Where to photograph Elk (Wapiti, Cervus canadensis) around Banff National Park, Alberta

Bull Elk  Lookback (Wapiti, Cervus canadensis, élan) Banff National Park, Alberta, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 70-200 F2.8 IS II @200mm. ISO 650, F5.6 1/200s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

I'm just back from a great two week vacation with family in Calgary, Alberta. While it was meant as an "unplugged" getaway, I did manage to scan all of our old family photographs (some 2,500 images) and sneak away to Banff National Park on two occasions for some photography with Julie. Here's a few images from one of many encounters with bull Elks during what became the most successful trip there so far.

Bull Elk in the rain (Wapiti, Cervus canadensis, élan) Banff National Park, Alberta, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 70-200 F2.8 IS II @170mm. ISO 650, F5.6 1/200s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Bull Elk overlooking the Bow Valley in the rain (Wapiti, Cervus canadensis, élan) Banff National Park, Alberta, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 70-200 F2.8 IS II @70mm. ISO 650, F5.6 1/200s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Where to photograph Elk around Banff

If you find yourself visiting Calgary with a spare day for photography, then be sure to head West on the Trans-Canada Highway to Banff National Park and the Canadian Rocky Mountains. I'd leave around 04:30 and drive  directly to the Bow Valley Parkway (slowly) until you reach the Moose Meadows area (It dosen't happen often, but we photographed a beautiful Bull Moose here, and it is certainly worth a look); at which point I'd turn around and head back to Banff.  Once you exit for Banff, instead of following the sign for the town, go the opposite direction and slowly follow the switchbacks of Mt. Norquay Scenic Drive; make a u-turn in the ski area parking lot at the top and head back down for a second look for the Mountain Sheep that live here.  Now follow the Trans-Canada Highway East for a short while and take the exit for Lake Minnewanka; follow the lake Minnewanka loop road and explore the dead-end roads that branch from it. This might be the best, most scenic location for Elk around. Figure driving about 300km and spend the whole day enjoying the sights. Best time of year for bull Elk is the rut during September and October. Here's the route on Google Maps:

View Banff Wildlife Drive in a larger map

Photoshop CS5 First Impressions and Guide to Photographing the Black Tern (Chlidonias niger, Guifette noire, BLTE)

Black Tern Hovering Vertical (Chlidonias niger, Guifette noire, BLTE) Missisquoi National Wildlife Refuge, Vermont, USA. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS-1D MKII, 70-200mm F2.8L IS (version I) @200mm. ISO 400, 1/1000s F5.6. Hand-held (vertical) from kayak. Cropped slightly top & bottom to fit this aspect ratio. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Photoshop CS5 First Impressions

“The past two decades have demonstrated an amazing interplay between customers who want to push the limits of their personal creativity and a passionate team of Adobe engineers who make those visions a reality,” said Kevin Connor, vice president of product management for professional digital imaging at Adobe. “We experienced this firsthand when we posted a ‘sneak peek’ video of the team’s work on the Content Aware Fill feature a few weeks ago. It quickly became the number one viral video online, with close to 2 million views and its ‘magic’ was one of the top trending Twitter topics of discussion. This version of Photoshop has some of the most innovative and extraordinary technologies to ever come from our labs and clearly customers are already clamouring for it.”
Redefining the Image-Editing Experience
Now a native 64-bit application on both Mac and Windows®, Photoshop CS5 delivers superior tools and creative control so users can perform advanced image manipulations and compositing with ease. Revolutionary image intelligence behind Content-Aware Fill magically removes any image detail or object, examines the surroundings and seamlessly fills in the space left behind. Lighting, tone and noise of the surrounding area match perfectly, looking as if the removed content never existed. New Refine Edge makes nearly-impossible image selections possible. This innovative technology precisely detects and masks the trickiest types of edges, such as hair and foliage, while eliminating background color contamination.
For photographers, Photoshop CS5 now offers next-generation high dynamic range (HDR) capabilities. When combining multiple exposures into a single HDR image, Photoshop CS5 preserves the full tonal range of a scene with unprecedented speed and accuracy. The new HDR Pro offers exceptional ghost artifact removal and greater tone mapping and adjustment control. With HDR toning, users can emulate the striking look of an HDR image with any single-exposure image.     -Adobe Press Release April 12, 2010

I'm locked away having fun re-visiting and re-processing older files (this one from 2005) in PhotoShop CS5 - it’s a whole new world for some images. Truth be told; I'm always learning about Photoshop and refining my post capture workflow (usually trying to spend less time working on each image), so it's about time I revisited some older files to apply my new workflow and get the most out of the RAW capture.

While I only barely touch the surface of the plethora of tools in PhotoShop, I am somewhat disappointed with the "content aware" thing that drove their marketing campaign as a “magic eraser tool”. Got an image of a breathtaking vista that has an ugly telephone pole and electric wires across it? No problem: Content Aware  to the rescue (it works with the Spot Healing Brush and is an option of the Fill tool); it fills a selected area with data from the surrounding area, so that the lighting, texture, and tonality all match the rest of the image. It didn't work as well as the video that Adobe circulated virally on the web; I had to cleanup with the Clone and Patch tools. But, overall, it is an impressive time-saving feature that will surely evolve by the next release of Photoshop.

The Refine Edge selection dialog box has been redesigned to allow more accurate selections, especially of difficult textured edges, such as a bird’s feathers or tree bark. Not to say that creating masks are now child's play, but with the Refine Radius and Erase Refinements brushes, along with Smart Radius analyzing the edges, the task of working on such difficult subjects isn't as arduous and time consuming. In addition, the Color Decontaminant option helps remove excess background that you might have mistakenly included in your mask.

CS5's HDR-Pro offers enhanced options and new algorithms. Curve tool and sliders for adjusting Vibrance, Saturation, Exposure, Detail provide more precise, highly creative control over the dynamics. The auto deghosting works well at removing artifacts caused by slight differences among the merged photos, like a leaf that might have moved between captures. You can choose which of your original images is to be used as the defining reference to resolve visual conflicts, such as a cloud that might have changed shape between frames. One of the problems with HDR is that you have to start with a series of nearly identical photos, taken at various exposures. The new HDR Toning in CS5 allows you to emulate HDR, using a single image. The controls are quite similar to HDR-Pro, and the tool provides a high degree of creative potential.

The real value to the upgrade, in my humble opinion, is the re-worked Camera Raw converter, ACR (now version 6.1). There are some great new, highly anticipated, enhancements that include the new noise reduction algorithms that now includes sliders for both luminance and color noise (this is worth the price of  the upgrade alone), sharpening, grain and post-crop vignette tools. Now you can apply profile-based corrections to accommodate geometric distortions, chromatic aberration and lens vignette effects. Manual corrections for geometric distortion & vertical and horizontal perspective transforms are also available. A handful of lens profiles are included for automatic correction and more can be created by the community with the Adobe Lens Profile Creator. (http://labs.adobe.com/technologies/lensprofile_creator/)

Where to photograph the Black Tern

Black Tern is considered "species at risk" in Vermont, and "species of concern" in Ontario. There's a healthy population at Point Pelee in Ontario and Missisquoi National Wildlife Refuge in Vermont. There is also some great opportunities at L'ile Bizard in Quebec. The most accessible (without boat) are at L'ile Bizard in Quebec and then Point Pelee National Park in Ontario. Species status in Vermont has forced the authorities to increase the size of the protected nesting zone at Missisquoi National Wildlife Refuge in Vermont, but you can still shoot them from the road (there's a culvert big enough for a canoe to pass through near the fishing hole / boat ramp that they like to hang around) - it is hit, or miss, though, but there are plenty of low Osprey nests to entertain you if you aren't lucky with the Terns.

Black Tern (Chlidonias niger, Guifette noire, BLTE)

The Black Tern (Chlidonias niger, Guifette noire, BLTE) is a small tern generally found in or near inland water in Europe and North America. As its name suggests, it has predominantly dark plumage. Adult are 25 cm (9.75 in) long, with a wing span 61 cm (24 in), and weigh 62 g (2.2 oz). They have short dark legs and a short, weak-looking black bill, measuring 27-28 mm, nearly as long as the head. The bill is long, slender, and looks slightly decurved. They have a dark grey back, with a white forehead, black head, neck (occasionally suffused with gray in the adult) and belly, black or blackish-brown cap (which unites in color with the ear coverts, forming an almost complete hood), and a light brownish-grey, 'square' tail. The face is white. There is a big dark triangular patch in front of the eye, and a broadish white collar in juveniles. There are grayish-brown smudges on the ides of the white breast, a downwards extension of the plumage of the upperparts. These marks vary in size and are not conspicuous. In non-breeding plumage, most of the black, apart from the cap, is replaced by grey. The plumage of the upperparts is drab, with pale feather-edgings. The rump is brownish-gray. In flight, the build appears slim. The wing-beats are full and dynamic, and flight is often erratic as it dives to the surface for food; similar to other tern species. The Black Tern is very social. It breeds in loose colonies and usually forages, roosts, and migrates in flocks of a few to more than 100 birds, occasionally up to tens of thousands. Point Pelee National Park in Canada boasts a robust population of black terns. It is considered threatened in Vermont, though there is a thriving population at Missisquoi National Wildlife Refuge on the astern shore of Lake Champlain near the Canadian border in Franklin County, Vermont.

Free Site Guide: Photographing the Snow Geese of Victoriaville, Quebec

Snow Goose (Chen caerulescens, Oie des neiges) Réservoir Beaudet, Victoriaville, Quebec, Canada. Image Copyright ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark III, 500mm F4 IS, 2X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 320, 1/1250s F8 Manual Exposure. Full Frame. CLICK HERE TO BUY A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Réservoir Beaudet is immediately adjacent to the city of Victoriaville, in the Eastern Townships of southern Québec. During migration, this site harbours significant numbers of gulls and geese. Since 1996, high numbers of Greater Snow Geese have been recorded here. So far, 224 species of birds have been recorded at this site. The high concentration of waterbirds using the reservoir is probably linked to the absence of hunters. At peak times in October, ducks, geese, and gulls numbers exceed 1000,000 individuals. Several species of land birds also use the reservoir in high numbers for roosting in the fall. The following are some of the peak counts for certain species: 4,000 American Crows (1989), 17,251 European Starlings (1989), 2,500 Red-winged Blackbirds (1988), 1,000 Common Grackles (1988) and 700 Brown-headed Cowbirds (1988).

Photography is relatively easy here; only a short walk from the parking lot is a boat ramp (GPS co-ordinates: 46° 4'6.37"N , 71°58'35.94"W) that is about the best place to be when the wind is from the west in the afternoon. April-May and October-November are the best times of year for photography.

View Larger Map The green arrow indicates the exact location that I like to be in the afternoon when the wind is from the west. GPS co-ordinates are: 46° 4'6.37"N , 71°58'35.94"W

Vested Interest Photo Vests

John Storrie of The Vested Interest (a division of Storrie Parachute Works Inc.) sent me a Khumbu Photography vest and I am thrilled. True to his solid background in building safe, strong and rugged parachutes, John's The Vested Interest produces top quality photo vests. I wanted a vest, but had very specific needs that only John could address. I wanted a way to transport my camera equipment like a backpack, but allow access to camera bodies and lenses while I hiked without removing a backpack, having to lay it down and unzip it, etc.. I chose the Kumbu model because of the large padded pocket on the back that holds either my 500mm F4 IS or my 300 F2.8 IS Canon lenses. I spend a lot of time photographing from a Zodiac, and that large rear "drop-in" lens pouch on the back is perfect even if I were to take the whole kit off; I simply wrap the whole vest around the mast of the flying bridge and secure with the zipper. Unlike a photo-backpack, where the whole contents are at risk of a spill when open, this vest protects all of my gear and still allows access to each component while protecting the rest. I recently took the vest to photograph Snow Geese in Quebec where there are simply too many people to lay equipment down and not worry about it. The vest held everything I needed and still had plenty of room to spare. It's simply a study in astounding build quality, and design genius; there are even brilliantly designed padded shoulders which not only cushion the weight of your shouldered camera, lens and tripod, but they also disperse it. Built of military grade (just about bomb-proof) parachute nylon, this vest will easily outlast me; it's easy to see why the military buy these for their photographers. Be sure to visit The Vested Interest and check out the various vest designs - most of which can be customized to your specific needs.

That's me, Christopher Dodds, with my Vested Interest Khumbu Photo Vest. Notice just how many pockets there are and that it fits over my down winter jacket. Image copyright & courtesy of Bruce Lapointe.

Pro Tip: GET A GRIP!

I often have many thousands of dollars of equipment set-up on my tripod and carry it around on my shoulder while following my subjects around the wilds. From the moment I leave my car, I risk slipping on packed snow or ice. I keep a pair of MICROspikes with me at all times in the winter. It's like having the very best winter tires with studs and chains and is a relatively small investment to protect both myself and my gear. Wether I'm looking for owls in Owl Woods where it is often icy, or just walking my dog, T-Bone; MICROspikes is the product I use. A less expensive product is offered by Yak-Trax, which I used to use until I discovered MICROspikes - both are good, but MICROspikes are more aggressive, robust, long lasting and less likely to get stuck on something and lost.

Comments welcome & appreciated.

Cerulean Dreams

Cerulean Warbler Vertical, Dendroica Cerulea, Paruline Azurée Kingston, Ontario Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 Lens with 2X II Tele-converter, Tripod & Wimberley Head II. ISO 800, F8, 1/125s Aperture priority (evaluative +2/3), Canon 580EXII Flash ETTL II -3. PURCHASE A PRINT OR LICENSE AN IMAGE FOR PUBLICATION HERE

Cerulean Warbler horizontal, Dendroica Cerulea, Paruline Azurée Kingston, Ontario. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 Lens with 2X II Tele-converter, tripod & Wimberley Head II. ISO 800, F8, 1/320s Aperture priority (evaluative +2/3), Canon 580EXII Flash ETTL II -3 PURCHASE A PRINT OR LICENSE AN IMAGE FOR PUBLICATION HERE.

Environment Canada forecast heavy rain all day yesterday, with little chance of bright overcast conditions that would have been conducive to great warbler photography all day long. I decided to venture to the Kingston area of Ontario to give it a try anyway. Worst that could happen is a good birding day without images; sure beats being in the office.
My parents are visiting from Calgary, so I got them up early, loaded into the car and delivered to their friends home in Kingston before most are out of bed (did I mention it was a three hour drive?). From Kingston, I made my way to the Chaffey’s Lock area and spent a few hours in just about perfect photographic conditions. While there weren’t many birds, there certainly were great quality birds. The rain that did fall was light and misty, while it was mostly just dark and overcast. Considered a photographic nemesis bird by many, I had a blast photographing this gorgeous male Cerulean Warbler. I've photographed Cerulean Warblers many times there before, but Queen's University conducts research and most are banded - it was a dream come true to get a nearly perfect male without bands in Ontario. While using the Canon 1DsIII, I strive to keep the ISO under 400; however, there are times when I simply have to use a higher ISO. Properly exposing the image in the camera is the single best way to minimize noise.

The Cerulean Warbler (Dendroica cerulea, Paruline Azurée) gets its name from the vivid blue coloration of the male warbler's back and cheeks that makes this a difficult bird to find in the tree tops, where it lives and nests. Cerulean Warblers are forest-interior birds that require large, relatively undisturbed tracts of mature, semi-open deciduous forest. In Ontario, they are restricted to such habitats in the Carolinian Forest zone and the southern part of the Great Lakes St. Lawrence Forest zone. These birds begin their long migration to wintering grounds in northeastern South America in late summer. A species of special concern both Provincially and Nationally here in Canada, and in the United States, it is considered a species at risk by many. Recent studies suggest its population is only 30% of what it was only 20 short years ago; dropping faster than any other North American Warbler. On the North American breeding grounds, the chief threat to this warbler is habitat loss resulting from forest fragmentation and degradation. On the South American wintering grounds, forested tracts in mountainous regions are preferred, and these areas are considered to be under a high degree of threat from logging. Nest parasitism by the Brown-headed Cowbird (Molothrus ater) may become an increasing problem as cowbird populations increase in degraded forest habitats. The Cerulean Warbler is protected in a Schedule under the federal Migratory Birds Convention Act.

MORE KUDOS:

Point Pelee photography workshop participant, Michael Lyncheski (from Gladstone, NJ) emailed me this testimonial (thanks, Michael):

“I was impressed on how much Chris cared about making sure everyone was learning, engaged, and getting the most out of the trip. I look forward to my next workshop with Chris!”