2019 Point Pelee Migration Blackburnian Warbler

Blackburnian Warbler (Dendroica fusca, Paruline à gorge orangée, BLWA) on the beach at the tip of Point Pelee National Park of Canada during my Songbirds of Pelee Workshop. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Sony Alpha a9 Mirrorless camera & Sony FE 400mm f/2.8 G Master OSS Lens  with Sony FE 2X Teleconverter @800mm ISO 2,500, f/7.1 @ 1/2,000s Manual exposure.

 

The spring migration during my Songbirds of Pelee workshop was off the charts! It was the best migration I have ever seen. All of the birds were low and slow, with day after day of warbler bliss for photographers.

May 9th started like most at The Tip, relatively quiet at first, then a slow trickle of warblers that seemed to appear out of the leaf litter started to build and become a mega reverse migration. There were 9 species of warblers on the sand on the beach alone, and 26 species of warblers at the tip! It was, without doubt, the biggest and best spring migration that I have witnessed at Point Pelee; warblers were dripping off the trees!

Bird photography during spring migration is usually quite challenging in a National Park without using water drips, food or bird song playback to attract the birds. It can be quite frustrating to get the high-quality images that we all dream of with nice poses, clean backgrounds and nice perches. The results are well earned and some of the most rewarding photography that I have in my collection.

Technology certainly has made it easier to keep track of rare bird sightings with Twitter and WhatsApp providing a constant stream of messages with bird reports. As a photographer, it is important to "qualify the lead" before charging past a dozen species of warblers posing down low in nice light while trying to track down a rare warbler seen with a scope at 80 feet. Always ask when it was seen, how close, how high and if it seems to hang around. Try to determine the pedigree of the person who reported it to ensure it is an accurate identification, and always be sure that you want to give up the photo opportunities in front of you before chasing "phantoms".

This Blackburnian Warbler was photographed while foraging for insects with my Sony a9, 400mm GM lens and Sony 2X extender which was the set-up I carried around for the whole trip. I stopped-down to f/7.1 to increase the very shallow depth of field while working so close.

 

 

Red Fox of Bonaventure Island

Red Fox (Vulpes vulpus, Renard Roux) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé, Bonaventure Island, Quebec Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Sony Alpha a9 Mirrorless camera & Sony FE 400mm f/2.8 G Master OSS Lens  with Sony FE 1.4X Teleconverter @560mm ISO 6,400, f/9 @ 1/5,000s Manual exposure.

We had a few really great encounters with the resident Red Fox during my Gannets Galore workshop last June. Traditional symbols of cunning and craftiness, foxes are, in fact, agile, intelligent, and above all, adaptable creatures. Bushy-tailed, long-snouted members of the dog family, they are quick and skilful hunters that eat a broad range of wild fare, including insects, rabbits, berries, and all sorts of rodents, birds and their eggs.

The predatory behaviour of red foxes (Vulpes vulpes) in relation to a large multi-species seabird community was studied on Baccalieu Island, Newfoundland, from 1983-1986. Fox diet was assessed by examining the faecal composition, avian prey remains and larder hoarded prey. Leach’s Storm-Petrels (Oceanodroma leucorhoa) made up of 75% of scat by wet weight, 89% of remains and 95% of prey items in and scattered about larders. Black-Legged Kittiwakes (Rissa tridactyla), Atlantic Puffins (Fratercula arctica), Common Murres (Uria aalge) Northern Gannets (Sula bassanus) and Herring Gulls (Larus argentatus) formed 19% of scat by wet weight and 11% of remains.



"An excxellent professor of the art"


"Now in September, with the images of our Northern Gannet workshop processed and filed, I want to thank you for your outstanding planning and execution of the our adventure/trek/shoot on Bonaventure Island this summer. It was a pleasure to be your customer/client.
 Your execution provided an experience to make it one of the two best that I have been a part of in my many years of summer shoots. Given the uncertainties of rain, tides, winds, and clouds, you exploited so well every opportunity that came our way. On these trips the purpose is to get good looks at the birds. The some 3,100 exposures that I came home with were solid evidence that I got the looks at this magnificent gannet I was hoping for ---I netted many quality images. Good stuff now in the files. 
Our housing was just what we want: accessible, comfortable, clean and a good buy. The schedule was chock full, we did not have avoidable down minutes, and we squeezed all of the looks available to us out of the time and conditions available. The access to an ATV to tote our gear from the dock to the colony, for a guy of my age, was a real plus and that comes about only with your obvious advance work and solid relationships with the park folks.
 The trip on the water to the far side of the island was a highlight for me and shows best your foresight and planning to get us in not otherwise available, shooting positions. That was unique time, extraordinary. 
But most of all, Chris, your ever-present availability to be immediately responsive to our technical photographic and logistical questions makes this trip so exceptional. So many of the shoot producers put themselves above and before the client-photographer and are spending more time getting their own shots or just not being around when you need their advice. You stay available to provide professional guidance to the guys and gals paying for the experience. I observed that no question is too mundane; you patiently helped the rookies, just as you did the most advanced. Personally, I improved my techniques and banked a good range of knowledge, thanks to you. 
 

My summary: You are an excellent professor of the art, a solid expedition planner, a constant steward of the details, and a good guy with whom to spend days on a trek. 
I'm very interested in getting some Spring/nesting shots of that Atlantic Puffin. If you put together such a trip, please let me know. 
I look forward to another shoot with the unique Dodds' touch. 
Continued success to you, with all best wishes,

Andy Hays Chicago, Illinois, USA"

Andy will be joining me this August for my Deluxe Puffins Galore Workshop in Quebec. Learn more about my Puffin workshop HERE.

Black-legged kittiwake Love Nest

Black-legged Kittiwake LOVE NEST (Rissa tridactyla,  Mouette tridactyle, BLKI) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé, Bonaventure Island, Quebec Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Sony Alpha a9 Mirrorless camera & Sony FE 400mm f/2.8 G Master OSS Lens  with Sony FE 1.4X Teleconverter @560mm ISO 6,400, f/8 @ 1/5,000s Manual exposure.

 

Here's a simple enough composition of a Black-legged Kittiwake in its nest on the cliffs of Bonaventure Island on the Gaspe Penninsula in Quebec. I photographed this from one of the Zodiac cruises during my Gannets Galore workshop last June. I love studying the rocks and looking for patterns and shapes - If you look long enough, you will see the heart shape in the upper right-hand corner :)

It's not too late to join me at one of my favourite places on earth! No one has spent as much time photographing on Bonaventure Island as I have. I have hosted many hundreds of photographers there of all levels of photographers from pros like Arthur Morris who wanted expert logistics and local knowledge to complete amateurs who want to learn the basics; many of whom have won photography competitions with the images made there with me. I know where to be in any given weather or light to get you the very best images possible.


Gannets Galore: A recent trip to the gannet colony on the Gaspe’s Ile Bonaventure with Chris Dodds proved to be all that I could have hoped for.  The colony is large, active and readily accessible, Chris’ familiarity with the birds and how they would react to the frequent changes in weather and wind direction gave us access to some pretty unique shooting opportunities, and his knowledge of the area and personal connections within the local community allowed us to get to the island when construction on the town’s only pier could easily have prevented us from getting there.  This, combined with Chris’ almost unique ability to teach the principles of photography at the simplest and most complex levels, making this a trip that should not be missed. 
 
Steve Goodman Denver, Colorado, USA

 

Glaucous-winged gull

Glaucous-winged gull (Laurus glaucescens, GWGU) from my BALD EAGLE WORKSHOP in Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Sony Alpha a9 Mirrorless camera & Sony FE 400mm f/2.8 G Master OSS Lens  ISO 2,000, f/2.8 @ 1/5,000s Manual exposure.

Here's a Glaucous-winged Gull from my recent back-to-back Bald Eagle photo tours. Sony A9 Auto Focus performance continues to impress, with unimaginable gains with the newly released Firmware V5.0. Be sure to update your firmware HERE.

Bald Eagle Shadow Huntress

American Bald Eagle SHADOW HUNTRESS (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) from my BALD EAGLE WORKSHOP in Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Sony Alpha a9 Mirrorless camera & Sony FE 400mm f/2.8 G Master OSS Lens  ISO 4,000, f/4 @ 1/5,000s Manual exposure.

On the third day of my first group of Bald Eagle photo tours the conditions were perfect for my friend and our captain Dave to navigate into one of my favorite back coves in Kachemak Bay. Thanks to Dave for being a loyal friend and a professional mariner who works tirelessly to keep us in the heart of the action while keeping us all safe!

It was dark and overcast with still water and the action was non-stop! I have tried this sort of "backlit in the shadow" fishing shot before, but the other camera brand I used always let me down. Now armed with the Sony 400mm f/2.8 G Master prime lens with the Sony a9 I had so many razor sharp images that it was hard to choose what to keep! Learn more about why it can focus so quickly with its linear movement HERE.

Join me in Alaska Eagle Heaven next March for my annual Eagle extraviganza. Get more information and sign-up HERE.

Bald Eagle Fishing a la Sony 400mm f/2.8

American Bald Eagle FISHING (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) from my BALD EAGLE WORKSHOP in Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Sony Alpha a9 Mirrorless camera & Sony FE 400mm f/2.8 G Master OSS Lens Full Frame image. ISO 640, f/2.8 @ 1/5,000s Manual mode.

Here's a Bald Eagle fishing in golden light from my recent sold-out back to back Bald Eagle photo tours on the beautiful Kachemak Bay near Homer, Alaska. This is a full frame image made with the new and much lusted after Sony 400mm f/2.8 G Master prime lens. I worked wide open at f/2.8 for most of the trip and was blown away by the incredible speed at which the Sony a9 achieves accurate auto-focus while using this lens (Learn more about why it can focus so quickly with its linear movement HERE).

I continue to be blown away by the Sony a9 since switching from Canon in August 2017;  there is no better system for flying birds out there!

Happy New Year

American Bald Eagle SNOWDRIFT (Hailiaeetus leucocephalus, Pygarge a tete blanche, BAEA) from my BALD EAGLE WORKSHOP in Kachemak Bay (near Homer), Alaska ©Christopher Dodds All Rights Reserved. Sony Alpha a9 Mirrorless camera & Sony FE100-400mm F4.5-5.6 G Master OSS Lens @ 400mm Full Frame image. ISO2,500, f/5.6 @ 1/4,000s Manual mode.

Happy New Year!

This image of a Bald Eagle from my Bald Eagle workshop in Homer, Alaska might be my favorite image from 2018. Best wishes for a happy and healthy New Year ahead to all! 

Merry Christmas

 

Great Grey Owl SOLITUDE (Strix nebulosa, Chouette Lapone, GGOW) Gatineau, Quebec ©Christopher Dodds All Rights Reserved. 244mm ISO 3,200s, f/5.6 @ 1/2,500s Manual mode. Click HERE to order a print or license image for publication.

Merry Christmas, Happy Holidays, Peace, Joy & Love

To everyone who visited this blog or my Facebook page, attended a workshop, safari, seminar or lecture, purchased a print or licensed an image: Thank you for making 2018 my best year yet. I am so very lucky and grateful!

Great Grey Owl BOO

Great Grey Owl BOO (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS ISO 2,000, f/5.6 @ 1/2,000s Manual Exposure mode and Sony's eye AF. Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Yet another example of how well the Sony Eye AF works! I am loving the new Sony FE 400 f/2.8 GM OSS

Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Great Grey Owl LAUNCH

Great Grey Owl LAUNCH (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS ISO 5,000, F5.6 @ 1/5,000s Manual Exposure mode and Sony's eye AF. Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Another example of how well the Sony Eye AF works! I am loving the new Sony FE 400 f/2.8 GM OSS, early start to winter (did I really say that) and having this beauty all to myself :)

In case you missed it, I wrote a mini-review of the new Sony FE 400 f/2.8 GM OSS in a recent blog post HERE

Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Great Grey Owl a la Sony a9 Eye AF 400mm f/2.8 G Master

Great Grey Owl (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS ISO 3,200, F5.6 @ 1/3,200s Manual Exposure mode and Sony's eye AF. Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Sony is very careful to note that Eye AF is designed to work with human subjects; they make no claims about it's ability with birds or mammals..BUT, with every firmware update, it seems to work better with non-human subjects. Make no mistake, it is not flawless, but when it works, it really nails the shots ;) The rumours are that Sony is continuing their efforts to improve this feature, and hope to announce it officially sometime in the future.

Do note the intentional movement in the wing-tips, even with a high shutter speed of 1/3,200 of a second. When I want to freeze the motion, and zoom into every detail, then I am working with a minimum shutter speed of 1/5,000 of a second.

In case you missed it, I wrote a mini-review of the new Sony FE 400 f/2.8 GM OSS in a recent blog post HERE

Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Great Grey Owl Portrait a la Sony a9 and 400mm f/2.8 G Master lens with 2X teleconverter

Great Grey Owl PORTRAIT (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS with Sony FE 2X Teleconverter ISO 3,200, F5.6 @ 1/3,200s Manual Exposure mode. Join me for my winter owl workshops this January/February to learn More CLICK HERE.

In case you missed it, I wrote a mini-review of the new Sony FE 400 f/2.8 GM OSS in a recent blog post HERE.

Here's a portrait of a Great Grey Owl with the Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS with Sony FE 2X TeleconverterIt has been rather wet and rainy lately. The dehaze filter in Photoshop worked well to negate the heavy rain and ground fog which kept most people inside - smile.

Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Great Gray Owl a la Sony a9 and 400mm f/2.8 G Master lens with 2X teleconverter

Great Grey Owl (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS with Sony FE 2X Teleconverter ISO 2,000, F5.6 @ 1/5,000s Manual Exposure mode. Join me for my winter owl workshops this January/February to learn More CLICK HERE.

In case you missed it, I wrote a mini-review of the new Sony FE 400 f/2.8 GM OSS in my last blog post HERE. Here's an image of a Great Grey Owl with the Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS with Sony FE 2X Teleconverter.

I continue to be amazed by the speed and accuracy of the Sony auto-focus. It truly is unbelievable!

Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Sony 400mm f/2.8 GM Mini Review

Great Grey Owl (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS  ISO 1,250, F2.8 @ 1/5,000s Manual Exposure mode. Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Sony FE 400 f/2.8 GM OSS Mini Review

I am just back from a cross Canada road trip that took just over six weeks and covered more than 17,500km. I was honoured to stop and present at various camera stores across the country, then ended the trip with presentations at ProFusion (Canada's largest camera show); all sponsored by Sony of Canada. Thank you Sony. I got to meet so many great photographers along the way; it was a blast!

I have received a lot of email asking about my thoughts on the new Sony FE 400 f/2.8 GM OSS lens; if I had one, and if I thought it was worth the price tag. Yes, I do own one and YES, it is worth the price! When paired with the Sony Alpha a9 Mirrorless Camera, the Sony FE 400 f/2.8 GM OSS is the fastest, most reactive with the most accurate auto focus lens that I have ever used. It is light and very well balanced (there was a lot of engineering involved to carefully design the lens with most of it's optics toward the back to make it really easy to hand-hold; a real win for birds-in-flight photographers). Add the Sony 2X Tele-extender, and you end up with a prime killing 800mm f/5.6 that is sharper and more capable than the Canon or Nikon prime lenses that I have used.

Sony took a huge step when thy developed the hybrid AF system that the Sony a9 uses; they have leapt forward with the XD Linear focus. There is no camera and lens that can focus as fast!

From the Sony website: "The XD Linear Motors have been newly developed to deliver higher thrust and efficiency than conventional types in order to make the most of the rapidly evolving speed performance of current and future camera bodies. Linear motor design and component layout have been thoroughly revised to achieve significantly higher thrust. Two of these new motors are used in the SEL400F28GM, achieving up to a 5x improvement* in moving-subject tracking performance. This means that the full speed performance of advanced camera bodies can be applied to capturing perfect images of the most dynamic sports or wildlife subjects. The XD Linear motors are further supported by new algorithms developed specifically for them, notably improving the motors’ response to control signals and minimizing lag and instability that can occur when driving a large aperture focus lens group for quiet, low-vibration operation. "

In summary, XD Linear focus is so much faster than the conventional rotational focus because it quickly and efficiently "thrusts" forward and backward to achieve tack sharp focus. Since conventional lens elements rotate like a nut on a bolt, they have to travel about five times further (think how little a nut moves in relation to how many times it must be turned). There is a limit as to how fast a lens (or lens group) can safely move in a rotational manner. 

Bald Eagle Photography Workshop

American Bald Eagle (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) from my Bald Eagle Workshop in Kachemak Bay, Alaska ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 271mm ISO 2,500, F5.6 1/5,000s Manual mode.

Here's another one from my Bald Eagle Photo Tour in Alaska last March. Both workshops in March 2019 were sold out, but I have just had a couple cancel, leaving two spots open. Learn more about my March 10-14 Bald Eagle Photo Tour HERE.

Bald Eagle Photo Tour

American Bald Eagle (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) from my Bald Eagle Workshop in Kachemak Bay, Alaska ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS @ 192mm ISO 2,500, F5.6 1/5,000s Manual mode.

Here's one from my Bald Eagle Photo Tour in Alaska last March. Both workshops in March 2019 were sold out, but I have just had a couple cancel, leaving two spots open. Learn more about my March 10-14, 2019 Bald Eagle Photo Tour HERE.

Caption me contest

Coastal Brown Bear Mother and Spring Cubs (Ursus arctos) Kukak Bay, Katmai National Park, Alaska. Image Copyright ©Christopher DoddsSony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS with 2X Tele-extender @ 380mm. Full frame image. ISO 3,200, f/13 @ 1/640s Manual exposure mode.

Here's a fun image from my recent Katmai Bear Boat Workshop. Leave a comment with a caption or title and my favorite will win a free signed print of this image including postage to anywhere in the world.

Parakeet Auklet PORTRAIT

Parakeet Auklet PORTRAIT (Aethia psittacula, Starique perroquet, PAAU).  Saint Paul Island, The Pribilof Islands in the Bering Sea, Alaska, USA. Image Copyright ©Christopher DoddsSony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS with 2X Tele-extender @ 800mm. Full frame image. ISO 2,000, f/11 @ 1/2,500s Manual exposure mode.

Razorbill and Puffin Silhouette

Atlantic Puffin & Razorbill SILHOUETTE (Fratercula arctica, Macareux moine, ATPU, Alca torda, Petit Pingouin, RAZO). From my DELUXE PUFFIN WORKSHOP in Mingan Archipelago National Park Reserve of Canada, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher DoddsSony Alpha a9 Mirrorless Camera & Sony FE100-400 F4.5-5.6 G Master OSS with 1.4X Tele-extender @ 560mm. Full frame image. ISO 1,600, f/8 @ 1/2,500s Manual exposure mode.

As I was carefully tracking the Razorbill with my camera vertically, when I got photobombed by an Atlantic Puffin :)