A Bumper Crop of Cubs Coming Soon: Alaska’s Brown Bears and the Incredible Salmon Run

A dripping wet Coastal Brown Bear watches a salmon that escaped her lunge! This year’s September Ultimate Brown Bears of Alaska Workshop was absolutely unforgettable. We witnessed one of the strongest salmon runs in decades, and it showed — the rivers were boiling with fish, and the bears were feasting like royalty.

Everywhere we turned, the bears were massive, healthy, and focused on fattening up for winter. With so much food available, the mothers will head into their dens well-prepared — and that means we can likely expect a bumper crop of cubs emerging next June!

Coastal Brown Bears (Ursus arctos gyas) depend heavily on salmon to build the fat reserves that carry them through hibernation. When salmon runs are strong, females have more energy to conceive and raise multiple cubs — and their chances of survival skyrocket. Cubs are actually born in the den in midwinter, usually around January or February, and don’t make their first public appearance until late spring.

It’s a powerful reminder that healthy salmon runs ripple through the entire ecosystem. Those nutrients brought upstream by spawning salmon feed everything from bears to eagles — even the forests themselves. This year’s abundance of fish doesn’t just feed today’s bears; it helps shape the next generation of Alaska’s magnificent brown bears.

If you’ve ever dreamed of photographing mothers and cubs in the wild, now’s your chance! My Ultimate Brown Bears of Alaska: Mothers and Cubs Edition runs June 12–19, 2026, and there are only two spots left. Join me for an unforgettable week of wildlife, wilderness, and world-class bear photography in the heart of Alaska.

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OFF TOPIC…

Oil Slick. Kodiak Harbour, Kodiak, Alaska.

Sometimes the best images are the ones you stumble upon while simply paying attention. This oil slick was photographed during a slow walk around Kodiak Harbour in Kodiak, Alaska, before my Ultimate Bears of Alaska Workshop — a day spent chatting with local fishermen, meeting their dogs and crews, and taking in the quiet beauty of working boats and weathered docks, while seeking images of the fishermen whose weathered faces so often tell the tale of a life well lived and a living hard-earned. It’s a reminder that taking the time to look closely usually reveals moments of colour, texture, and reflection hiding in plain sight — even on an overcast, grey day.

Join Me in Toronto at ProFusion Expo 2025! 🇨🇦📸

Join Me in Toronto at ProFusion Expo, November 5 & 6, 2025! 🇨🇦📸
I’m honoured to be presenting again, marking my 11th consecutive year presenting at the show and my 9th year representing Sony!

ProFusion Expo is Canada’s largest photo and video event, and after a decade of success, it’s the must-attend gathering for photographers, videographers and content creators at every level. Whether you’re a seasoned pro, a passionate enthusiast, or an emerging creator — this is your chance to learn, connect and be inspired.

🎤 Event Dates & Hours:
📅 Wednesday, November 5, 2025 — 12:00 in the Sony Booth & 15:30 on the Main Stage.
📅 Thursday, November 6, 2025 — 11:30 on the Main Stage & 13:00 in the Sony Booth.

Don’t miss my free seminar, where I’ll share insights from my imaging journey and you’ll have the opportunity to ask questions and say hello in person.

👉 Register now for free and be sure to stop by & say hello! — I’d love to see you there!

Algonquin Moose Photography & Conservation: Why Moose Are Harder to Find — and How to Capture Them Responsibly

This is another Bull Moose captured during one of my recent visits to Algonquin Park. I find myself both drawn to and uncertain about this image in equal measure. I love the way the moose emerges from the thick foliage, with its eye subtly illuminated between the shadow cast by its antlers in harsh light—a quiet moment of contrast and texture. I’d love to hear what you think.

Moose (Alces alces, orignal, élan) Ontario, Canada. Image Copyright ©Christopher Dodds. Sony A1 Mark II Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 1,000, f/8 @ 1/5,000s. Manual exposure. Full frame image.

“Hi Chris - Love your photos and a question- why are there such fewer moose in Algonquin now as compared with years ago do you think?” - Ashley Hockenberry

Where Have All the Moose Gone?

Understanding Algonquin’s Changing Moose Population

In my last post, I shared a favourite moose encounter from Algonquin’s misty wetlands. Many readers asked the same question:

“Why are there so many fewer moose in Algonquin now than there used to be?”

It’s something I’ve noticed too on those quiet dawn drives when the roadsides seem empty. The truth is, there’s no single reason. The decline of Algonquin’s moose population — and across much of Ontario — is the result of several overlapping pressures: climate, parasites, habitat change, and human activity.

1. Climate Change and Parasites

Warmer winters and shorter snow seasons have allowed winter ticks (Dermacentor albipictus) to thrive. A single moose can carry tens of thousands of ticks, leading to blood loss, hair loss, and sometimes death — especially for calves.

Hotter summers add stress too: moose overheat easily, rest more, and feed less, entering winter with lower fat reserves and reduced survival odds.

2. Brainworm from Expanding Deer Populations

As white-tailed deer move north, they bring brainworm (Parelaphostrongylus tenuis), a parasite harmless to deer but fatal to moose. The growing overlap between deer and moose ranges in Algonquin has increased the risk of infection, further straining the herd.

3. Habitat Changes

Moose depend on young, regenerating forests full of birch, aspen, and willow shoots. Early logging and natural fires once created this type of habitat.

Today, Algonquin’s forests are maturing under selective management — beneficial for many species, but offering less prime browse for moose. Beyond the park, large-scale clearcutting and fragmented landscapes have also reduced food availability and safe travel corridors.

4. Past Overharvesting

Earlier wildlife policies once allowed calf hunting and issued higher tag numbers. These practices contributed to declines across several regions. Ontario has since tightened hunting regulations, but recovery is slow, and occasional poaching near the park boundaries continues to raise concern.

5. Predation and Population Health

Wolves and bears remain vital parts of Algonquin’s ecosystem. While predation is natural, moose weakened by ticks, heat stress, or poor nutrition become easier prey, especially calves. These interactions can magnify the effects of other stressors.

6. Human Disturbance: The Problem with Calling-In Moose

A newer issue is the use of moose calls by photographers hoping for a closer shot. While often well-intentioned, this can harm the animals. Responding to calls forces moose — especially bulls during the rut — to waste precious energy and move away from feeding or resting areas. It can also lead them toward roads or confuse them during the breeding season.

“A bull chasing a phantom call isn’t resting or tending to actual cows,” notes one park warden.

Frequent exposure to artificial calls can habituate moose to people, increasing the risk of vehicle collisions. Algonquin staff strongly encourage passive, respectful viewing instead.

📸 Ethical Moose Photography: 3 Quick Tips

1. Keep Your Distance – Use a long lens; let the moose control the space.

2. No Calls or Bait – Avoid techniques that alter natural behaviour.

3. Be Patient – Early mornings and quiet observation often lead to the best shots.

“Patience always pays off — the wild moments come to those who wait.”

Working Toward Balance

The picture isn’t all bleak. Researchers, Indigenous knowledge holders, and park staff are studying these challenges together. A more holistic management approach — one that considers climate, disease, habitat, and cultural perspectives — offers hope for a sustainable moose population in Algonquin and beyond.

A Personal Reflection

Even with fewer sightings, every moose encounter in Algonquin still feels like a gift. They’re out there — deep in the spruce, wading through dawn mist, quietly living the rhythms of a changing forest.

“The forest is never static — it’s a living system, always in motion. Moose reminds us of that.”

If you’ve noticed changes in moose activity or have stories from your own Algonquin visits, I’d love to hear them in the comments below.

Join Me in Toronto at ProFusion Expo 2025! 🇨🇦📸

Join Me in Toronto at ProFusion Expo November 5 & 6, 2025! 🇨🇦📸
I’m honoured to be presenting again, marking my 11th consecutive year presenting at the show and my 9th year representing Sony!

ProFusion Expo is Canada’s largest photo and video event, and after a decade of success, it’s the must-attend gathering for photographers, videographers and content creators at every level. Whether you’re a seasoned pro, a passionate enthusiast, or an emerging creator — this is your chance to learn, connect and be inspired.

🎤 Event Dates & Hours:
📅 Wednesday, November 5, 2025 — 12:00 in the Sony Booth & 15:30 on the Main Stage.
📅 Thursday, November 6, 2025 — 11:30 on the Main Stage & 13:00 in the Sony Booth.

Don’t miss my free seminar, where I’ll share insights from my imaging journey and you’ll have the opportunity to ask questions and say hello in person.

👉 Register now for free and be sure to stop by — I’d love to see you there!

Bull Moose! Full Circle: Beginning and Ending Our Cross-Canada Journey at Algonquin Park

Our Cross-Canada road trip began and ended at Algonquin Park, Ontario, with a few quiet days on each end to reconnect with the landscape that first inspired my love of nature photography nearly fifty years ago.

Over the decades, I’ve spent countless hours hiking the park’s longer trails, camera in hand, hoping to encounter wildlife. In the 1970s and 80s, it seemed almost inevitable — moose were abundant, and every trip promised new encounters. But times have changed. Wildlife sightings have become rarer, and recent hikes are often more about soaking in the atmosphere — the scent of pine and spruce, the soft light filtering through the forest, and the meditative rhythm of the trails — than about the animals themselves.

As always, this year I heard the familiar refrain from fellow visitors and friends texting: “A friend saw a moose just yesterday — over by [somewhere else].” I’ve learned not to chase those leads. I prefer to trust the process, stick to my plans, and take whatever nature offers along the way.

On one of those quiet mornings, patience paid off. In a remote, seldom-visited area, I came across a mature bull moose standing motionless on the edge of a still pond — a scene straight out of Algonquin’s timeless wilderness.

For this image, I used the Sony α1 II paired with the Sony 400–800mm zoom, shooting at 800mm, f/8, ISO 16,000, and 1/5000 sec. The fast shutter speed ensured I’d be ready for any sudden movement — a head shake, a step into the water, or the flick of an ear catching light. Despite the high ISO, the α1 II handled the low light beautifully, preserving fine detail in the moose’s dark coat and the rich texture of the antlers.

From a biological standpoint, it’s difficult to determine a moose’s exact age by sight. But this bull’s broad, deeply palmated antlers, muscular frame, and darkened antler coloration suggest a fully mature individual — likely five to eight years old, in the prime of his life.

Encounters like this are rare and deeply rewarding. They remind me why I keep returning to Algonquin — not just for the wildlife, but for those quiet moments of connection with a place that continues to shape my photography and perspective after all these years.

Merlin in Flight: Capturing the Perfect Dorsal View in Cypress Hills Provincial Park, Alberta

Continuing the story from my previous post — Full-Frame Merlin: Birds-in-Flight Photography Adventure in Cypress Hills, Alberta — this next moment unfolded just seconds after takeoff.

After launching from its perch, the Merlin began circling my RV in a graceful clockwise loop toward another fence post further down the road. Before long, the bird’s path put me in a bit of a photographer’s dilemma: the physics simply stopped working in my favour. With my super-telephoto Sony 600mm f/4 (paired with an extender on the Sony a1 II), there was only so much twisting I could manage — especially with my seatbelt still on (I’d pulled over, engine off, for the shot).

At that point, instinct and experience took over. I pulled my face away from the viewfinder, extended the camera out the window, and continued tracking the Merlin purely by feel and intuition. Decades of practice — forty years’ worth of bird photography muscle memory — came together in that split second.

The result: a full-frame, perfectly timed dorsal view of the Merlin banking against a soft, pastel sky. A fleeting instant, beautifully frozen in motion — and a reminder that sometimes, the best shots happen when physics gives way to pure experience.

Full-Frame Merlin: Birds-in-Flight Photography Adventure in Cypress Hills, Alberta.

We were deep into an extended cross-Canada road trip, winding our way through the remote backroads near the Alberta–Saskatchewan border, heading toward Cypress Hills Provincial Park. Julie (my wife) and I had been on the lookout for raptors all morning, slowly cruising along, scanning fenceposts and treetops for any sign of movement.

Suddenly, Julie pointed out the window on my side of the RV and shouted, “Raptor!”

Adrenaline kicked in. My heart pounded as I hit the brakes and threw the RV into reverse, hoping—really hoping—that the bird hadn’t flown off. There it was: perched perfectly on a weathered fencepost, a Merlin, calmly surveying its surroundings. It had clearly just finished a meal—there were still furry leftovers clinging to its talons.

I maneuvered carefully to get the RV into the best position for a full-frame shot. And just as I started snapping, the rumble of an approaching tractor trailer echoed down the road. A massive truck hauling cows thundered past us, shaking the RV and dusting the scene with gravel.

But the Merlin didn’t budge.

We spent nearly ten magical minutes with that bird, capturing an incredible sequence of close-up images. The soft, diffused overcast light, the setting, the subject—it all came together in one of those rare moments that makes birding (and photography) so rewarding.

This one sighting made the whole day unforgettable. And the photos? Let’s just say they’re smile-worthy.

Brown Bear Cub of the Year Showing Off Freshly Caught Huge Salmon

Why This COY (Cub of the Year) Stole the Show – And Why You Should Join Us Next Time

If you've been following my recent posts, you've probably seen this little star already — this year’s COY (Cub of the Year) from my Ultimate Brown Bears of Alaska Workshop. And if you're considering joining a future trip, this moment is a perfect example of what makes these workshops so unforgettable.

During one of our incredible outings, this young bear proudly showed off a freshly caught salmon, right in front of our group. It was as if the cub was performing just for us — a rare and thrilling display that had every camera firing.

The image you see here was captured full-frame using my Sony a1 II with the ultra-versatile Sony 400–800mm zoom lens at 584mm. This setup allowed me to isolate the moment cleanly, even from a safe distance — and our participants captured equally impressive shots with their own gear.

Beyond the technical side, it’s these kinds of intimate, once-in-a-lifetime wildlife encounters that define the Ultimate Brown Bears of Alaska experience. You’ll have front-row access to wild behaviour, personalized instruction in the field, and the opportunity to hone your skills in one of the most photogenic locations on the planet.

Thinking about joining us on the next adventure? This COY — and many unforgettable moments like this — are waiting.

More Kudos

“I honestly can’t thank you enough for all the work you put into the Katmai trip. I loved it and so appreciate knowing that when I commit to going with you, I know you offer a high-level experience and care to pass on your incredible knowledge of photography. Brown Bears in Alaska was my third trip with you, Puffins and Gannets previously. Each trip, I have returned nourished by nature, richer for the experience, and learned more about photography. Thank you for your hard work during the trip to stay on top of all the variables and make good decisions for your clients’ enjoyment and good pictures.”

- Sarah MacDonald, British Columbia | Canada

I'm proud to have my photo of a Prothonotary Warbler featured on the cover of This May Be The Year by Canadian poet Carole Giangrande.

This thoughtful collection explores both the beauty and the challenges of our world. Through poems about birds, seasons, memory, and loss, Giangrande finds moments of hope and wonder — even in the most difficult times. Her writing is honest, gentle, and deeply connected to nature.

These poems reflect the uncertainty many of us feel today, but also remind us of the comfort we can find in the natural world. It’s a moving and timely book, and I’m honoured that my image is part of it.

Prothonotary warbler (Protonotaria citrea, Pauline orangée, PROW) from mySONGBIRDS OF PELEE WORKSHOP at Point Pelee National Park of Canada in Leamington, Ontario, Canada ©Christopher Dodds All Rights Reserved. Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 20,000, f/8 @ 1/5,000s Manual exposure.

Coastal Brown Bear Cub Catches Salmon | Tight 800mm horizontal with Splashing Water

There are moments in the field when instinct takes over. One of those moments happened recently as I watched a Coastal Brown Grizzly Bear COY (Cub of the year) playing by the water's edge, tossing around a freshly caught salmon during my recently concluded Ultimate Brown Bears of Alaska Workshop. Glaucous-winged Gulls lined the water’s edge, circled and called in the background, hoping for scraps, but I locked my focus on the bear—and had the feeling that something was about to happen while trying to keep the distracting gulls out of the image.

Sure enough, the bear cub suddenly stood up, salmon still in its mouth. Without thinking twice, I zoomed all the way to 800mm with the new Sony 400-800mm lens on the Sony a1 II and framed a tight, horizontal head-and-shoulders composition. It was a split-second decision, but the kind that comes from time in the field—watching, waiting, and knowing when and how to make images with visual impact. The bear's posture, the glint in its eye, the fish in its mouth and claws extended with the trailing water for dramatic effect—it all lined up in an image full of drama.

At this time of year, the rivers are teeming with salmon as they return to spawn. It's a feast for the bears, who gorge on these fish to build fat reserves for the winter. But many of the salmon are reaching the end of their lives—scarred, discoloured, and barely holding together after completing their incredible journey upstream. They may not be the pristine, silver fish we imagine, but in their worn-out state, they're arguably even more beautiful—symbols of endurance and the cycle of life.

While adult bears waste no time tearing into their meal, the cubs approach things with a bit more curiosity (and comedy). Watching young brown bears figure out what to do with a slippery salmon is pure entertainment. They chase them, chew the wrong end, toss them in the air, and sometimes forget why they were holding them in the first place. But every awkward step is practice for the future—and fun to witness through the lens.

Wildlife photography is about patience, timing, and the ability to react when instinct says "now." That brief moment when the bear stood tall with its ragged prize was one of those times—and one I won't forget anytime soon.

Coastal Brown Grizzly Bear Cub Bunny Hop

Earlier this month, while leading my Ultimate Brown Bears of Alaska workshop, I had the privilege of witnessing one of those unforgettable moments that remind you just how exceptional wildlife photography can be.

We were sitting quietly along the river's edge, giving the bears plenty of space and observing respectfully, when a curious Coastal Brown Bear cub took a keen interest in us. It was fascinating to watch as it cautiously crept a little closer—eyes wide—clearly trying to figure out what we were.

Just a few metres away, Mom was observing the situation with a mix of patience and purpose. She kept a close eye on her cub while simultaneously teaching it a vital life lesson: curiosity is fine—but know your limits. When she gave a subtle signal (a soft huff), the cub instantly responded and scampered back to her side. It was a beautiful display of both natural behaviour and strong maternal instinct.

I managed to capture a few frames of that moment using the Sony 50–150mm at 148mm, shooting vertically to emphasize the cub's upright posture and attentiveness.

Did You Know?

One little-known fact about brown bear behaviour is that cubs often learn by mimicking their mother's every move—from how to fish, to how to interact with other bears, and even how to assess potential threats (like humans). These lessons are learned through observation, subtle communication, and, at times, gentle correction. It's an incredible process to witness in the wild.

Moments like these serve as a powerful reminder of the importance of observing wildlife ethically and with care. When we respect their space, we are often rewarded with authentic glimpses into their world.

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Off the Trail: Stories from Jr. of Kodiak Harbour

Sometimes, the most memorable encounters during a wildlife photography trip don't involve wildlife at all—but the people you meet along the way.

While wandering through the working harbour of Kodiak, Alaska, I met a character I won't soon forget: Jr.

From the moment we crossed paths on the deck of a well-worn fishing vessel, it was clear that Jr. had seen a thing or two. He gave me a quick once-over, then, with a half-smile and a pointed finger, offered a firm, gruff warning: "Just don't point that camera at me." Fair enough.

But as it turns out, Jr. wasn't camera-shy—just particular. As we got talking, he relaxed, and what followed was nearly an hour of rich, animated storytelling. He told me about every bear he'd ever seen near his home at the southern end of Kodiak Island, recounting encounters in vivid detail—some hair-raising, some oddly funny, and all deeply personal.

His voice rose and fell with the rhythm of the ocean, and the stories flowed like the tide. In that moment, Jr. wasn't just a fisherman on a break—he was a storyteller, a steward of local lore, and someone who clearly carried deep respect for the wild places around him.

While he spoke, I carefully moved around the deck, framing a few quiet portraits as he stood in front of the coiled fishing net near the stern. I was drawn to the circular pattern in the orange fishing floats beside him—a visual echo of the rhythm in his storytelling. It added a beautiful compositional element to the scene, and the resulting images feel less like posed portraits and more like moments borrowed from real life.

After the stories wound down, I thanked Jr. for the time, the conversation, and the unexpected glimpse into Kodiak life beyond the trail. As I stepped off the boat and back onto the dock, I offered one last nod: "Calm seas and full nets, my friend."

Behind the Frame:

These off-the-cuff portraits are some of my favourites—not just for the composition, but for the experience that led to them. Photography, after all, isn't always about chasing subjects. Sometimes, it's about listening long enough for a story to reveal itself.

Proud Catch, Perfect Frame: Coastal Brown Grizzly Bear with Fresh Salmon

There are moments in wildlife photography when you can't help but feel a connection with your subject—a sense that they're almost performing for you. I'm convinced that sometimes, just sometimes, bears know when they've landed a prize, and they absolutely show it off. It's in the way they shake a freshly caught salmon, eyes glancing towards yours, like a playful puppy proud of its favourite toy.

For a split second, I almost regretted my gear setup—shooting with the Sony a1 II and the 400-800mm lens, vertically framed at the full 800mm focal length. The action happened so fast, I was sure I'd clip the salmon's tail right out of the frame. But that's the thrill of it, isn't it? Being ready for anything, anticipating the moment, and trusting your instincts to compose in-camera rather than relying on massive crops later.

This coastal brown bear, salmon dripping in mid-shake, gave me that moment. Every water droplet, every scale, frozen in a tight vertical frame that tells the whole story: a successful hunt, and a proud—maybe even theatrical—display.

Here's to those fleeting encounters that remind us why we wait, why we prepare, and why we keep coming back for more.

More Kudos

“Thank you for an amazing trip (Sept. 2025 Ultimate Brown Bears of Alaska). The preparation and years of experience made my investment a life-changing event.  I have dreamt of doing a trip like this and always worry that what is marketed on a website is what you will actually experience.  Every single piece of this trip was perfect.  I can’t imagine how much work you put into every big moment and every single small moment that added up.  I have already told so many people about my trip and told them they would have nothing to worry about if they booked with you.  Look forward to seeing you on some of your upcoming trips.  Puffins are on my shortlist!

Thank you very much for being so professional and a great guide and mentor.”

Mike McGugan Ontario | Canada 

Chasing Salmon in Katmai: Up Close with Coastal Brown Bears

One of the most unforgettable moments from my recently concluded Ultimate Brown Bears of Katmai workshop came when a massive Coastal Brown Bear charged through the water in hot pursuit of a salmon. The power, speed, and sheer determination on display were nothing short of awe-inspiring.

We were treated to countless close encounters like this throughout our time in Katmai National Park — and honestly, we couldn’t have asked for better weather. Overcast skies, soft light, and active bears made for a photographer’s dream.

This image was captured using the Sony A1 II paired with the Sony 300mm f/2.8 lens. The settings were: ISO 4000, f/2.8, 1/5000s. Shooting wide open with a fast shutter speed was key to freezing the action and creating a sense of intensity and motion — while still isolating the bear beautifully from the background.

Getting low, staying patient, and being ready made all the difference. It’s these split-second movements — the spray of water, the focus in the bear’s eyes — that turn a photo into a story with high visual impact.

Huge thanks to everyone who joined me on this wild adventure. Can’t wait to share more images and memories from the trip soon!

Coastal Brown (Grizzly) Bear Charging Salmon (Ursus arctos, ours brun) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mark II Mirrorless camera & Sony FE 300mm f/2.8 GM OSS lens. ISO 4,000, f/2.8 @ 1/5,000s Manual exposure. Full frame image.

Off the Trail: Meet William from Kodiak

Sometimes, the most memorable parts of a trip have nothing to do with itineraries or camera gear — they’re the people you meet along the way.

While wandering the harbour in Kodiak, Alaska (something I love to do whenever I visit a new place), I met William — a seasoned fisherman and the personality behind Happy Hookers Fishing Charters (or, perhaps, William was a deckhand for the season after a few similar gigs in Florida). With decades of stories etched into his expression, he welcomed me into a conversation like we’d known each other for years.

William has been running charters out of Kodiak for some time, taking folks out on the water to experience the incredible fishing this part of Alaska has to offer. But now, he’s gearing up for a new kind of journey — setting his sights on Central America for his next chapter.

We talked about travel, life on the ocean, and the kind of freedom that comes with following your own tide. It was one of those unexpected encounters that stays with you.

Thanks for the conversation and the friendship, William. Wishing you smooth sailing and great stories ahead — wherever the next harbour may be.

Back from Alaska: Brown Bears, Big Moments, and One Adorable Little Rock Star

After 24 hours of travel, I’m finally home—shaking off the jet lag, but still completely immersed in the wild, breathtaking beauty of Alaska. I’ve just returned from leading my Ultimate Brown Bears of Alaska Workshop, and all I can say is… wow. What an experience.

We were incredibly lucky with the weather on the Katmai Coast. While it rained during our travel days in and out, we had just a couple of brief sprinkles during our eight full days in the field. For coastal Alaska, that’s nothing short of miraculous!

The group this year was absolutely wonderful—curious, adventurous, supportive of one another, and full of great energy. And my crew? Truly exceptional. Captain Angus kept us safe and steady at sea. Ruben expertly handled the skiff—getting us out to the bears and back to the ship safely—while keeping everyone entertained throughout. Joan worked culinary magic from dawn to dusk, and James was a tremendous help assisting our legendary bear guide and long-time friend, Brad Josephs. As always, Brad’s deep knowledge of both the bears and the landscape kept us safe and made every encounter more meaningful.

And the bears? They exceeded every expectation. Bigger, bolder, and more photogenic than ever. I came home with memory cards absolutely overflowing—intimate moments, golden light, misty mornings, and scenes that looked like they were highlights from a wildlife documentary.

But among all those moments, there was one tiny rock star who stole the show—and our hearts.

Meet this little “COY” (Cub of the Year)—a playful, curious, and slightly clumsy bundle of energy. Watching this cub explore the world was pure joy. Every tumble, head tilt, and wide-eyed stare reminded us of just how magical and fragile these early moments of life in the wild can be. It’s encounters like this that keep me coming back to Alaska year after year.

I captured this image with the Sony a1 II mirrorless body paired with the phenomenal Sony 300mm f/2.8 lens. The combination delivered stunning clarity and detail, allowing me to freeze a perfect moment that still makes me smile.

There are so many more stories and images to share—from quiet bear interactions to epic landscapes and the beautiful chaos of life on the Katmai Coast—but for now, I’ll leave you with this first favourite.

Stay tuned—more bears (and bear stories!) coming soon.

Coastal Brown (Grizzly) Bear Cub of the Year Shaking (Ursus arctos, ours brun) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mark II Mirrorless camera & Sony FE 300mm f/2.8 GM OSS lens. ISO 1,600, f/2.8 @ 1/5,000s Manual exposure.

Louise, Chris Dodds, Jos, Kristy, Sarah, Mike, Janice, David and James. Image courtesy of Brad Josephs (Thanks, Brad).

How I Captured a White-winged Crossbill Portrait: Eye-Level Bird Photography with a High-Key Background

Before photographing the White-winged Crossbill framed by soft yellow buttercups during my Deluxe Atlantic Puffin Workshops (featured in an earlier blog post), I had an unexpected and fleeting opportunity to create something even more intimate—a clean headshot of the bird perched quietly on a signpost.

White-winged Crossbills are usually restless, so when this one sat still—relaxed, elevated, and unbothered—I knew I had a rare chance. Rather than go wide, I went close, focusing on the fine feather detail, the distinctive crossed bill, and that soft, alert eye. I also made a point to get slightly below eye level—a minor adjustment that goes a long way toward creating a more intimate and engaging portrait.

The signpost itself wasn't ideal visually (dark green, with a "Do Not Disturb the Nesting Birds" message), but the overcast sky above provided the perfect high-key background. I used the soft, even overcast light to isolate the subject, allowing its subtle tones and textures to stand out without distraction.

Sometimes the best portraits don't come from hours of waiting—they appear in a blink, if you're ready and paying attention to the details.

👉 See how the rest of the encounter unfolded:

A Rare Treat: White-winged Crossbill on L’île aux Perroquets

White-winged Crossbill (Loxia leucoptera, Bec-croisé bifascié, Piquituerto aliblanco, WWCR) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @500mm ISO 40,000, f/8 @ 1/5,000s. Manual exposure. Full frame image.

Capturing the Majesty: Photographing a Bald Eagle Portrait

Photographing a bald eagle—especially a close-up portrait—is one of the most rewarding and humbling experiences in wildlife photography. These birds command respect not just for their beauty, but for the power, intelligence, and intensity they project with a single glance. But getting that glance—a direct stare into the lens—is easier said than done.

This image shows the eagle's eye razor-sharp, the curve of the beak crisp, and—most importantly—a look straight into the camera. That kind of eye contact is rare; eagles don't often engage the lens like that. So, how did it come together?

Patience: The First Essential Ingredient

The first—and often most challenging—part of photographing wildlife, especially something as alert and aware as a bald eagle, is waiting. You need to have patience to let the bird get accustomed to your presence and become comfortable enough to act naturally. In this case, I spent a significant amount of time simply observing from a distance, making sure the eagle didn't feel threatened or pressured.

The key is to blend into the environment and avoid sudden movements. Let the bird dictate the pace.

Field Craft Matters

If there's one thing I've learned over the years, it's that swinging around a big white telephoto lens is the fastest way to end an encounter; you might as well wave a flag and shoo them away.

Field craft—moving slowly, using natural cover, and, where possible, setting up in advance—is essential. The goal is to make yourself part of the landscape, not a disruption to it. Using a lens with enough reach to fill the frame without stressing the subject is another key to success.

Keeping the bird at ease meant I could wait for the exact moment I was hoping for: that rare, intense, and powerful stare directly into the camera.

Technical Note: Why f/20?

In portraiture—whether of people or wildlife—the eyes must be sharp. It's where we connect, where emotion lives. For this shot, I stopped down to f/22. That might sound extreme to some, especially in low-light situations, but it was a deliberate choice.

At super-telephoto focal lengths, depth of field is razor-thin. The closer you focus, the narrower the depth of field becomes. I didn't want the beak to be sharp but the eye soft—or vice versa. Stopping down to f/20 ensured that both the eye and bill were tack sharp, creating a sense of presence and clarity that wider apertures wouldn't deliver.

Final Thoughts

I created this image through a combination of patience, thoughtful field craft, and technical discipline. But more than anything, it came from respect—for the subject, the environment, and the process.

Photographing a bald eagle isn't just about taking a picture. It's about telling a story without words, capturing a moment that reminds us why these birds inspire so deeply.

If you're lucky enough to be in the right place at the right time, do everything you can to be ready—but also remember to observe. Study their behaviour, be alert to their signals, and freeze the moment they show any sign of stress. Sometimes the best part of wildlife photography isn't the shutter click. It's the moment before, when a wild creature meets your gaze and offers you a glimpse into its world.

American Bald Eagle Portrait (Hailiaeetus leucocephalus, Pygarge a tete blanche, Pigargo americano BAEA) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 6,400, f/22 @ 1/640s. Manual exposure. Full frame image.

The Art of Waiting: A Lesson from Photographing Atlantic Puffins with pleasing backgrounds

One of the ongoing challenges I face while leading my Deluxe Atlantic Puffin photography workshops is helping participants understand a simple but powerful concept: waiting for the right moment often beats settling for a bad shot.

When puffins finally appear and perch out in the open, it's incredibly tempting to start clicking away. After all, we've come a long way to see them, and there they are—right in front of us. The instinct is to fill memory cards with images of these charismatic birds, even if the lighting is poor or the background is cluttered with dirt, rocks, and vegetation.

But here's the thing: just because a shot is available doesn't mean it's worth taking.

Personally, I'd rather take far fewer photos if it means waiting for the right opportunity—the one where the composition, lighting, and background all come together. Instead of shooting puffins in deep shadow against a distracting near background, I look for a different angle. I position myself along the cliff, where I can shoot with a more distant background. Often, this means a dreamy wash of out-of-focus buttercups and soft greens—something that adds beauty and atmosphere to the image rather than pulling focus away from the subject.

This approach requires patience and restraint—two traits not always easy to practice in the excitement of seeing puffins up close. But when that magical moment happens and everything aligns, the results speak for themselves.

Great wildlife photography isn't just about the subject—it's about telling a story through light, background, and timing. And sometimes, the best story is the one you wait for.

Atlantic Puffin Foggy Buttercups (Fratercula arctica, Macareux moine, Frailecillo atlántico, ATPU) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds.. Sony a1 Mark II Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 10,000, f/8 @ 1/5,000s Manual exposure. Full frame image.

Savannah Sparrows in Flight – A Bonus from the Deluxe Atlantic Puffin Workshop

While the main attraction of my Deluxe Atlantic Puffins Galore Workshops on Île aux Perroquets in Quebec earlier this month was, of course, the puffins, there's always something more to enjoy—and this year, the Savannah Sparrows delivered again.

These small, energetic songbirds are always present in the grassy areas of the island, but this time their numbers were spectacularly high, making them hard to ignore. That abundance gave us a fantastic opportunity to try photographing them in flight—their erratic, fast-moving behaviour making it a real test of patience and timing.

I created this image with my Sony 600mm lens and a 2× teleconverter on the Sony a9 Mark III. We had positioned ourselves with the light behind us, but what made the shot truly shine was a dash of serendipity—this sparrow just happened to fly in precisely the right direction. Sometimes everything aligns—smile!

Fun, little-known highlight: Savannah Sparrows in this area may even have their own distinctive regional song dialects, with subtle variations in trills and call patterns that differ between populations—even those as close as Île aux Perroquets.

The 2026 Deluxe Atlantic Puffins Galore (and So Much More!) Workshops are already filling quickly. Don't miss your chance to live the dream adventure on a tiny lighthouse island, surrounded by puffins, razorbills, murres—and so many more birds, including our ever-charming Savannah Sparrows

Yet another testimonial:

"Christopher Dodds’ Atlantic Puffin photography workshop is a truly exceptional experience for any wildlife or nature photographer. The setting is amazing, providing endless opportunities to capture Puffins both in flight and up close in varying scenery and lighting, resulting in an incredible portfolio of images. Chris’s deep knowledge of Puffin behavior and photography, combined with his patient, individualized instruction, helps photographers of all skill levels achieve their best work. The workshop is thoughtfully organized, and Chris always ensures participants are in the perfect spot at the right time for optimal lighting and action. Accommodations are very comfortable, the meals are amazing, and the venue lends itself to fun camaraderie among participants. I left the workshop with not only a drive full of images that exceeded my expectations, but also new skills and unforgettable memories. Highly recommended to anyone looking to improve their wildlife photography and experience these wonderful birds up close." - Joe Pizzuto New York| NY Deluxe Atlantic Puffins Aug. 2025

Savannah Sparrow in flight (Passerculus sandwichensis, Bruant des prés, Chingolo sabanero, SASP)  from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 Mark III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 4,000, f/8 @ 1/6,400s Manual exposure. Full frame image.

Razorbills, Puffins, and the Magic of L’Île aux Perroquets — 2025 Workshop Wrap-Up

Razorbills, Puffins, and the Magic of L’Île aux Perroquets — 2025 Workshop Wrap-Up

There's a special kind of magic that happens on L’Île aux Perroquets — a tiny, windswept island off the coast of Quebec, where seabirds soar above the Gulf of St. Lawrence and every corner hums with wild beauty.

As we wrapped up our 2025 Deluxe Atlantic Puffin Workshops, one moment stood out in particular: a Razorbill slicing through the air, a glimmering fish clamped tightly in its beak. With powerful, purposeful wingbeats, it returned to its burrow hidden among the rocks — where a hungry chick waited for dinner. It's these small, fleeting encounters that stay with us long after we've left the island.

Razorbills, though often overshadowed by their more famous cousins, the Atlantic Puffins, are just as captivating. They're expert divers, capable of reaching depths of over 100 meters in search of prey. Monogamous and fiercely devoted, these birds return each year to the same breeding grounds — and often the same mate — to raise their single chick.

L’Île aux Perroquets is one of the rare places in Quebec where you can witness this intimate part of their life cycle up close. Alongside the Razorbills, we shared the island with thousands of Puffins, Common Murres, and the occasional curious Gray Seal or passing Minke Whale (We saw 25 different individuals — including a couple of calves — in a single afternoon). The biodiversity here is astounding, and every day offered new sights, sounds, and stories.

Our home for the workshops — the beautifully restored lighthouse keeper's house — offered cozy accommodations, warm meals, and a front-row seat to one of North America's most unique seabird colonies. As always, it was a dream setting for photography, learning, and meaningful connection with nature.

Looking back at the smiling faces in our final group photo, it's clear: this place leaves a mark. Whether it was the thrill of capturing the perfect in-flight shot, watching Puffins clumsily land in the grass, or soaking in the island's serenity under the midnight sun, everyone left with full memory cards and fuller hearts.

Until next time, L’Île aux Perroquets — merci for another unforgettable experience. Adieu!

Razorbill Flying with fish (Alca torda, Petit Pingouin, Alca común, RAZO) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a1 Mark II Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 1,000, f/8 @ 1/5,000s Manual exposure. Full frame image.

Group 1: Bob, Susan, John, Monica, Cindy, Gail and Joe. Missing is Dr. Vic, who had to leave early to make his clinic.

Group 2: Lisa, Denise, Don, Susan, Ellen, Jack, Bill, Hugh and Denise

Group 3: Alan, Anne, Kathy, Scott, Tim, Kathy, Dick and Mark.

Group 4: Paula, Fran, Todd, Michele, Pat & Anita

Group 5: Randi, France, Maya, and that is Captain Arnold getting us safely back to shore.

The Shot I Didn’t Plan For: A Black-bellied Plover on L’Île aux Perroquets

While we were working on photographing the fast and unpredictable Bank and Tree Swallows during one of my Atlantic Puffins Deluxe Workshops, I was hoping to finally get that elusive shot I've had in my head for years—an image of a Bank Swallow suspended in flight against a backdrop of vivid yellow wildflowers. As anyone who's tried will tell you, these swallows are small, fast, and downright frustrating to photograph in flight. I came close (again), but it wasn't quite the shot.

Then, in a welcome twist, a Black-bellied Plover came gliding across the island in a low, direct flight. Its steady, purposeful path made it a much more cooperative subject. I quickly swung my setup around—shooting with the Sony a9 Mark III and Sony 600mm f/4, paired with the 2x teleconverter to give me 1,200mm of reach—and managed to grab a clean sequence of frames as it crossed in front of me. Everything aligned just right, and I came away with an image I'm genuinely proud of.

I've only seen a handful of Black-bellied Plovers over the decades while hosting these workshops on L’Île aux Perroquets, which makes this encounter even more special. These plovers breed in the Arctic tundra and migrate thousands of kilometres to spend the winter along coastlines throughout the Americas and beyond. L’Île aux Perroquets isn't part of their breeding range, but it sits right along a migratory corridor—so now and then, one stops in to rest or refuel. It's a rare treat.

This moment was a great reminder that in wildlife photography, you don't always get the image you came for—but if you stay patient, observant, and ready, you might get something even better.

Black-bellied Plover over sea of yellow wildflowers (Pluvialis squatarola, Pluvier argenté, Chorlito gris, BBPL)  from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 Mark III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 2,000, f/8 @ 1/6,400s Manual exposure. Full frame image.

MORE KUDOS

“I have never participated in a photography workshop before, and this turned out to be truly awesome! I am still digesting the experience and processing images....I want to thank you for a wonderful experience, all around on Ile Aux Perroquetes. It was so nice to meet you and hear your stories of how you came to be the experienced photographer you are and be privy to your experience of how to better photograph the Puffins + on the island. Thank you for the camera setting recommendations and pointers throughout our stay. I am still practicing tracking the swallows! I came home with some wonderful images and memories of the tranquility of the island while photographing. Being amidst the Puffins for three days was icing on the cake.  I am enamored with them. Thank you!” - Michele Kirk New Jersey | USA Deluxe Atlantic Puffins Galore Aug. 2025

Photographing a Merlin on Île aux Perroquets During a Puffin Photography Workshop

A Flash of Feathers: The Unexpected Merlin on Île aux Perroquets

While leading my Deluxe Atlantic Puffins Galore photography workshops on Île aux Perroquets, I was expecting the usual cast of characters: charming puffins, also known as the clowns of the sea, Common Murres and Razorbills calling from the cliffs, and the rhythmic pulse of the Gulf of the Saint Lawrence setting the scene. The weather was overcast—perfectly diffused light for bringing out feather detail and subtle colour—but the atmosphere had that still, charged feeling, like nature was holding its breath.

We were focused on the puffins, as always, when it happened.

Out of nowhere, a streak of motion tore across the sky—a Merlin. Compact and powerful, this small falcon shot through our field of view like a feathered missile, clocking what must have been near its top speed of 98 km/h. I barely had time to register the shape before instinct kicked in—I raised my Sony A9 III, already fitted with the incredibly versatile 400–800mm zoom, and quickly zoomed in to around 750mm to fill the frame.

It was the briefest of encounters—less than a minute—but pure electricity. The Merlin darted in low and fast, and although it posed no real threat to puffins (its preferred prey are smaller songbirds), the effect was immediate and dramatic. Puffins erupted off the cliffs in all directions, driven by instinct and the unmistakable silhouette of a falcon. Puffins and Razorbills filled the air; a sudden storm of wings and circling seabirds.

I tracked the Merlin through the chaos, relying on the blazing-fast autofocus and high frame rate of the A9 III to catch fleeting moments before it veered off and disappeared toward another island. Just like that, it was over.

This is precisely why I always teach to shoot manual exposure with a fast enough shutter speed to freeze motion. Nature doesn't send alerts for its most extraordinary performances. The unexpected is often where the magic happens, and being technically ready is what turns surprise encounters into winning images.

Every time I'm in the field, I'm reminded that preparation is half the battle. The other half is being present—and lucky enough—to witness something wild. On Île aux Perroquets that day, the Merlin gave us less than 60 seconds. But it was 60 seconds I'll never forget—and thanks to experience and preparation, I have the images to prove it.

Merlin (Falco columbarius, Faucon émerillon, Esmerejón, MERL) from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony A9 Mark III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @750mm ISO 6,400, f/8 @ 1/5,000s. Manual exposure. Full frame image.

Savannah Sparrow Juvenile Portrait on Red

During a recent Deluxe Atlantic Puffin Workshop, I was wandering around checking our options for last light when a juvenile Savannah Sparrow landed incredibly close—at the minimum focusing distance of my Sony 600mm lens, which also had a 2X teleconverter attached. The out-of-focus boathouse created a striking, out-of-focus red background, giving this unique portrait a warm glow as the sparrow bathed in the golden light.

More Kudos

Chris - Thank you for an amazing trip. Your knowledge, experience and willingness to share it all made this an adventure we will treasure forever. With gratitude, Don & Sharon Gabrielson, Minnesota | USA Deluxe Atlantic Puffins Galore Aug. 2025

Savannah Sparrow Juvenile Portrait on Red (Passerculus sandwichensis, Bruant des prés, Chingolo sabanero, SASP)  from my Deluxe Puffins Galore Workshop, Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony a9 Mark III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 2,000, f/8 @ 1/5,000s Manual exposure. Full frame image.