Osprey in flight with Black Crappie in Golden Light

Christopher Dodds April 14, 2025

That early morning mist hanging over Lake Blue Cypress, the sun just kissing the tips of the ancient, water-bound cypress trees... there's a magic to it, especially when the air fills with the triumphant cries of Ospreys. One particular moment stands out during my recent "Ospreys Galore & so much more" workshop. Clutching a fresh catch (Black Crappie. Alternate names for the species include calico bass, speck, speckled perch, speckled bass, moonfish, grass bass, strawberry bass, shiner, crawpie, oswego bass, sac-a-lait, and marigane noire). This magnificent bird called out to its mate in the soft, golden light. Our trusty Captain Don maneuvered the pontoon perfectly, allowing us to capture a series of images before letting the Osprey deliver the black crappie to its nest for its chicks to enjoy their breakfast in peace.

Moments like these demand gear that can keep up with the speed and spontaneity of nature, and let me tell you, the new Sony 400-800mm zoom lens paired with the Sony a9 mark III and the Sony 1.4x teleconverter is an absolute game-changer for wildlife photography.

Think about it: a single lens that effortlessly transitions from a generous 400mm reach to a staggering 800mm, and then, with the seamless addition of the 1.4x teleconverter, stretches all the way to 1120mm! This versatility is pure gold in dynamic environments like Blue Cypress. One moment, you're framing a wider scene of the Osprey in its watery habitat; the next, you're zoomed in tight, capturing the intricate details of its plumage or the glint in its eye. No more fumbling with lens swaps and potentially missing that crucial shot.

But reach is only half the story. What truly elevates this combination is the blazing speed and pinpoint accuracy of the a9 III's autofocus system. With its global shutter, the camera locks onto subjects instantaneously, and the Real-time Tracking keeps even erratic flyers like Ospreys locked in focus as they soar and dive. Adding the 1.4x teleconverter introduces more glass into the equation, but I was genuinely impressed by how little it impacted the autofocus performance. The lens and camera communicated flawlessly, delivering sharp, in-focus results even at those extreme focal lengths.

**OSPREY in flight with a Black Crappie** (Pandion haliaetus, Balbuzard pêcheur, Águila pescadora, OSPR) from my Ospreys Galore Workshop at Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @1,120mm ISO 8,000, f/13 @ 1/5,000s. Manual Exposure mode. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

Dancing with the Wind and a Willet: Willet in flight a la Sony a9 Mark III and the new Sony 400-800mm Zoom Lens

Christopher Dodds April 13, 2025

The stage was the wild, windswept beach at Sebastian, Florida, and the star? A stunning willet in striking plumage. If you've ever tried to lock focus on a shorebird in flight, you know they're not exactly known for their predictable flight patterns. Add gale-force wind into the mix, and you've got yourself a real avian acrobat. Tracking that kind of erratic movement, especially when aiming for tack-sharp focus, can sometimes feel impossible.

This is where the magic happened. I had the remarkable Sony a9 Mark III in my hands, paired with the brand-spanking-new Sony 400-800mm zoom, and to reach out and touch those distant subjects, I had the 1.4X teleconverter attached. This combination is a game-changer.

That incredible autofocus system on the a9 III was crucial, with its pre-capture and real-time recognition. It kept me locked onto that willet even as it twisted and turned in the wind. And the 400-800mm zoom, with the added reach of the teleconverter, gave me the flexibility I desperately needed. One moment, the bird was relatively close, buffeting in the wind; the next, it was soaring further out to sea. Instead of fumbling with prime lenses, I could smoothly and quickly adjust my focal length (the lens adjusts from minimum to maximum zoom in 1/4 turn of the zoom ring) while keeping the willet perfectly framed.

The sheer capability of this Sony setup transformed a potentially frustrating experience into an exhilarating one. It allowed me to react instantly to the bird's unpredictable movements, to frame those fleeting moments of beauty against the dramatic backdrop of the windy beach.

Walking away from Sebastian that day, my memory card filled with images that I was truly excited about, I was reminded once again of the incredible advancements in camera technology. This Sony combo isn't just about megapixels or fancy features; it's about empowering photographers to capture the wild beauty of our world, even when nature throws us a curveball – or in this case, a gale-force gust!

**Willet in Flight Dorsal View** *(Tringa semipalmata,* Chevalier semipalmé, Playero aliblanco, WILL). From my recent Ospreys Galore Workshop Lake Blue Cypress on April 9, 2025 at Sebastien, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @770mm ISO 3,200, f/11 @ 1/5,000s. Manual exposure.

Green Heron Calling in Flight Sony 400-800 with Sony 1.4X Tele-converter

Christopher Dodds April 12, 2025

A distinct, loud guttural "skeow" broke the silence as we waited for this Green Heron to take flight from a perch it landed on in front of us a few moments earlier. I tracked it flying directly across my frame as it took flight and called—the fleeting moment when you get the shot or don't. Thankfully, the new Sony 400-800mm with the 1.4x teleconverter attached to the Sony a9 mark III was already poised and ready.

What struck me immediately was the sheer versatility of this setup. Going from 560mm to 1,120mm with a 1/4 turn of the zoom ring while maintaining exceptional image quality is a game-changer. There was no time to swap lenses; frankly, I wouldn't have wanted to. The integrated zoom allowed me to track the heron smoothly as it flew, adjusting my composition on the fly.

And the autofocus? Absolutely tenacious. Even with the added magnification of the teleconverter, the focus locked onto the heron's eye instantly and held firm as it zipped past: crucial for capturing birds in flight, where even the slightest hesitation can mean a missed opportunity. The resulting images are tack sharp, revealing the intricate details of its plumage. The detail retention and auto-focus speed are remarkable.

This encounter perfectly illustrates the power and flexibility of the Sony 400-800mm with the 1.4x. It's a setup that allows you to react quickly, achieve incredible reach, and capture breathtaking sharpness, even in challenging situations. This lens is a serious contender for wildlife photographers who demand the best and need to be ready for anything. It's not just about getting closer; it's about capturing the moment with stunning clarity.

Be sure to take a look at my other blog posts from my trip to Florida with only a Sony a9 mark III, the new Sony 400-800 and both teleconverters (1.4X and 2X):

FE 400–800 mm F6.3–8 G OSS Mini-review. Is this the "Holy Grail" for bird photography? by Christopher Dodds

Less is More: Finding Freedom with only the Sony a9 III and 400-800mm in Florida

Red-shouldered Hawk and the freedom of the new Sony 400-800mm Zoom lens

**Green Heron Calling in Flight** *(Butorides virescens,* Héron vert, Garcilla Verde, GRHE). From my recent Ospreys Galore Workshop Lake Blue Cypress near Vero Beach, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @1,036mm ISO 3,200, f/13 @ 1/5,000s. Manual exposure.

American Crow in Flight

Christopher Dodds March 27, 2024

Formerly known as a Northwestern Crow, this American Crow added to the Eagle fun during my Eagles Galore Workshops in Alaska. I love the frost on its feet.

**American Crow in Flight** (Corvus brachyrhynchos, Corneille d'Amérique, AMCR) March 7, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens @600mm ISO 10,000, f/8 @ 1/5,000s. Manual Exposure mode. Slight crop. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Bald Eagles LOCK ON

Christopher Dodds March 26, 2024

Here is one from our last day of the second Eagles Galore Workshop in Alaska. I can’t say enough about the advantages of a camera (Sony A9 mark III) that captures 120 images per second! The time it takes to go through the photos is well rewarded with perfectly timed images like this one—smile!

**Bald Eagles Lock On** (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) March 14, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 2X Tele-extender @1,200mm ISO 8,000, f/8 @ 1/5,000s. Manual Exposure mode. Slight crop. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Bald Eagle The Call of the Wild

Christopher Dodds March 25, 2024

This is another portrait of an Adult Bald Eagle calling from my recent Eagles Galore Workshops in Alaska. The new Sony A9 Mark III proved to be an incredible tool for any action. In this case, having so many frames to choose from ensured direct eye contact with open eyes. As always, I chose manual mode and exposed for the light falling on the subject to ensure a perfect exposure for every frame.

**Bald Eagles Calling Portrait** (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) March 13, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 1.4X Tele-extender @840mm ISO 2,000, f/9 @ 1/800s. Manual Exposure mode. Full frame image. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Bald Eagle Calling Portrait

Christopher Dodds March 23, 2024

After a flurry of feeding, the Eagles settled down on perches, and many allowed us to get really close, as they usually do during my Eagles Galore Workshops in Alaska.

The key to getting a close-up portrait of an Eagle calling is patience; wait, and they will call!

ki-ki-ki-ki-ki-ki-ker! An Eagle calling is like no other sound in nature; it always induces goosebumps and is instantly recognizable.

Black-capped Chickadee in Flight a la Sony a9 Mark III at ISO 25,600

Christopher Dodds February 18, 2024

Sony a9 mark III Initial thoughts

Since receiving a preproduction model, I have intensely tested the new Sony a9 mark III. I had hoped to write a mini-review by now, but it simply wouldn’t be objective, fair or accurate this early on. There is a new level of menu item adjustments (yes, even more choices to make), with too many combinations to test everything thoroughly. I received my production models early last week, and I will write a full review and let you know the best settings once I get home from my Alaska Eagles Galore Workshops in mid-March (Two spots have opened up due to cancellations). Until then, stay tuned for tidbits (bits & bobs).

I wanted to test the camera as much as freeze the wingtips, so I adjusted my ISO to 25,600 (Which happens to be the camera’s maximum native sensitivity), shutter speed to 1/5,000s and shot wide open at f/8 (600 f/4 lens plus 2X extender). I can honestly say I am impressed so far; I applied some noise removal software (in Adobe Camera Raw) and love the resulting images.

The auto-focus works even better than the now three-year-old flagship, the Alpha 1. Still, my time with difficult-to-photograph birds has been limited, and I haven’t tried all of the AF menu setting combinations, so I feel it is too early to make the final judgement on how much better.

120 Frames per second RAW capture is insane! You must learn to become a ruthless editor and cull everything but the best images. Gone are the days of my wishing for a slightly later or earlier frame to get a better wing position! This camera is a real game-changer!