How do I get so close? Holding my camera in the "shooting" position before making my approach is the secret; the best way to scare off a seal is to wave a huge white lens at it ;) (and I've seen it countless times).

Gray Seal, Halichoerus Grypus, Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733

ISO 400, F5, 1/2000s Manual Mode

Gray Seal, Halichoerus Grypus, Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1D MKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733

ISO 400, F4.5, 1/2000s Manual Mode

Gray Seal, Halichoerus Grypus, Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1D MKIII, 500mm F4 Lens Hand-held from Zodiac Hurricane 733

ISO 400, F4.5, 1/2000s Manual

The Gray Seal is large-bodied and robust, rotund at the torso and slender toward the hind end. The head is conspicuously long, broad, and flat with no obvious forehead. The flippers are short and rather thick. The foreflippers are blunt at the end, with digits all roughly the same lenght and with long slender claws. Adult males are up to three times larger than adult females, with a proportionally larger head and a longer, fleshier snout. Mature males develop a robust neck and chest with prominent folds or wrinkles. The chest may become heavily scarred from fighting with other males. There are nine to ten pairs of teeth in the upper jaw and eight pairs in the lower jaw.

The spotting pattern of Gray Seals seems to be individually unique, like a human's fingerprint. The scientific name, Halichoerus Grypus, translates to "hook-nosed sea pig" and is derived from the Greek words halios ("of the sea"), khoiros ("pig"), and grupos ("hook-nosed"). In Eastern Canada, the Gray Seal is also known as "horsehead", in reference to the distinctive shape of the male's head.

Adult  males are generally a uniform dark gray, brown, or black with scattered light spots and blotches over most of the body. Adult females and juveniles are mostly light silver or gray with dark brown, olive, or black blotches. The ventral coloration, especially of females and juveniles, may be lighter. Pups are born with a long thick lanugo coat that they shed at about two to four weeks to attain a muted adult pelage.

Gray Seals live to be 35-40 years of age and the males can reach 770 pounds (350Kg).

Bonaventure ROCKS!

Northern Gannets Fencing, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKIII, 500mm F4 Lens Wimberley Head and Gitzo Tripod ISO 250, F14, 1/200s Manual, Canon 580EXII Flash in manual; full power with LumiQuest SoftboxIII

I first started to use the LumiQuest softbox III during winter owl excursions, and just like in the studio, using a softbox enlarges and softens the light source producing lovely, evenly lit images. It's important to note that this softbox cuts the light output of your flash by 3 stops, so you have to be quite close to your subject.

Northern Gannet BIRD OF A FEATHER, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DMKIII, 70-200mm F2.8 Lens @ 200mm ISO 400, F4.5, 1/2000s Manual, Canon 580EXII Flash full power manual.

Using manual exposure ensures success while photographing birds in flight against changing backgrounds.

Northern Gannet VICTORY LANDING, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DMKIII, 70-200mm F2.8 Lens @ 200mm

ISO 400, F4.5, 1/2000s Manual, Canon 580EXII Flash full power manual.

Northern Gannet Landing with Seaweed, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DMKIII, 300mm F2.8 Lens

ISO 250, F4, 1/1600s Manual, Canon 580EXII Flash full power manual with Better Beamer.

The first three June workshops were a huge success, thanks to a great attendees and cloudy bright conditions for most of our days. We've had cold, rainy days, but that hasn't stopped us from having a great time making some amazing images. I know the workshops are going well when I see attendees making images that I would love to have in my collection. The colony is in fine shape, and there has been another noticeable population increase. There are many more birds populating the "Gannet Crossing" and the staff continues to do amazing work. I've been here more times than I can remember and still had some of the most productive photography ever. The images in this post were created (with many other keepers) during a two hour window on Monday, June 8, 2009. The last two outings in the Zodiac were a dream; flat water, golden light and many Gray Seals, Razorbills, Common Murres, Black-Legged Kittiwakes to photograph - Did I mention the Gannets? (smile).

I've enjoyed a day off and got caught-up with emails, this blog and phone calls today, and just gave the introductory slide show to the last group. The forecast is mixed sun and cloud in the morning, followed by rain and cloud on Saturday and Sunday, so I'm looking forward to another productive workshop.

Bonaventure Bound...

Northern Gannet 7 weeks old, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKII, 500mm F4 Lens with 1.4X II and 2X II Tele-converters

ISO 400, F16, 1/100s Manual, Canon 580EXII Flash ETTL II 1/16 power manual

Northern Gannet Fingers Crossed, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKII, 500mm F4 Lens

ISO 320, F6.3, 1/1600s Manual

My fingers are crossed that we get a fair mix of weather. At Bonaventure Island, there are just so many birds landing all day long. Shown above against the Gulf of the St-Lawrence on an overcast day.

Northern Gannet DIVE, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DMKII, 70-200mm F2.8 Lens with @ 160mm

ISO 250, F7.1, 1/1600s Manual

I just love parking the Zodiac under the Gannet Colony with the chocolate brown cliffs reflecting in the water.

Northern Gannet DIVING, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DMKII, 70-200mm F2.8 Lens @200mm from Zodiak

ISO 250, F6.3, 1/1600s Manual

At 02:00, only a few short hours from now, I'll be making the twelve hour drive to one of my favorite places on earth for bird photography. The action is non-stop from the moment we board the Zodiak at 04:45, until the very end of the day. Bonaventure Island is a bird photographers heaven - even better with the hundreds of Gannets we have swirling around our Zodiac each morning. There are still a couple of spots available on my last June trip, and on the August trip. The two spots on the June 19-21 trip are at a huge discount (see my last post).

Manual mode is so scary to many photographers that it blows me away. When your subject is in constant light (2 hours after sunrise, until 2 hours before it sets on a bright, blue sky day), setting your camera to manual mode ensures an almost perfect exposure while following moving subjects against changing backgrounds. Lock & load, but don't forget to check your camera's histogram often.

Gannets Galore Workshop Huge Discount

Northern Gannet SKYPOINTER, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKII, 500mm F4 Lens with 1.4X II Tele-converter

ISO 400, F11, 1/800s Manual, Canon 580EXII Flash ETTL II 1/16 power manual

Northern Gannet Portrait, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKII, 500mm F4 Lens with 1.4X II Tele-converter

ISO 400, F11, 1/800s Manual, Canon 580EXII Flash ETTL II 1/16 power manual

Due to last minute cancellations, I have two spots available for the June 19-21, 2009 Gannets Galore Photography Workshop at a HUGE discount. The price of the workshop is CAD$2,395.00 per person, but the folks who have cancelled have told me they would be happy to get CAD$1,395.00 - that's a $1,000.00 savings!

The trip includes 4 nights lodging, three 4 hour Zodiac trips under the Gannet colony (weather permitting), three breakfasts, three days photographic instruction. Please give me a call @ (450) 827-1007 to secure your discounted spot now. Visa and MasterCard accepted.

CLICK HERE FOR MORE

Here's how great friend Artur Morris described his experience during my June workshop last year:
"On the morning of June 14, my 62nd birthday, we took the ferry to Bonaventure Island and made the 1.8 mile walk up the big hill. I had been a bit worried about making that walk up and down for five straight days, but Chris was right: “Take it slow and it is an easy walk.” When we arrived at the gannetry, I was totally blown away. So so many birds at arms length. Dozens, even hundreds of gannets in the air at all times, many carrying huge loads of nesting material, many landing just yards away. That day, the photographic action was nonstop, but it was not a birthday present, for the succeeding four days were equally exciting. And as each day came and went, I visualized and created many new and different images. I felt like a painter locked in a huge warehouse with hundreds of blank canvases and an unlimited supply of paints. I was in bird photographer’s heaven.
That evening Chris and I met the five remaining members of the group. Weather permitting, we planned to spend four hours in a large Zodiac photographing the gannetry and the cliffs from the Gulf of St. Lawrence. Though it was rough on the two mornings that we went out very early, we had some great flight and scenic opportunities. Then Danny, the skipper of the Zodiac, would drop us of on the island and we would make the climb to the birds. Danny brought along coolers full of sandwiches and fruit, enough to feed an army. Once he learned that I was diabetic he had his chefs prepare me egg salad and fruit salad every day. We would load our vests with food and head up the hill.
I have been to Antarctica. I have been to Kenya. I have been to Tanzania. And I have been going to Bosque for the past 13 years. All of those places offer great photographic opportunities. But no place that I have been has ever offered as consistent and spectacular action as Bonaventure."

A group of Gannets has many collective nouns, including a "company", "gannetry", "newspaper syndicate", and "plunging" of Gannets. Served as a local delicacy in the town of Isle of Lewis, Inhabitants are allowed to kill up to 2,00 Northern Gannets annually. Though the Bass Rock colony in the U.K. was the largest in the world; there is no room for further expansion, making Bonaventure Island in Quebec, Canada the largest Northern Gannet colony in the world.

Canon 5D Mark II firmware update is now available HERE

The new firmware allows Canon EOS 5D Mark II owners to achieve even more stunning video results with the camera, the firmware update will include the following manual controls when shooting video:
• Full aperture selection
• ISO speed: Auto, 100 – 6400 and H1
• Shutter speed: 1/30th – 1/4000th second

Cerulean Dreams

Cerulean Warbler Vertical, Dendroica Cerulea, Paruline Azurée Kingston, Ontario Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 Lens with 2X II Tele-converter, Tripod & Wimberley Head II. ISO 800, F8, 1/125s Aperture priority (evaluative +2/3), Canon 580EXII Flash ETTL II -3. PURCHASE A PRINT OR LICENSE AN IMAGE FOR PUBLICATION HERE

Cerulean Warbler horizontal, Dendroica Cerulea, Paruline Azurée Kingston, Ontario. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 Lens with 2X II Tele-converter, tripod & Wimberley Head II. ISO 800, F8, 1/320s Aperture priority (evaluative +2/3), Canon 580EXII Flash ETTL II -3 PURCHASE A PRINT OR LICENSE AN IMAGE FOR PUBLICATION HERE.

Environment Canada forecast heavy rain all day yesterday, with little chance of bright overcast conditions that would have been conducive to great warbler photography all day long. I decided to venture to the Kingston area of Ontario to give it a try anyway. Worst that could happen is a good birding day without images; sure beats being in the office.
My parents are visiting from Calgary, so I got them up early, loaded into the car and delivered to their friends home in Kingston before most are out of bed (did I mention it was a three hour drive?). From Kingston, I made my way to the Chaffey’s Lock area and spent a few hours in just about perfect photographic conditions. While there weren’t many birds, there certainly were great quality birds. The rain that did fall was light and misty, while it was mostly just dark and overcast. Considered a photographic nemesis bird by many, I had a blast photographing this gorgeous male Cerulean Warbler. I've photographed Cerulean Warblers many times there before, but Queen's University conducts research and most are banded - it was a dream come true to get a nearly perfect male without bands in Ontario. While using the Canon 1DsIII, I strive to keep the ISO under 400; however, there are times when I simply have to use a higher ISO. Properly exposing the image in the camera is the single best way to minimize noise.

The Cerulean Warbler (Dendroica cerulea, Paruline Azurée) gets its name from the vivid blue coloration of the male warbler's back and cheeks that makes this a difficult bird to find in the tree tops, where it lives and nests. Cerulean Warblers are forest-interior birds that require large, relatively undisturbed tracts of mature, semi-open deciduous forest. In Ontario, they are restricted to such habitats in the Carolinian Forest zone and the southern part of the Great Lakes St. Lawrence Forest zone. These birds begin their long migration to wintering grounds in northeastern South America in late summer. A species of special concern both Provincially and Nationally here in Canada, and in the United States, it is considered a species at risk by many. Recent studies suggest its population is only 30% of what it was only 20 short years ago; dropping faster than any other North American Warbler. On the North American breeding grounds, the chief threat to this warbler is habitat loss resulting from forest fragmentation and degradation. On the South American wintering grounds, forested tracts in mountainous regions are preferred, and these areas are considered to be under a high degree of threat from logging. Nest parasitism by the Brown-headed Cowbird (Molothrus ater) may become an increasing problem as cowbird populations increase in degraded forest habitats. The Cerulean Warbler is protected in a Schedule under the federal Migratory Birds Convention Act.

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Point Pelee photography workshop participant, Michael Lyncheski (from Gladstone, NJ) emailed me this testimonial (thanks, Michael):

“I was impressed on how much Chris cared about making sure everyone was learning, engaged, and getting the most out of the trip. I look forward to my next workshop with Chris!”

Reflections of Pelee

Yellow Warbler Reflection Vertical, Dendroica Petechia (Paruline jaune) Point Pelee National Park, Essex County, Leamington, Ontario, Canada. Image Copyright©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIII, 500mm F4 Lens with 2X II and 1.4II Tele-converters. Tripod and Wimberley Head II. ISO 400, F8, 1/80s Aperture priority (evaluative +2/3), Canon 580EXII Flash ETTL II -2+2/3. CLICK HERE TO BUY A PRINT or LICENSE IMAGE FOR PUBLICATION.

It often takes only one bird to have a great photography day. I had a blast with this Yellow Warbler bathing in a puddle on the road that joins the two parking lots of the Sanctuary trail at the North end of Point Pelee National Park in Leamington, Ontario. I had ventured off along the seasonal trail on my own to try to find warblers for the group, when I realized that Tuma (pronounced Duma), Nick and Gill had discovered a Nashville Warbler bathing in this puddle. I missed the Nashville, but am thrilled with this Yellow. After working the bird with the 500mm and 2X tele-converter for a few frames, I added the 1.4X and the resulting images from the stacked converters were the money shots for me. Good technique is the key to getting sharp images when stacking converters. I lock both knobs on my Wimberley Head and plant my face into the viewfinder, all the while using my left hand to compress the lens, both converters and the camera body into my face. I find this technique eliminates any play between the camera body, converters and lens; resulting in a much higher percentage of sharp, usable images. A solid tripod and head are also vital to success. While auto focus will work very slowly with pro camera bodies from Canon, it is much faster to focus manually.

Carolus Linnaeus, a Swedish botanist, physician and zoologist first described the Yellow Warbler (Dendroica Petechia) in 1766. Often parasitized by the Brown-Headed Cowbird, Yellow Warbler nests can sometimes have up to six tiers; the result of them re-building their nest on top of the parasitized one. DNA based studies indicate that the Chestnut-Sided Warbler is their closest relative. Both sing similarly phrased songs. A group of Yellow Warblers are collectively known as a “stream”, “sweetness”, and “trepidation” of warblers.

Canon Enables Manual Exposure in Video on EOS 5D Mark II

This is HUGE news from Canon. I am going to predict that within 18 months, there will be no digital SLR still cameras available without HD video. Way to go Canon!

Media Alert
***EMBARGOED UNTIL 27th May 2009 03:00 CET***

Canon Enables Manual Exposure in Video on
EOS 5D Mark II


LONDON, UK, 27th May 2009: Canon announced today it will release a firmware
update for the EOS 5D Mark II allowing users to manually control exposure when
shooting video. The new firmware will be available for download from 2 June 2009 on
Canon Europe’s support web site.
Following the launch of the EOS 5D Mark II in September 2008, Canon’s Research and
Development team has listened closely to customer feedback to develop additions to
the camera’s movie recording functionality.

Allowing EOS 5D Mark II owners to achieve even more stunning video results with the
camera, the firmware update will include the following manual controls when shooting
video:
• Full aperture selection
• ISO speed: Auto, 100 – 6400 and H1
• Shutter speed: 1/30th – 1/4000th second

The EOS 5D Mark II integrates full HD movie capability into a high-end 21.1 Megapixel
camera; opening a multitude of new possibilities for photo-journalists and news
photographers. Since its launch the camera has proved its appeal to professionals
working in diverse fields, from studio and wedding to nature and travel. Now,
following customer feedback, Canon has improved functionality for professional video
users, further unleashing the potential of the EOS 5D Mark II for cinematographers and
photographers alike.

- ENDS -

Indigo Buntings - Dauphin Island, AL

Indigo Bunting Vertical, Passerina Cyanea, Dauphin Island, AL

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DMKIII, 500mm F4 Lens with 2X II Tele-converter

ISO 400, F8, 1/500s Aperture priority (evaluative +1/3), Canon 580EXII Flash ETTL II -2+2/3

I love photographing birds perched in the shade against a sunlit background using flash.

Indigo Bunting Horizontal, Passerina Cyanea, Dauphin Island, AL

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DMKIII, 500mm F4 Lens with 2X II Tele-converter

ISO 400, F8, 1/80s Aperture priority (evaluative +2/3), Canon 580EXII Flash ETTL II -2+2/3

Male Indigo Buntings are actually black; it is the diffraction of light through their feathers that make them appear many shades from turquoise to black. Using the pattern of stars nearest the North Star to guide them, Indigo Buntings migrate at night. In captivity, they will become disoriented if they can’t see the night stars in April/May and September/October.

Thinking back to Daulphin Island, Alabama, the southern hospitality shown by everyone we met was beyond kind. We met Mike Rogers on our first day there and he kindly showed us around Dauphin Island’s birding hot-spots, then took us to his gorgeous ocean-side resort home and cooked us an amazing crawfish, shrimp and crab dinner. Mike also introduced us to Terry Hartley and together they introduced us to Chris and Michele Steber who let us takeover their bird feeders and setup perches for Indigo Buntings, Blue Grosbeaks and a few other great birds. Thank you Chris & Michele, Mike and Terry. After our first morning, Mike and Terry took us to the home of John & Jennie Stowers who were hosting a marvelous lunch for the Alabama Ornithological Society – what a great way to meet many wonderful birding folks!. I had my first (and definitely not my last) bowl of Gumbo, WOW!

I would like to say that photographing these birds at feeders was easy, but it did require quite a bit of patience. I wasn’t until our third session (and after an amazing smoked turkey beast dinner that Chris and Michele had made) that we were able to produce useable, full-frame images. Leaving the blankets that we had been using as a blind blowing in the wind overnight proved to be the key to acclimatizing the birds to our close proximity. I love the effect of flash on a bird in the shade, against a sunlit background. In fact, while photographing migrant warblers, I’ll take the birds in the shade over harsh, or dappled, sunlight any day.

Rondeau Provincial Park Feeder Set-ups

Red-Bellied Woodpecker, Rondeau Provincial Park, Morpeth, Ontario Canada ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKIII, 500mm F4 Lens with 2X II Tele-converter ISO 400, F8, 1/800s Aperture priority (evaluative +1), Canon 580EXII Flash ETTL II -2+2/3

A member of the Picidae family, the Red-Bellied Woodpecker, Melanerpes carolinus, is a medium-sized woodpecker that breeds in sothern Canada and the northeastern United States of America. The adult males have a red cap that extends from the bill to the nape; females have a red patch on the nape and another above the bill.

While leading my recent Point Pelee Workshop, we made several hour-long journeys to Rondeau Provincial Park in Morpeth, Ontario. There are trailer campsites at Rondeau where many campers park RVs for weeks at a time. The campers have had bird feeders up for years, so the migrating birds are easy to “bait” to new feeder set-ups for photography. I had placed this perch on top of a picnic table (with carefully placed, out of sight peanut butter on it’s rear) with the hopes of attracting Red-Headed Woodpeckers. The Red-Headed Woodpeckers never showed, so this was a nice back-up subject. It does help to have good relations with the campers, I asked many to remove their feeders so the birds had fewer options.

Most who know me have noticed that I’ve been using Aperture Priority lately. I’m a huge advocate of Manual Mode while photographing in constant light. Knowing when and where to use the different tools available to us as photographers is crucial to making consistently well-exposed images. I was plagued with changing light levels and photographing from a set-up with a constant background – there was no better choice than aperture priority.

Point Pelee Workshop Report

Northern Parula, Point Pelee National Park, Leamington, ON

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DMKIII, 500mm F4 Lens with 2X II Tele-converter

ISO 400, F8, 1/640s Aperture priority (evaluative +2/3), Flash ETTL II -2+2/3

One of the smallest warblers, the Northern Parula was originally named the blue Yellow-Backed Warbler, it is one of only a few birds that nests in Spanish Moss.

Photographing migrant warblers is often quite challenging; warblers are among the smallest, fastest and difficult birds to photograph. A sharp whistle, squeak, or noise sometimes gets them to sit still long enough to focus and capture an image.

On Thursday, May 7, I met the wonderful folks who signed-up for my Point Pelee workshop: Nicolaas Honig & Tuma Young from Halifax, NS; Gill Arden & Bob Zarnke from Waterloo, ON (many workshop veterans); Mike Milicia from Bedford, MA (who was out for Owls with me this past winter); Michael Lyncheski from Gladstone, NJ; Greg Hritzo & his non-photographer spouse Young Rang An; and Arthur Morris (who graciously co-lead my workshop – THANK YOU, ARTIE!). One of the greatest parts of this job are the people I get to meet and spend time with – a wonderful group!

Point Pelee can be an amazing place for photography during spring migration when the conditions are good, and a really challenging place when conditions are not good for migration. Our first few days were quite a challenge, so we moved over to Rondeau Provincial Park to work on feeder set-ups (more in a later post). Things had picked-up at Pelee by Monday, with good opportunities to photograph a few species of warbler that morning. We agreed he best strategy was to stay in the park all day. After lunch at the Visitor Centre, we headed for the Point and saw good numbers of warblers that included Northern Parula, so We decided to miss the last tram, knowing we would be walking all the way back to our cars. What a great end to the workshop. That’s the thing with Point Pelee, when it’s slow you vow never to return, then you have a great day, and you will have to return year, after year. The workshop was scheduled around the May 9-11 window, that’s when you are most likely to experience a “wave day”.

The total number of bird species recorded at Point Pelee is 372, of which at least 340 of these species have been recorded during the spring migration period. The stream of birds in the spring is not a steady flow from the south. The birds usually arrive in intermittent waves, a pattern unique to eastern North America. In some years these are well marked but, in others the fluctuations in numbers and variety is so meagre that a wave in difficult to detect. A "wave" occurs as a result of a warm weather front advancing from the south or southeast meeting a cold weather front from the north or northwest. Two situations will cause the birds to descend. One is when the two fronts meet at ground level. The other is when a warm front in which migrating birds are flying overrides a cold front. The rising warm air becomes cooler with the increasing altitude until it is finally too cold for the birds and they descend.

If these nocturnal (night-time) migrants find themselves over Lake Erie near sunrise they must continue onwards or drown. After flying perhaps hundreds of kilometres in one night, it is this extra 30 to 40 kilometres across the lake that really demands their last strength. This explains why exhausted birds are sometimes found at the tip of the Point. A similar situation, but on a larger scale, occurs when migrants cross the 800 to 1000 kilometres of the Gulf of Mexico. If the weather is good they continue inland in one continuous flight without stopping, but with a north wind and rain they descend on the coast in great numbers, often in an exhausted state.

What everyone hopes for in the spring is a major wave with a "grounding" of migrants. An incredible grounding of migrants occurred on May 9 to 12, 1952.

Estimates of some of the birds present included 1 000 black-and-white warblers and 20 000 white-throated sparrows. Another occurred on when 3 000 northern orioles were engaged in visible reverse migration off the Tip, while the day's tally for chimney swifts was 900. On May 15, 1978, in just the Tip area of the park, there were 80 yellow-billed cuckoos, 70 eastern wood-pewees, 250 scarlet tanagers and much more.

Other "big days" for certain species are tundra swan (2500), red-breasted merganser (100 000), whimbrel (500), northern flicker (250), bank swallow (12 000), white-eyed vireo (50), hooded warbler (18) and kentucky warbler (13).

More images to follow in future posts...

Olive Sparrow

Olive Sparrow, Ramirez Family Ranch, Roma, Texas

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKIII, 500mm F4 Lens with 1.4X II Tele-converter

ISO 400, F6.3, 1/320s Aperture priority (evaluative +2/3), Flash ETTL II -2+2/3

Like Gulls, Sparrows are often overlooked by “bird” photographers, so I was pretty excited to photograph this secretive Olive Sparrow that only resides in the Rio Grande Valley of Texas and Mexico. Also known as “Green Finch” and “Texas Sparrow”, it is the only sparrow with an olive back (as seen in the image). Truth be told, this is just one of those species that I was thrilled to see - the images were a huge extra! Thanks again, Roel!
I left home at 02:00 this morning and arrived at the Howard Johnson Hotel in Leamington, Ontario without incident. After a quick supper, I’ll be meeting the workshop participants and giving a brief slideshow. Artie made his huge trek safely, and we are both anxious to get out and photograph some Warblers in the morning. The weather forecast looks like a fallout might actually happen on Saturday, May 9; how I hope the weatherman is right for once. Time permitting, I’ll post some Warbler images during the next day, or two.

Long-Billed Thrasher and KUDOS

Long-Billed Thrasher, Ramirez Family Ranch, Roma, Texas

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKIII, 500mm F4 Lens with 1.4X II Tele-converter

ISO 400, F6.3, 1/200s Aperture priority (evaluative +1/3), Flash ETTL II -2+2/3

KUDOS:

Before leaving for Florida, Alabama and Texas, I gave a slide presentation to Bird Protection Quebec. Here's a note I received:

April, 2009

To whom it may concern

At our April monthly meeting we invited Christopher Dodds to gave a presentation on bird photography. There were about 60 people in attendance including numerous of our membership interested in bird photography.

It was evident very quickly that Chris has a complete command of his profession. He is clearly a gifted photographer, with an artistic eye, and considerable knowledge and interest in birds. He used his superb photography, detailed discussion of his photographic technques in obtaining his shots, and his engaging presentation style to gain the attention of all the audience, photographer and non-photographer alike. The crowd that gathered around him to ask questions after his presentation is testament as to how well it was received. I even had two people email me after about how much they liked his presentation, which is an unusual occurance.

I heartily recommend Chris to other organizations looking for a speaker on photography or nature photography.

Jeff Harrison (Vice-President, Bird Protection Quebec)

Thanks for your kind words, Jeff.

On the road again:

Ah, the glamourous life! I'll be hitting the road at two am tomorrow morning to make the twelve hour drive to Point Pelee National Park in Leamington, Ontario. I hope to get there with a few hours to photograph, before my workshop starts with a slideshow at 7PM. I'm not sure how much time I'll have to make posts here, but I'll pop in whenever I have something to share.

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He's a note I received from Gill Arden (and Bob Zarnke) after my Eagles of Homer Workshop back in March (I look forward to seeing Gill and Bob tomorrow, as they are attending my Point Pelee workshop):

We have just returned from out third trip with Chris, it will not be the last. We enjoy being part of a small group and as there were four of us including Chris, and we got the attention and help we didn’t think we needed!

After months of anticipation, being delayed by a snow storm in Minneapolis, and the drive from Anchorage I was in a state of excessive excitement as we waited for the feeding of the eagles. Suddenly there were so many flurries of birds, swooping, diving and retreating every which way, that I became overwhelmed. Chris appeared alongside me, calmed me down, reminded me that we were there for 5 more days and suggested I just stand, watch and enjoy. Then return to my camera, not chase everything that moved but to pick a zone and wait for action. Still bewildered I followed his instruction and to my amazement took many keepers.

Although Chris was only one of many photographers he carried on Jean’s legacy of respect for the birds and local people. He quietly suggested alternative parking spots to those who happened on private property, he organized helpers to unload fish and he called in help for an injured otter stranded on the beach.

He had suggestions for our down time and took us on several drives to enjoy the locale, he took us to excellent eating places and suggested great things to buy. Oh yes, he enabled us to raise our photography standards to yet another level. He’s answered many questions since we returned and is always ready to help. We look forward to our next trip with him.

If you want personal attention or just a guide who knows where and when to go, what to look for and the best way to photograph it then Chris is your man!

Shakin' off the Texas heat ...

Green Jay, Ramirez Family Ranch, Roma, Texas

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKIII, 500mm F4 Lens with 1.4X II Tele-converter

ISO 400, F6.3, 1/1250s Aperture priority @ +1/3, Flash with Better Beamer ETTL II -2+2/3

The Texas heat measured 95 degrees Fahrenheit or more during the day. I’m sure it got much warmer than that in the dark photo blinds (where we seemed to spend far too much time), as it seemed like sitting in an oven. All of our set-ups around the blinds included water, a vital ingredient in the desert. I love watching, and studying, my subjects while photographing them, so it was fun to see the Green Jays shaking-off the heat and enjoying the cool water. While doing their courtship display, Green Jays bob up, and down, while making a really cool cartoon-ish like spaceship sound.

I am in the mist of trying to prepare for my Point Pelee workshop, and putting together some fresh marketing material for my Bonaventure Island Gannets Galore workshops in June. I hope to make another post tomorrow, before I make the twelve hour drive to Pelee on Thursday morning.

Golden-Fronted Woodpecker & a prayer

Golden-Fronted Woodpecker, Cozad Ranch, Linn, Texas

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKIII, 500mm F4 Lens with 2X II Tele-converter

ISO 250, F8, 1/800s Aperture priority at +1/3, Flash ETTL II -2+2/3

The Golden-Fronted Woodpecker (Melanerpes aurifrons) consumes about as much fruit and nuts as it does insects. During the summer in Texas, the faces of some woodpeckers become stained purple from eating the fruit of the prickly pear cactus.

TIP: You have probably noticed that most of the images that I’ve posted from the trip so far are vertical. I try to shoot verticals as often as possible, it’s sometimes rather difficult to make a cover with a horizontal image ☺

Please say a prayer for 15 month old little-man, Ronan, who is fighting for life and breath, and for his parents, Heather & Mike. Be strong and get well, little buddy!

Green Jay

Green Jay, Ramirez Family Ranch, Roma, Texas

©Christopher Doddswww.chrisdoddsphoto.com

Canon EOS 1DMKIII, 500mm F4 Lens with 1.4X II Tele-converter

ISO 800, F6.3, 1/1600s Aperture priority @ 0, Flash ETTL II -2+2/3

Green Jays have been observed using sticks as tools to extract insects from tree bark. A group of Jays has many collective nouns, including a “band”, “cast”, party”, and “scold” of Jays.
There was no shortage of these gorgeous, stunning Green Jays while at the Ramirez Family Ranch in the Rio Grande Valley near Roma, Texas. Artie kept calling the place “Green Jay Heaven”. As photographers, we often dream of golden light each morning and afternoon. While in Roma, we were blessed with cloudy, bright conditions each day; much like a huge soft-box in the sky. This allowed us to photograph well past when the light would turn harsh on a golden morning day, allowing us to maximize our time with the broad variety of birds there.

Painted Bunting - Home safe

Painted Bunting, Cozad Ranch, Linn, Texas

©Christopher Dodds www.chrisdoddsphoto.com

Canon EOS 1DsMKIII, 500mm F4 Lens with 2X II Tele-converter

ISO 400, F9, 1/100s Aperture priority at 0, Flash ETTL II -2+2/3

One of the most brilliantly colored birds in the United States, the Painted Bunting is the only bird in the U.S. to have a blue head and red under parts. A group of Painted Buntings are collectively known as a "mural" and a "palette" of buntings.

After Artie dropped me off at the airport at 04:00 yesterday morning (thanks again, Artie), I slowly made my way from McAllen, Texas to Montreal, Quebec via Houston and Cleveland. The first two flights were un-eventful and the only noticeable difference flying with the threat of swine flu was the amount of refreshing fresh air in the cabin. I’m a seasoned flyer, and constantly complain of feeling deprived of oxygen on commercial flights since the price of fuel sky-rocked way back (airlines save a fortune by reducing the amount of fresh air intake).
Like most nature photographers who travel, I have a large carry-on (a Think-Tank Airport Security roller), and it’s usually fully packed with cameras and long lenses. I was un-able to talk my way on board with the bag, until I noticed the Scottish accent and enamel pin on the lapel of the lady at the check-in counter. It was two flags, an American, and a Scottish one, and they were crossed at the middle of the flagpole. I commented that I had a similar badge, but it was the Union Jack crossed with the Canadian Maple Leaf. She immediately proceeded to assign me the last three available seats on the regional jet, and asked me to pre-board, remove and stow my camera gear in an overhead bin (with blankets and pillows), and then gate check my empty bag. Thanks-you to the nameless Continental Airline lady with the crossed flag lapel pin.