Happy Holidays

Great Gray Owl (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds from my Winter Snowy Owls Workshop in Ontario from January 2005. Join me for my winter owl workshops this January/February. To learn more, CLICK HERE.

Gret Gray Owl on a Birch Perch

The first whispers of Great Gray Owl arrivals have started to circulate a little later than usual this year. Here is one from my winter owl workshops in 2014 that I love because of its simplicity.

Another Snowy Owl was just seen along the beach near where I host my Deluxe Atlantic Puffin Workshops.

Great Gray Owl on a birch perch (Strix nebulosa, Chouette Lapone, GGOW, Dark Wood Owl, Lapland Owl, Striped Owl, Lapp Striped Owl) ©Christopher Dodds From my Winter Owl Workshops in February, 2014 500mm X 1.4 @700mm ISO 3,200, F5.6 @ 1/2,500s Manual Exposure mode. Join me for my winter owl workshops in January and February

Great Gray Owl

A favourite Great Gray Owl image from one of my Winter Owl Workshops in 2013 that I just reprocessed before making a 40” X 50” print for a client in The Netherlands.

There are still two spots left for my January 27-31 Winter Owl Workshop.

Great Gray Owl (Strix nebulosa, Chouette Lapone, GGOW, Dark Wood Owl, Lapland Owl, Striped Owl, Lapp Striped Owl, Great Grey Owl) ©Christopher Dodds from my winter owl workshops in 2023 @344mm ISO 5,000, F5,6 @ 1/5,000s Manual Exposure mode. Join me for my winter owl workshops in January.

Great Gray Owl Phantom of the North

I photographed this Great Gray Owl (Great Grey Owl in some parts of the world) using my Sony a1 mirrorless camera with the FE 200-600mm f/5.6-6.3 G OSS zoom lens @348mm in a winter snowstorm during my winter owl workshop.

Owls have such a mysterious grace about them. One of my favourite facts about the Great Gray Owl is that it is an optical illusion. It is one of the largest owls in the world (by length), and, at the same time, it's not that big at all. Great Gray Owls have relatively small bodies but are covered in so many dense layers of long feathers that they appear to be much bulkier than they are.

Great Gray Owl Phantom of the North (Strix nebulosa, Chouette Lapone, GGOW, Dark Wood Owl, Lapland Owl, Striped Owl, Lapp Striped Owl) ©Christopher Dodds Sony Alpha a1 Mirrorless Camera & Sony FE 200-600mm f/5.6-6.3 G OSS Lens @348mm ISO 6,400, F6.3 @ 1/5,000s Manual Exposure mode. Join me for my winter owl workshops in January.

Bird Photography Intentional Blur and Q&A

Q:

Christopher,

I am constantly gobsmacked by your exceptional images. The details are captivating to me. I do wonder if you ever slow down your shutter and create artistic blurs? - Peter Wentworth

Hi Peter,

Thank you. Yes, I am not typically a fan of intentional blurs, but I do occasionally play around and slow my shutter speed down. Here is a Great Gray Owl I recently photographed at 1/40s with the new Sony a1 and 200-600mm lens. I find the key to my liking an intentional or artistic blur is having the eye(s) relatively sharp.

Q:

Hello Christopher, I liked your comments on the new alpha 1. How did you find it with the 200-600 zoom. I use this lens with the a7r3. The combo I found a bit slow to focus with wildlife. Where you happy with it on the a1. I have preordered the a1 and hoping to not have to upgrade the lens. Best, - Steve Aidelbaum

Hi Steve,

I think you will notice a significant autofocus performance boost with the focus acquisition speed and AF responsiveness of the 200-600 with the a1 vs. the a7RIII.

Q:

Thank you for responding to my query (Antman) in the comments. I would value your opinion on the following.

If you could buy either the 600MM f4 or A1 what would you go for based on the pairing

A9 + 600mmF4 or A1 + 200-600MM.

I own the A9 + a7R4 and 200-600mm and am wondering what makes more sense. My gut feel says go for the 600mm f4. However, I have never used either and I cannot get to see or feel the 600mm f4 in Australia. Both options have advantages. - Thanks, Anthony Heuver

Hi Anthony,

The most practical and financially sensible direction here is to invest in glass and buy the 600mm f/4 GM lens that you will have for the rest of your life. Camera bodies are refreshed at a staggering pace and the used value of them seems to be diminishing at a faster and faster pace with each new release. You can get a great deal on a new a9 (the version I), or take advantage of the "depressed" market and get a lightly used one: remember the shutter count is much less relevant for a mirrorless camera body and if you use the electronic shutter to achieve the fastest capture rate of 20 fps, there are no moving parts. The a9II has better ergonomics and connectivity, but I see little reason to spend the extra cash at this time. Holding off on the newly released a1 until we see promotional discounts or used bodies on the market will give you time to save money toward the purchase and save on the initial investment.

Sony 200-600 with Sony A1 Image Quality

There has been a lot of chatter about the image quality of the Sony 200-600mm zoom lens when used with the new high-resolution Sony a1 camera body. My observations were limited in time and opportunity, but I don't see any issues with the incredible level of detail in this full-frame image of a Great Gray Owl in a snowstorm. I purposely tested the camera in the field as I typically use my equipment to produce the kind of images that excite me.

What I can tell you is that this may not be the best example to clearly define any issues that the lens may have when paired with an ultra-high-resolution camera. If I were to try to find a weakness, then I would test it for edge-to-edge sharpness, chromatic aberration, image degradation, and barrel distortion on something as simple as a black and white chessboard; an image with lots of contrast and linear lines. To test that most accurately and rule out any interference from traffic or ground tremor vibrations I would have to use one of only a very few seismically stable platforms that are typically used to test/measure helicopter or jet engine vibrations.

My advice is to completely ignore the critics who are photographing outside of their usual genre and posting bird pictures that most of us would throw in the trash: always to test equipment under the conditions that you would normally use it - smile.

Sony a1 Bird Eye AF The Real Test

To truly test the bird eye AF of the newly launched Sony a1, I needed to find a moving bird against a distracting background that would normally confuse the camera's AF system into focusing on the background. Sounds easier than it was, as I first had to overcome my natural reflex of finding birds and animals against nice clean out-of-focus backgrounds. This image is perfect to demonstrate the ridiculous accuracy of the bird eye autofocus of the Sony a1: Not only is the background close and cluttered (photographing the subject further from the background would have made the background more out of focus and made the whole test easier for the camera), but the subject is relatively low contrast against it. The random scattering of snow covered branches is harder for most autofocus systems to negate when compared to the predictable vertical tree trunks on the edge of a deciduous forest. It was remarkable to see the camera lock onto the eye and follow it through a sequence of 40 images that were all razor-sharp.

Sony a1 Bird Eye Autofocus ROCKS

I have been lucky to have had several shoots with this beautiful Great Gray Owl relatively close to home in Southwestern Quebec. It was the perfect model for my recent test of the Sony Alpha A1 for Sony of Canada. It is amazing to think back on all of the owls I have photographed over the years and I can’t remember the last time I got to photograph one completely alone without a group of eager winter owl workshop participants, so this is one silver lining of the Covid-19 pandemic that has wreaked havoc across the travel/workshop industry.

In truth, this is a big and relatively slow moving owl. I would have loved to test the camera and it’s built-in and industry leading bird eye auto-focus on some small and fast moving Auklets in The Pribilofs or Atlantic Puffins in Quebec.

The a1 locked onto the owls eye instantly and stayed locked-on to the eye until the owl’s head turned away from the camera; that is when a larger focus target locked-onto it’s head, and quickly regained it’s lock on the eye as soon as it looked back towards me. The bird eye autofocus in extremely impressive and when combined with the camera’s ability to verify focus 120 per second (twice as often than the a9 & a9II) it truly is a game changer! Does it work every time? Almost; the only time it had a little trouble so far was when pointed at a dark bird in low contract light when it tried hard, but ended-up choosing the bird’s shoulder instead of it’s dark eye.

Merry Christmas and Happy Holidays

Best wishes for a very Merry Christmas to everyone who celebrates it & Happy and safe holidays for everyone.

Great Gray Owl WINTER SQUALL & Private Winter Owl Workshops Announced

A wide-angle black & white view of a Great Gray Owl against dark storm clouds in Quebec, Canada. Despite working with a wide-angle lens (the Sony 24-105mm f/4 G OSS) at 28mm and choosing an aperture of f/16, the sky in the RAW file lacked the detail that I saw with my eyes. The solution was to replace the sky with Photoshop using the new Sky replacement feature that usually works surprisingly well.

Private one-on-one Winter Owl Workshops announced

Skip the Covid-19 Coronavirus risks and join me for a private one-on-one winter owl photo tour offered in January and February. The cost is $1,500.00/day plus expenses and sales tax. Includes guiding to the owls and as much instruction as you would like. Spots are filling quickly (currently booked up until Jan. 20), so make sure to reserve your day(s) soon!

Great Gray Owl PEEK-A-BOO

I love being in the woods looking for owls and I love feeling that something is watching me even more, as was the case here - smile.

The most remarkable moment with this Great Gray Owl was a group of about 14 birders who walked past me and the owl without even replying to my “hello”. No reply, eyes down as if they had already decided that they were not going to see an owl; so they didn’t get to see the owl :)

Great Gray Owl in November Sleet

Another recent Great Gray Owl image made with the incredibly versatile Sony FE 200-600mm f/5.6-6.3 G OSS Lens as I zoomed out to 210mm. The Sony a9II eye autofocus locked onto the eyes immediately and tracked the owl with ease.

Rechargable hand warmer battery pack review

I accidentally found an incredible solution to my cold fingers from Raynaud’s Disease. The OCOOPA Fast-Charging 10,000mAh back-up battery and handwarmer with PD & QC 3.0 has three temperature settings and heats both sides of its excellent Ergonomic Design: The upper-wide, lower-narrow design is more suitable for grasping than the oval shape fits the natural curve of your palm and is anti-slip. The high-grade silicone oil surface coating is soft and delicate to the touch, and has superior thermal conductivity.

The OCOOPA handwarmer is built to last, with the hottest setting providing a powerful heat that lasts for nearly four hours on high, and more than 12 hours on the lowest setting. This durability ensures that you can rely on the OCOOPA handwarmer for long-lasting warmth, even in the most extreme conditions.

Recharging is super fast; I used an 18W USB wall charger, and charging a completely drained unit took three hours and 12 minutes.

The OCOOPA hand warmer is not just a solution for cold fingers. It's also an excellent power source and backup battery for your mirrorless camera and mobile phone. This versatility empowers you to stay connected and capture your outdoor adventures, all while keeping your hands warm and comfortable.

I now have four of these with me at all times while in the field: one for each loose-fitting mitten and two extra fully charged units as backups in case I accidentally forget to turn off or charge them. On the coldest days, I can use the two extras as heaters in the inside pockets of my parka.

Great Gray Owls Courtship

Great Grey Owls Courtship (Strix nebulosa, Chouette Lapone, GGOW) 2005 Bracebridge, Ontario, Canada. Image Copyright ©Christopher Dodds. 120mm ISO 1,600, f/5.6 @ 1/1,600s

Here's one from 2005 that seems like a lifetime ago! After making about 80 images, I just had to step back from the camera and watch; the interaction was amazing! There is still a couple of spots left for my otherwise sold-out Winter Owl Workshops in January. This winter is already proving to be the start of a great winter for Owls :)

The very best photo trip I have ever joined!

What can I say? Your Winter Owl Photo Tour was an absolute sensory overload of owls, knowledge and fun! A smashing success! I have to say this was the very best photo trip I have ever joined (and I have joined many). It was an EPIC adventure, and it was a huge success; with your help, I managed to pull off an incredible portfolio of Owl images that was miles better than I could have imagined! Just like your stated goal; I can attest to the fact that the single most important objectives for you as the leader is for your clients to achieve an EPIC portfolio that you would have been proud to call your own, and for everyone to learn. Mission accomplished, my friend…many fold. I would have been thrilled with just one of the hundreds of EPIC images that I created under your wise guidance. You will see me again on another workshop soon. I can offer anyone considering this trip the following advice: DO IT! You won’t regret it. Chris works extremely hard for you to get the very best images; images that will impress everyone. He’s fun and eager to teach anyone, regardless of their abilities. Thank you, thank you, thank you!

Peter Frost London | England

Great Gray Owl WINTER DREAM

Great Grey Owl WINTER DREAM (Strix nebulosa, Chouette Lapone, GGOW) Ontario, Canada. Image Copyright ©Christopher Dodds. Sony Alpha a9 Mirrorless camera & Sony FE 200-600mm f/5.6-6.3 G OSS Lens  @220mm ISO 4,000, f/5.6 @ 1/3,200s Manual exposure. Full Frame.

Here's a Great Gray Owl in a snowstorm; perhaps one of my favorite subjects in my favorite weather. Only 1/4 turn to zoom from 200mm to 600mm with the new Sony FE 200-600mm f/5.6-6.3 G OSS lens is fantastic!

KUDOS

I wanted to thank you for a wonderful winter owling workshop last week.  It was great to be in the field with you and I learned a great deal about the birds, environment and my camera.  Thanks so much for being such a great naturalist, photographer and trip leader.  I will go on another trip with you in the future.

Lynda Goff (Professor Emeritus Ecology & Evolutionary Biology UC Santa Cruz) Santa Cruz, California, USA

Thanks, Lynda! To learn more about my workshops CLICK HERE.

Merry Christmas

Great Grey Owl SOLITUDE (Strix nebulosa, Chouette Lapone, GGOW) Gatineau, Quebec ©Christopher Dodds All Rights Reserved. 244mm ISO 3,200s, f/5.6 @ 1/2,500s Manual mode. Click HERE to order a print or license image for publication.

Merry Christmas, Happy Holidays, Peace, Joy & Love

To everyone who visited this blog or my Facebook page, attended a workshop, safari, seminar or lecture, purchased a print or licensed an image: Thank you for making 2018 my best year yet. I am so very lucky and grateful!

Great Gray Owl a la Sony a9 and 400mm f/2.8 G Master lens with 2X teleconverter

Great Grey Owl (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS with Sony FE 2X Teleconverter ISO 2,000, F5.6 @ 1/5,000s Manual Exposure mode. Join me for my winter owl workshops this January/February to learn More CLICK HERE.

In case you missed it, I wrote a mini-review of the new Sony FE 400 f/2.8 GM OSS in my last blog post HERE. Here's an image of a Great Grey Owl with the Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS with Sony FE 2X Teleconverter.

I continue to be amazed by the speed and accuracy of the Sony auto-focus. It truly is unbelievable!

Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Sony 400mm f/2.8 GM Mini Review

Great Grey Owl (Strix nebulosa, Chouette Lapone, GGOW) ©Christopher Dodds  Sony Alpha a9 Mirrorless Camera & Sony FE 400 f/2.8 GM OSS  ISO 1,250, F2.8 @ 1/5,000s Manual Exposure mode. Join me for my winter owl workshops this January/February to learn More CLICK HERE.

Sony FE 400 f/2.8 GM OSS Mini Review

I am just back from a cross Canada road trip that took just over six weeks and covered more than 17,500km. I was honoured to stop and present at various camera stores across the country, then ended the trip with presentations at ProFusion (Canada's largest camera show); all sponsored by Sony of Canada. Thank you Sony. I got to meet so many great photographers along the way; it was a blast!

I have received a lot of email asking about my thoughts on the new Sony FE 400 f/2.8 GM OSS lens; if I had one, and if I thought it was worth the price tag. Yes, I do own one and YES, it is worth the price! When paired with the Sony Alpha a9 Mirrorless Camera, the Sony FE 400 f/2.8 GM OSS is the fastest, most reactive with the most accurate auto focus lens that I have ever used. It is light and very well balanced (there was a lot of engineering involved to carefully design the lens with most of it's optics toward the back to make it really easy to hand-hold; a real win for birds-in-flight photographers). Add the Sony 2X Tele-extender, and you end up with a prime killing 800mm f/5.6 that is sharper and more capable than the Canon or Nikon prime lenses that I have used.

Sony took a huge step when thy developed the hybrid AF system that the Sony a9 uses; they have leapt forward with the XD Linear focus. There is no camera and lens that can focus as fast!

From the Sony website: "The XD Linear Motors have been newly developed to deliver higher thrust and efficiency than conventional types in order to make the most of the rapidly evolving speed performance of current and future camera bodies. Linear motor design and component layout have been thoroughly revised to achieve significantly higher thrust. Two of these new motors are used in the SEL400F28GM, achieving up to a 5x improvement* in moving-subject tracking performance. This means that the full speed performance of advanced camera bodies can be applied to capturing perfect images of the most dynamic sports or wildlife subjects. The XD Linear motors are further supported by new algorithms developed specifically for them, notably improving the motors’ response to control signals and minimizing lag and instability that can occur when driving a large aperture focus lens group for quiet, low-vibration operation. "

In summary, XD Linear focus is so much faster than the conventional rotational focus because it quickly and efficiently "thrusts" forward and backward to achieve tack sharp focus. Since conventional lens elements rotate like a nut on a bolt, they have to travel about five times further (think how little a nut moves in relation to how many times it must be turned). There is a limit as to how fast a lens (or lens group) can safely move in a rotational manner. 

Great Gray Owl OLD MAN WINTER

Great Grey Owl OLD MAN WINTER (Strix nebulosa, Chouette Lapone, GGOW) Ontario, Canada. Image Copyright ©Christopher Dodds. All Rights Reserved. Canon EOS 1D Mark II, 400mm f/4L Is USM. ISO 640, F9 1/1,000s Manual Exposure. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

KUDOS:

I was impressed on how much Chris cared about making sure everyone was learning, engaged, and getting the most out of the trip. I look forward to my next workshop with Chris!

Michael Lyncheski Gladstone, New Jersey, USA

Learn more about my Snowy Winter Owl Workshops HERE.

Great Gray Owl BLIZZARD of WHITE

Great Grey Owl Blizzard in White (Strix nebulosa, Chouette Lapone, GGOW) Bracebridge, Ontario, Canada. Image Copyright ©Christopher Dodds. All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 105mm. ISO 800, F8 1/640s Manual Exposure. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

More Kudos:

I found Chris via the strong images on his web site.
 
Having now taken two of his photo workshops, I have seen a significant improvement in my images due to improved capture and post processing techniques.  Having taken many other wildlife photo workshops, Chris stands out for his top notch instruction. His workshops provide many excellent photo opportunities.
 
If you are serious about your photography and want to get better, Chris can help you in many ways.  He is willing and able to explain what he is doing and why he is doing it.  He emphasizes not only the vision but also the execution in the field and the post processing.  
 
It was fun shooting with and learning from Chris.  I give a hearty recommendation to anyone considering a photo workshop with Chris, a recommendation I plan to follow.

Carl Zanoni Connecticut, USA

Learn more about my Snowy Winter Owl Workshops HERE.