White-Tailed Deer Buck in Velvet & Spider Holster Review

Eastern White-tailed Deer Buck in velvet (Odocoileus virginianus, Cerf de Virginie) Amherst Island, Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4, 1.4X II Tele-converter Tripod and Wimberley Head II. ISO 400, F5.6 1/40s Manual mode. BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION HERE.

Eastern White-tailed Deer Buck in velvet (Odocoileus virginianus, Cerf de Virginie) Amherst Island, Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4, 1.4X II Tele-converter Tripod and Wimberley Head II. ISO 400, F5.6 1/60s Manual mode. BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION HERE.

Eastern White-tailed Deer Buck in velvet (Odocoileus virginianus, Cerf de Virginie) Amherst Island, Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4, 1.4X II Tele-converter Tripod and Wimberley Head II. ISO 400, F5.6 1/640s Manual mode. BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION HERE.

SpiderPro Holster Review

I've been hanging my heavy 1D Mark IV with 70-200F2.8 IS II lens over my shoulder, or around my neck for years, and with a bad neck and back; I've had enough. I set out on a quest; find a simple, but efficient way to hold my second camera while working with a tripod mounted primary long lens. Let’s face it; we all spend a lot of time waiting for the right “moment”, and don’t want anything in our way when it presents itself.

Shai Eynav just sent me a review sample of the SpiderPro System, and I love it; in fact, this may be my favorite new photography accessory. The SpiderPro System is a remarkable new way to carry your camera. I got the whole kit and caboodle; a nylon belt (Spider Holster Belt) with a holster shaped flap  (Spider pad) to protect your camera from any metal studs in your jeans, and provide a little comfort cushion between your hip and your camera. The belt buckle even requires two hands to release, making it impossible to accidentally come undone. When secured around your waist, with the holster shaped flap (Spider pad) on your side, there's an ingenious cast aluminum/stainless steel slotted holder (SpiderPro) which receives the metal pin (Spider pin) that attaches to the Spider plate, which, in turn, is securely fastened to your camera. There’s even a safety latch, which you decide weather to engage, or not. The unique design ensures the camera and lens stay in the horizontal position; this keeps the lens from touching the ground when crouching or kneeling, as it would if the lens was pointing down. Shai has thought of everything; he's even placed four threaded holes in the Spider plate for easy quick-release plate attachment.

With the Spider Holster, my camera now hangs comfortably by my side ready for action. There’s no better way to get the weight of my neck, shoulders and back than this! When the “moment” presents, I’m ready; thanks to Shai Eynav and his marvelous invention, the Spider Holster. In the wilds of Alaska or Tanzania, at a press event in the city, or in the home studio, the Spider Holster will prove invaluable to any photographer. Find out more, or order yours at www.spiderholster.com

Where to photograph Elk (Wapiti, Cervus canadensis) around Banff National Park, Alberta

Bull Elk  Lookback (Wapiti, Cervus canadensis, élan) Banff National Park, Alberta, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 70-200 F2.8 IS II @200mm. ISO 650, F5.6 1/200s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

I'm just back from a great two week vacation with family in Calgary, Alberta. While it was meant as an "unplugged" getaway, I did manage to scan all of our old family photographs (some 2,500 images) and sneak away to Banff National Park on two occasions for some photography with Julie. Here's a few images from one of many encounters with bull Elks during what became the most successful trip there so far.

Bull Elk in the rain (Wapiti, Cervus canadensis, élan) Banff National Park, Alberta, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 70-200 F2.8 IS II @170mm. ISO 650, F5.6 1/200s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Bull Elk overlooking the Bow Valley in the rain (Wapiti, Cervus canadensis, élan) Banff National Park, Alberta, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 70-200 F2.8 IS II @70mm. ISO 650, F5.6 1/200s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Where to photograph Elk around Banff

If you find yourself visiting Calgary with a spare day for photography, then be sure to head West on the Trans-Canada Highway to Banff National Park and the Canadian Rocky Mountains. I'd leave around 04:30 and drive  directly to the Bow Valley Parkway (slowly) until you reach the Moose Meadows area (It dosen't happen often, but we photographed a beautiful Bull Moose here, and it is certainly worth a look); at which point I'd turn around and head back to Banff.  Once you exit for Banff, instead of following the sign for the town, go the opposite direction and slowly follow the switchbacks of Mt. Norquay Scenic Drive; make a u-turn in the ski area parking lot at the top and head back down for a second look for the Mountain Sheep that live here.  Now follow the Trans-Canada Highway East for a short while and take the exit for Lake Minnewanka; follow the lake Minnewanka loop road and explore the dead-end roads that branch from it. This might be the best, most scenic location for Elk around. Figure driving about 300km and spend the whole day enjoying the sights. Best time of year for bull Elk is the rut during September and October. Here's the route on Google Maps:

View Banff Wildlife Drive in a larger map

LCDVF Digital Viewfinder / Magnifier Review & Maine Moose; it's not too late

Bull Moose Giant of the Northwoods (Alces, Elan, Orignal) Baxter State Park, Maine Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 2XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/160s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Moose & Fall Colors of Maine September 27 to October 1, 2010; It's not too late

Only two spots left, so it's not too late to join Christopher Dodds in Baxter State Park and surrounding areas (near Millinocket, Maine) for a truly unique workshop. Our primary focus will be the Moose that are renowned for allowing close human approach. Our trip is also timed to coincide with the amazing fall colors that illuminate Baxter State Park every fall. Though not guaranteed (Moose are wild and free, after all), I often have Moose walking so close to us that we can feel their warm breath in the cool, fall, Maine air. We have traveled far to photograph these majestic giants of the Northern forest, so we won't be spending much time indoors at the computer (like many other photography groups); this trip is all about being out there with the Moose - seeing, being and documenting their behavior during the annual Rut. Other subjects may include White-Tailed Deer, Black Bear, fox and various birds. SEE MORE INFORMATION HERE.

See the blog entries from the 2009 Moose & Fall Colors Workshop / Safari:

The White-Tailed Deer of Baxter State Park Trip Report Part I

American Black Bears of Baxter State Park Trip Report Part II

The Many Moose of Baxter State Park Trip Report Part III

Testimonial

"I was impressed on how much Chris cared about making sure everyone was learning, engaged, and getting the most out of the trip. I look forward to my next workshop with Chris!" Michael Lyncheski Gladstone, NJ

LCDVF Digital SLR Viewfinder / Magnifier Review

The LCDVF is a 2X loupe that is designed as a LCD viewfinder for video-enabled digital SLR’s. Not only for the video enthusiast, the LCDVF is an invaluable aide to achieve more accurate and precise focus for the still photographer. The loupe also acts to block ambient light while shooting outdoors in live-view mode, or reviewing images on the LCD screen for sharpness and the histogram for exposure accuracy. The LCD ViewFinder turns your DSLR LCD screen into a huge electronic viewfinder for precise image evaluation - it’s like viewing a 42" screen from 140cm (4.6 feet).

The part I like most about the LCDVF, is it’s ingenious adhesive ultra-slim metal frame that secures the LCDVF to your camera using four small magnets (located at the camera end of the loupe frame). The LCDVF ships with two magnetic/adhesive frames; only one frame is needed, the extra one is a spare or could be used on a second camera. The magnets are strong enough to securely hold the LCDVF against your camera, but weak enough to break-away if you forget that the lanyard is around your neck and walk away from your expensive camera set-up with a long lens on a tripod; preventing a possible disaster. The company promises these four magnets aren’t strong enough to damage your camera, it’s electronics or the data on your memory card.

There are two models available; the LCDVF for most cameras with a 3” LCD screen, and the LCDVF 3/2 which is custom fit to the Canon 550D, Rebel T2i and the Kiss X4.

The LCDVF has a removable, rotating rubber eye-cup, and was shipped with a foam/microfiber eye cushion that I found useful and comfortable, it includes are a neck strap with quick release buckle and a neoprene pouch (which is well built, but could be about 20% bigger, in my opinion).

I spend an enormous amount of time reviewing images in the field while photographing and teaching outdoor nature photography workshops. The LCDVF has already proven itself to be durable and water resistant and I already can’t imagine shooting without it. The optics are bright and crisp and the LCDVF offers a great view of the whole 3” screen without loosing sight of the corners.

Help support this site and Purches the LCDVF HERE or LCDVF 3/2 HERE

Visit the LCDVF website HERE.

ADRENALINE Coastal Brown Bear (Ursus arctos or grizzly bear) & The Hazards of Nature Photography.

Coastal Brown Bear Fishing ADRENALINE (Ursus arctos or Grizzly Bear) Hallo Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS, Tripod & Wimberley Head II. ISO 400, F5.6 @1/1600s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

The Hazards of Nature Photography: DEHYDRATION

I have been meaning to write a bit about the importance of hydration all summer and autumn is quickly approaching. No matter, hydration is just as important in the cold winter as it is in the hot summer months. Water makes up 75% of the body weight - about 50 liters (11 gallons) for the average man. Survival is unlikely if more than one fifth of this is lost. The first signs of dehydration are thirst, vague discomfort, lack of appetite, flushed skin, impatience, sleepiness and nausea. Once fluid loss reaches 6-10%, symptoms include dizziness, headache, labored breathing, no salivation, indistinct speech and you may loose your ability to walk. By the time fluid loss reached 11-20% symptoms now include delirium, swollen tongue, unable to swallow, dim vision, numb and shriveled skin. In it's latter stages: There is gross muscular weakness and mental capacity is impaired. You must make your survival plans at the start when you can think clearly and then stick to them. Best to remember to bring along some water and avoid the headache ;)

Testimonial

The trip with Chris on the Coastal Explorer along the Katmai coast was fantastic.  Without a doubt it was one of the top photo trips I have taken over the last several years due to the amazing variety and density of wildlife in such completely unspoiled and uninhabited wilderness.  Unlike land based lodges, with the Coastal Explorer you have the opportunity to photograph in several of Katmai's secluded bays versus being limited to an area adjacent to a land-based lodge.  What helped make the trip so successful was Chris's work ethic where he is always ready to shoot in any weather conditions and will stay in the field as long as there is any possibility for high quality photography.  This is essential in a place like coastal Alaska where it can go from direct sunny conditions to heavy overcast to rain in the blink of an eye and where the sun doesn't set until the late evening.  If the best time to photograph Brown Bears chasing down salmon was after 10:00PM, you bet we'd be on the river bank waiting on the massive Brown Bear boars to make their spectacular runs--photography is top priority after safety of course.  The daily great fresh seafood didn't exactly hurt the trip either.

As I write this I've only a little over two weeks removed from returning from Katmai and I'm still having serious withdrawals--right now I really want to be on the Coastal Explorer's skiff heading to shore to photograph more bears, eagles, and wolves. - Steve Metildi Southern California | USA

BE SURE TO CHECK-OUT STEVE'S KATMAI 2010 ALBUM HERE to see images he made during the workshop.

2011 Coastal Brown Bears of Katmai Workshop/Safari Announced

Join me, Christopher Dodds, and some of the more than 2,000 Coastal Brown Bears at the best place in the world to photograph Coastal Brown Bears. Claiming the world’s highest concentration of Coastal Brown Bears, Katmai National Park in Alaska also has to be the most beautiful setting on the planet to photograph them. Truly the adventure of a lifetime, we’ll have plenty of opportunities to see, study and photograph Coastal Brown Bears in their undisturbed, natural environment without the influence or pressure that large groups and camps often cause. I have secured the much coveted dates of July 24-30, 2011; timed to coincide with the annual Salmon run. With a limit of only six participants, there will be plenty of time for instruction and personal attention from Chris. MORE INFORMATION & REGISTRATION FORM HERE.

Disclaimer

The author is not a physician. This article is for informational purposes only and it is not intended to identify, diagnose, or treat any medical condition.

Coastal Brown Bear (Ursus arctos or grizzly) wrestling. HYDROPHOBIA; the Ultimate Rain Cover & Trip Report Part III

Coastal Brown Bear males (boars) Wrestling in rain (Ursus arctos) Kukak Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1250, F8 @1/800s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Bear Fight

Though struggles between two juvenile bears might seem mortal, it is in fact just playful combat, designed to hone the animals skills. In later life, however, in teritorial disputes between two males, real fights can result in serious injury to the combatants, or even have a fatal outcome. Brown bears also fight to establish hierarchy and rights to prime fishing spots.

Trip Report

We had a blast watching, and photographing, four males (boar) fighting and wrestling with each other for what seemed like hours during the second afternoon of the Coastal Brown Bears of Katmai workshop/Safari. We carefully added out 2X tele-extenders to our 500mm Lenses for maximum reach, to fill the frame and to keep a safe distance between us and the battling giants. It rained much of the day, and we all put our Think-Tank Photo Hydrophobia rain covers to good use.

Do consider joining me next year, for the ultimate Coastal Brown Bears of Katmai Nature Photography Workshop / Photo Safari from July 24 to 30, 2011. MORE INFORMATION AND REGISTRATION FORM HERE.

Think-Tank Photo HYDROPHOBIA Ultimate Camera Rain Cover

I promised a review of the Think Tank Photo Hydrophobia when I got back from Bonaventure Island in June; Turns out, there's no better way to get hot, sunny and dry weather, than bringing along the very best rain gear to protect your valuable camera gear. We had day, after day, of glorious and hot, sunny weather; In fact, I only recall breaking out the rain covers once. There are now tons of reviews out there that include all of the technical specifications and videos of people spraying garden hoses onto expensive cameras sporting these covers. What I wanted to do here is give you a short, sweet, real world review of these covers when used in the very toughest conditions.

Coastal Brown Bear males (boars) Fighting in rain (Ursus arctos) Kukak Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1250, F8 @1/800s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Think-Tank Photo HYDROPHOBIA 300-600

Rain protection for everything between the 300 F2.8 and the 600 F4 (this even works perfectly with the Canon 800 F5.6, as I discovered). It's designed to be pre-mounted around the lens hood for easy deployment, has a pocket to store the eyepiece (Eyepieces sold separately) and includes an extension for use with the longer glass. Simply put; it's the very best option I've found out there - and I’ve tried dozens. I would love a lower profile pocket at the lens hood end, so my line of sight is not disrupted while photographing birds in flight with the rain cover in the "stored" position and having more material between ends (one piece) would mean I could actually remove the cover in it's stowed position with the lens hood for packing; something I found impossible with my 500mm F4 IS Canon lens, when installed with enough room for my 2X Tele-converter and the Canon off-camera shoe cord slid into the hot shoe. Other improvements that I quickly wished for were more clear window around the eyepiece and a flap over the eyepiece to protect it from filling with raindrops when I wasn't shooting - both of which have been incorporated into the design of the newer Hydrophobia 70-200 & Hydrophobia 70-200 Flash. I do hope there is a re-design of this model, with an option for a removable rain cover for a flash with the Better Beamer Flash Extender attached. I was able to use this cover with the Wimberley tripod head (Version I or II), and I figured out how to use my flash bracket, flash and Better Beamer, but I feel there is more than enough nature photographers out there to warrant a special "nature" edition. In the mean time, this is, without doubt, the very best option on the market now.

Think-Tank Photo Hydrophobia 70-200

Essentially the 70-200 Flash, without the clear flash pocket - do yourself a favor and spend the extra $6.00 to get the Flash version (below)

Think-Tank Photo Hydrophobia 70-200 Flash

Oh, la-la, this is the newest addition to the Hyrophobia line, and Think-Tank Photo's rapid product evolution really shines here. The clear window has been re-designed with more clear space, there's a cover over the eyepiece that flips up and out of the way when shooting, a removable front lens cover, an ingenious built-in camera strap that keeps your camera securely attached to the cover, and horizontal when slung under your shoulder - fantastic for the long days a nature photographer carries a second, shorter lens / camera. This one is evolutionary perfection and I can't think of a single thing to make it better. The clear flash pouch stows out of the way when not used, and there's even room for flash modifiers.

PRO TIPS:

Real world shooting in the rain required me to frequently remove my hands from the cover, and I found that  my hands got wet and I transferred water inside the cover; this caused the clear windows to fog up. I simply wrapped a small towel around the barrel, where the lens meets the camera body, to dry my hands and absorb any excess moisture, preventing the condensation from forming.
Don’t just use it in the rain. I found the covers to be really useful to prevent saltwater from splashing my gear while photographing from a boat, they kept my gear free of sand while getting low on a beach and I even used them as sun protection for my hands during lengthy shoots in strong sunlight.
Maintenance: For a long life, be sure to rinse after use and hang to dry; I found it practical to leave my Hydrophobia covers hanging in my car to ensure they dried thoroughly before packing into the nylon mesh pouch for storage.

BE SURE TO ORDER YOUR THINK-TANK PHOTO HYDROPHOBIA BY CLICKING THIS LINK AND RECEIVE A FREE BAG WITH EVERY ORDER OVER $50.00

Coastal Brown Bear males (boars) BEAR HUG in rain (Ursus arctos) Kukak Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1250, F8 @1/800s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Coastal Brown Bears of Katmai Workshop / Photo Safari July 24-30, 2011 Announced

Coastal Brown Bear Female (Sow) Fishing in Last Light Vertical (Ursus arctos) Hallo Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 1.4 Teleconverter II, Tripod & Wimberley Head II. ISO 1600, F5.6 @1/2000s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

2011 Coastal Brown Bears of Katmai Workshop/Safari Announced

Join me, Christopher Dodds, and some of the more than 2,000 Coastal Brown Bears at the best place in the world to photograph Coastal Brown Bears. Claiming the world’s highest concentration of Coastal Brown Bears, Katmai National Park in Alaska also has to be the most beautiful setting on the planet to photograph them. Truly the adventure of a lifetime, we’ll have plenty of opportunities to see, study and photograph Coastal Brown Bears in their undisturbed, natural environment without the influence or pressure that large groups and camps often cause. I have secured the much coveted dates of July 24-30, 2011; timed to coincide with the annual Salmon run. With a limit of only six participants, there will be plenty of time for instruction and personal attention from Chris. MORE INFORMATION & REGISTRATION FORM HERE.

EARLY REGISTRATION DISCOUNT & CANON RAIN COVER BONUS

Register for the 2011 Coastal Brown Bears of Katmai Nature Photography Workshop/Safari early and you save $380.00 per person AND receive a limited edition (rare) Canon rain cover for your camera. Choose between the large (400/2.8, 500/f,600/4 or 800/5.6) or medium (200/2, 300/2.8 or 400/4) versions. Supplies are limited; offer valid only while supplies last. Special thanks to Canon Canada Professional Services for the rain covers. REGISTER HERE.

N-Rain Cover E2-M (medium) or E2-L (Large): Keeps your professional camera clean and dry when shooting in a wet environment. Compatible with current profesional Canon EOS Cameras. Transparent window enables clear visibility of the top and rear LCD panels and LC monitor. Front fastener enables easy attachment and removal of all lenses. Displays a large printed "Canon" logo and includes a soft case for compact packing.

CANON EOS 7D and CANON EOS-1D Mark IV firmware updates
Find out more about the latest firmware updates for the EOS 7D (Version 1.2.2) and EOS-1D Mark IV (Version 1.0.8) DSLRs that include a fix to ensure set apertures stay in place when shooting EOS Movies in manual. 

Updates available for download HERE

Coastal Brown Bears Trip Report Part I

Coastal Brown Bear Female (Sow) Fishing in Last Light (Ursus arctos) Hallo Bay, Katmai National Park, AK ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 1.4 Teleconverter II, Tripod & Wimberley Head II. ISO 1600, F5.6 @1/1250s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

I'm just in the door from one of the very best photographic trips of my lifetime. I left home on July 8th and arrived at Kodiak airport later that day without event. I had planned a few extra days before the workshop started to allow for the fog that delayed me last year, and forced me to sleep in ANC airport. Steve Metildi and Darren Charles Holloway arrived early for the workshop and we had an absolute blast photographing Red Fox, Golden-Crowned Sparrow, Orange-Crowned Warbler, Hermit Thrush, Bald Eagle, Wilson's Warbler and more around Kodiak Island. On July 12, Rolan Ruoss of Sea Hawk Air flew us out to Kukak Bay for our rendezvous with Chuck Keim on the Coastal Explorer for what became the trip of a lifetime for all.

We had been on the look-out for this female (sow) that had been reported to have two spring cubs, but were saddened to learn that she had lost them. Cubs remain with their mother from two to four years, during which time they learn survival techniques, such as which foods have the highest nutritional values and where to obtain them; how to hunt, fish, and defend themselves; and where to den. The cubs learn by following and imitating their mother's actions during the period they are with her. Brown bears practice infanticide. An adult male bear may kill the cubs of another bear either to make the female sexually receptive or simply for consumption. A close look at her right paw reveals an open wound, just above her claws, that most probably occured while she desperatly tried to defend her cubs.

I returned to a staggering amount of emails, and brought back a ton of images to edit, so stay tuned for more in the coming days.

Testimonials

My thanks Chris for introducing me to the tremendous experience (both visual and olfactory) offered by not only the Gannet colony on Bonaventure Island but also by the Gaspe peninsula.  Your low key approach and readily available technical knowledge really helped me to focus on what it was I wanted to do and maximize my chance of getting the pictures that I wanted.  Standing in a zodiac on the rolling ocean watching you photograph flying seabirds using a hand held 800mm lens pushed me to believe I could actually do the same using a 420mm lens......and the resulting photos show that it can be done!  My 6 and 3 year old children cannot thank you enough for the endless slide shows I now make them endure.- Ron Kellner | Toronto, Ontario

Pat and I had a great time on your recent Gannets Galore photo tour.  We have been on many photo tours and yours was one of the best.  We have never seen so many excellent photo opportunities.  Even the 5 AM Zodiac trip around the island offered great opportunities.  The small size of the group, 6 photographers, added to our enjoyment since you were able to spend considerable time with each of us.  Your tips on using manual camera settings were excellent.  I now use manual settings for virtually every photograph, flight or static. Thanks again for a truly outstanding photographic experience. Stokes Fishburne Chapel Hill | North Carolina

Coyotes, Canon EOS 1D Mark IV First Impressions and NatureScapes Radio Live

Coyote Alpha Male Portrait  (Canis latrans) Quebec, Canada (C) ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4 IS, Canon 2X II Tele-converter, Tripod & Wimberley Head II. ISO 400, 1/320s F8 Manual Mode. Full Frame. Click HERE to purchase a print or license an image for publication.

Coyote Adult female Portrait  (Canis latrans) Quebec, Canada (C) ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4 IS, Canon 2X II Tele-converter, Tripod & Wimberley Head II. ISO 400, 1/400s F8 Manual Mode. Full Frame. Click HERE to purchase a print or license an image for publication.

Coyote Alpha Male Skulking  (Canis latrans) Quebec, Canada (C) ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4 IS, Canon 1.4X II Tele-converter, Tripod & Wimberley Head II. ISO 400, 1/640s F5.6 Manual Mode. Full Frame. Click HERE to purchase a print or license an image for publication.

Coyote

It's amazing to see just how much this Alpha Male Eastern Coyote resembles a wolf; Coyotes have been known to occasionally mate with wolves. The offspring, known as a coywolf, are generally intermediate in size to both parents, being larger than a pure coyote, but smaller than a pure wolf. A study showed that of 100 coyotes collected in Maine, 22 had half or more wolf ancestry, and one was 89 percent wolf. A theory has been proposed that the large eastern coyotes in Canada are actually hybrids of the smaller western coyotes and wolves that met and mated decades ago as the coyotes moved toward New England from their earlier western ranges. The Red Wolf is thought by certain scientists to be in fact a wolf/coyote hybrid rather than a unique species. Strong evidence for hybridization was found through genetic testing, which showed that red wolves have only 5% of their alleles unique from either gray wolves or coyotes. Genetic distance calculations have indicated that red wolves are intermediate between coyotes and gray wolves, and that they bear great similarity to wolf/coyote hybrids in southern Quebec and Minnesota. Analyses of mitochondrial DNA showed that existing red wolf populations are predominantly coyote in origin.

Canon EOS 1D Mark IV First Impressions

I've now spent a considerable amount of time in the drivers seat of my Canon EOS 1D Mark IV and am loving every moment. From the new, and snappy, autofocus system to the superb image quality in low light at high ISO, this camera ROCKS! Be sure to download, read and digest the following from CPN Canon Professional Networks 1D Mark IV page:

• EOS-1D Mark IV – AI Servo AF Custom Functions & ISO speed settings guide (English)
• EOS-1D Mark IV – AI Servo AF Custom Functions & ISO speed settings guide (French)

Christopher Dodds on NatureScapes Radio Live April 6, 2010 @ 9PM EST!

Each month NatureScapes.net will be broadcasting a LIVE Pod Cast called "NatureScapes Radio LIVE!" 

NatureScapes Radio LIVE! will air live the first Tuesday of each month at 9PM EST.
Hosted by Dave Warner of LensFlare Live each show will feature friends E.J. Peiker and Greg Downing of NatureScapes.net as well as other guest photographers TBA (Christopher Dodds on April 6th, 2010). Listen LIVE or participate in the conversation while they talk about everything nature and wildlife photography from the latest and greatest gear to techniques and important issues affecting us all.

I was thrilled to be invited as Greg and E.J.'s first featured guest and look forward to answering all of your questions live at 9PM EST on April 6th, 2010. Click HERE for more information.


The Business of Photography: The Business Plan

Red Fox Vulpes vulvas (renard roux). Algonquin Provincial Park, Ontario. Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 70-200mm F2.8 IS @ 70mm Hand-held. ISO 500, F3.2 @ 1/125s Manual mode. Ambient exposure using  Sekonic L-358 Flash Master Light Meter. Full Frame. CLICK HERE TO BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION.

The Business Plan

One of the biggest mistakes many people starting a business make is not having a business plan. A business plan can be as simple as a Mission Statement and as complicated as you feel necessary. Think of a business plan as a roadmap; Where are you going?, How are you getting there? Are you headed in the right direction? and what to do if you make a wrong turn. A well written business plan is also a great tool to measure your successes and failures as a business person if reviewed periodically.

I don’t want to deceive you, so I’ll make it clear to you now that I don’t know any other photographers that actually have a business plan. I am asked, quite often, how to get into Nature or Wildlife Photography as a profession. I also have regular conversations with other successful photographer friends (Jewelry and studio photographers) about how they plan on getting to the next level; both as a photographer and as a business person. A well written business plan will help you see where you want to go, and how to get there.

I’m sure you all have a plan and have though about where you want to be in five or ten years. All I’m suggesting is putting it in writing and making it an annual event to review and modify things. How often have you had a great plan or idea, only to forget it within a short period of time?

Here’s some simple steps to a successful Business Plan:

Define who you are as a photographer and identify key strengths and weaknesses. Review your photography and identify a specialty and or passion. What makes your clients choose you and why are you different than a stock agency or other photographer? Create an executive summary, or mission statement, that will become the first part of your business plan. This need only be a few sentences long and it is essentially a summary of your findings.

Define your market as a photographer. In what area of photography do you see yourself fitting best? Who are your potential clients? Do you want to sell image rights for publication? or sell fine art prints to collectors? or both? What age group and gender are those clients. If you want to sell images to magazines for publication, who works for the magazines, and who buys those magazines? This section is a summary of your product, your service and your target clients.

Define your Competition. Now you know who you are, what product, or service you offer and who is your likely client. It’s time to think about who else is out there doing the same thing as you, and why you are a better, more logical choice for your client. What do you offer that your competitors don’t?

The last section deals with finances. Identify how much money you need to make to keep your head above water without falling into debt. Essentially a spreadsheet with a list of your expenses that should include: Living expenses like food, clothing, housing (mortgage, insurance, taxes and repairs), Utilities (heat, air conditioning, electricity, gas, water, etc) Transportation (Car payment, Insurance, fuel and repair) and health / disability insurance. Don't forget contributions to an emergency fund; you never know when you have to replace a roof or have a sudden financial crisis. Make a list of the monthly costs and multiply by 12 to figure out just how much money you need (after taxes) to survive a year without falling into debt.

Once you establish how much you need, it’s time to figure out how, or if, you can get there. How much do you sell your product, or service for?, and how much does it cost to produce? If you are a wildlife photographer, then you should make a list of your overhead expenses like photography equipment (cameras, lens, etc.), Office, or production, equipment (computers, printers, etc.), travel (transportation, lodging and food) expenses, professional services (like accounting), business liability & equipment insurance, equipment repair and rental, advertising and promotion costs, office supplies and communications (telephone, internet and mobile phone). You get the picture.

Now add your annual personal expenses (plus income tax) to your annual professional expenses. Do you think it is feasible to sell enough product or service to cover these expenses? Let’s say you sell fine art prints for $100.00 each. You determine your material cost to be $32.00 (ink and paper). You have a gross profit of $68.00. How many prints (think $68.00) do you need to keep yourself afloat? how many do you need to sell to put some savings aside for a bad year (or two) or a catastrophic medical or mental event? (laugh, but most business people suffer one, or the other, at some point in their career) oh, did you think about retirement savings? ... Perhaps a few more than you initially thought - but you knew that, right? (smile).

Now that you have a plan in writing, it's much easier to stay on track. If you make the small effort to review and ammend your plan from time to time, you have a much better understanding of where you have come from, where you are and where you are going.

The Fundamentals of Photography: Understanding the Light Meter

Siberian (Amur) Tiger Portrait Panthera tigris altaica (Tigre de L'Amour ou Tigre de Sibérie). CAPTIVE ANIMAL. Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 IS, 2X II Tele-converter Gitzo 1325 Tripod with Wimberley Head II. ISO 800, F8 @ 1/160s Manual mode. Ambient exposure using hand-held Sekonic L-358 Light Meter. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

The in-Camera Light Meter:

Pretty much all digital cameras sold today include a built-in REFLECTIVE light meter. The volume of light measured by a reflective light meter varies relative to the color (or reflectance) of the subject, the background (and the subjects distance from it) and the chosen metering mode (or pattern); A Snowy Owl in a bright, snowy field reflects more light than a black bear on a dark, wet rock. Think of it this way: pure white reflects nearly all of the light that strikes it, and pure black reflects virtually none of the light that strikes it.
Left to it’s own devises, a digital camera in one of it’s automatic modes (Program, Aperture Priority or Shutter Priority) will use it’s built-in computer  processor and programmed algorithms to determine the appropriate exposure settings such as shutter speed, f-stop (or aperture) and ISO to render the scene at what it thinks should be 18% grey, or a mid-tone (exactly mid way between the blackest black and the whitest white). The problem is a simple one; most cameras assume that everything they photograph reflects 18% of the light that falls onto them. Not everything we see or photograph is a mid-tone; with this method, we need to compensate to achieve the correct exposure for anything that is not a mid-tone; The Snowy Owl in a Snowy field we talked about earlier would be about two stops under-exposed, so we need to add about two stops of light to the metered reading to achieve the correct exposure. The black bear on the dark, wet rock will be about two stops overexposed, so we have to remove about two stops of light from the metered reading to achieve the correct exposure. A picture of the green grass on your front lawn is a middle tone and requires no compensation to achieve the correct exposure.
The problem gets much bigger when your subject starts to move from one colored background to another, or, moves closer or further away; can you imagine dialing in the correct exposure compensation, on the fly, as a white bird flies from a blue sky background to a dark cliff face background as it gets bigger in the frame while flying toward you? (smile) ... I didn’t think so.

Hand-held Light Meter:

The single best teaching aid that I know of is a hand-held light meter; students wanting to learn exposure theory tend to improve the exposure accuracy of their captures almost instantly when handed a hand-held light meter.
In it’s simplest form, a light meter measures light;  We’ve discussed how your camera uses it’s meter to measure the light that is reflected from your subject, now let’s talk about how to measure the ambient light that falls onto your subject by using a hand-held light meter. If we can measure the AMBIENT light that falls onto the subject, we can successfully expose for the light (not the subject), and capture colors and tones as our eyes see them; white looks white, black looks black and middle tones still look like middle tones; just the same as our eyes see them. As long as you are in the same light as your subject, and the volume of light does not change between measurement and capture, you can take a reading and lock and load the chosen ISO, F-stop and shutter speed. Just like the sunny F/16 rule in my last post, you should still use your camera’s histogram to tweak the exact exposure to taste, and you should expose to the right and maximize that right most fifth of the histogram, as it contains 50% of the data in a digital capture. I typically add light to extract maximum detail from very dark subjects and remove light from very bright subjects, all the while ensuring I’m not clipping unrecoverable highlight detail.
On a clear day, from two hours after sunrise, until two hours before sunset, the light remains constant (provided it doesn't get cloudy, of course). If your subject flies from the blue sky to a dark cliff face, there is no need to make adjustments to your chosen exposure settings; the subject will be correctly exposed in manual mode.

A major difference between the old film days and digital is that instead of exposing for shadow detail on film, we now expose for the highlight. To ensure a correct exposure for the highlights, simply turn the meter’s dome toward the light source. To take a reading for the underside of a bird flying over your head, turn the dome toward the ground and to establish the correct reading for  a subject in the shade, point the dome toward the light source and use your hand to shade the dome. It won’t take long to learn all about light, it’s volume and the correct exposure relative to it.

There are many light meters to choose from, but I find the best value to be the Sekonic L-358 Flash Master Light Meter

Knowledge: The Single Best Way to Improve Your Wildlife Photography

Timber Wolves Alpha Pair in Fog (Grey Wolves, Canis lupus, Loup Gris) Quebec (C) ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 70-200mm F2.8 IS @ 200mm ISO 500, F5.6 1/200s Manual Mode. Hand Held. Full Frame. CLICK HERE TO BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Hearing Timber Wolves (Grey Wolves, Canis lupus, Loup Gris) howl while photographing them on a foggy January mourning was a hair raising experience; their reputation as ferocious enemies of man owes more to fiction and folklore than reality, in fact, they go out of their way to avoid contact with humans. Grey Wolves vary in colour from white on the arctic tundra (Arctic Wolves) to grey (Timber Wolves) or black in the forested regions of Northern wilderness regions. They  travel in packs, working co-operatively to bring down their prey; big game like deer, caribou and moose. Most regard wolves as unbeatable hunters, but they often fail to catch their intended prey. 

If I had to name a single way for anyone to improve their skill at wildlife photography, it would be to know your subject inside and out. I love to read, and I love books, so I was recently thrilled to get my hands on two simply outstanding books. I've caught myself getting lost in the pages of these marvels of the wild world far too often. Essential for the library of any nature photographer (or nature lover), The Princeton Encyclopedia of Birds and The Princeton Encyclopedia of Mammals have become the go to resource when I'm researching a specific species; or simply sitting here daydreaming of my next big adventure to some far corner of the world. Of all the natural history books in my collection, these two stand out amongst the best! ... and they are a bargain!

The Princeton Encyclopedia of Mammals

 (David W. Macdonald ISBN13: 978-0-691-14069-8) is the most comprehensive and accessible reference book on mammals available. Unsurpassed in scope and stunningly illustrated, this book covers every known living species, from aardvarks to zorros. The informative and lively text is written by acclaimed researchers from around the world and features a concise general introduction to mammals followed by detailed accounts of species and groups that systematically describe form, distribution, behavior, status, conservation, and more. There are superb full-color photos and illustrations on virtually every page that show the animals in their natural settings and highlight their typical behaviors. And throughout the book, numerous "Factfile" panels with color distribution maps and scale drawings provide at-a-glance overviews of key data. The Princeton Encyclopedia of Mammals is the definitive one-volume resource--a must-have reference book for naturalists and a delight for general readers.

• Covers every living mammal
• Describes form, distribution, behavior, status, conservation, and more
• Features spectacular full-color photos and illustrations on virtually every page
• Includes "Factfile" panels with color distribution maps and scale drawings for at-a-glance reference
• Written by an international team of experts

David W. Macdonald is director of the Wildlife Conservation Research Unit and a fellow of Lady Margaret Hall at the University of Oxford. He is an award-winning documentary filmmaker and the author of several books, including Mammals of Europe (Princeton).

The Princeton Encyclopedia of Birds

 (Christopher Perrins ISBN13: 978-0-691-14070-4) is a comprehensive and lavishly illustrated reference to the world's birds. Accessibly written by renowned biologists and conservationists, and illustrated in color throughout, the book provides authoritative and systematic accounts of every bird family, covering form and function, distribution, diet, social behavior, breeding biology, and conservation and status. More than 1,000 superb color photos reveal the enormous diversity of birds in their natural habitats, from arctic tundra to tropical rain forest, and a wealth of beautifully detailed color and line illustrations depict representative species from each family and highlight characteristic behaviors. The main articles are complemented by detailed coverage of special topics, such as how ibises and spoonbills feed by touch, how pigeons find their way home, and how crows store food. And throughout the book, numerous "Factfile" panels with color distribution maps and scale drawings provide at-a-glance overviews of key data. The Princeton Encyclopedia of Birds is the definitive one-volume reference--an essential guide for amateur bird enthusiasts and professional ornithologists alike.

• Covers all the bird families of the world
• Describes form and function, distribution, diet, social behavior, breeding biology, and conservation and status
• Features more than 1,000 spectacular color photos and illustrations
• Includes "Factfile" panels with color distribution maps and scale drawings for at-a-glance reference
• Explores special topics in depth
• Written by leading biologists and conservationists

Christopher Perrins is a distinguished ornithologist, the author of many popular and scholarly books on birds, and a fellow of the Royal Society. A former professor of ornithology at the University of Oxford and former director of the Edward Grey Institute of Field Ornithology, he is currently a fellow of Wolfson College, Oxford.

Comments welcome & appreciated.

Photo Competition: Buyer Beware!

Coyote Autumn pup  (Canis latrans) Quebec, Canada (C) ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMark III, 500mm F4 IS, Gitzo Tripod & Wimberley Head II. ISO 500, 1/160s F4 Manual Mode. Full Frame. Click HERE to purchase a print or license image for publication.

So, you work for a magazine and your publisher is trying to squeeze a profit out of your magazine during these difficult economic times. Earning kudos from the boss may be easier than you would think: Just announce a photo competition where all entrants assign all publication rights (editorial, commercial & educational) AND they send a $20.00 bill with each submission. Just 1,000 entrants produces an image bank of at least that many images AND $20,000.00 for the magazine. The grand prize: get you picture published in the magazine. The most shocking part is how hard it was to find the fine print and I'm sure most people who sent off a cheque never read it. Oh, I almost forgot: the magazine does not have to pay publication rights to photographers anymore. Just something to think about next time you think about entering a competition…

Entries become the property of (insert magazine name here), a division of (insert company name here) Inc., which reserves the right, without further consideration, to use all photos and text in any publication, media, and related prodcts or promotions. The company cannot confirm receipt or return entries. By submitting your materials, you agree that your contact information may be given to the contest sponsor, which may use the information for marketing purposes. You further agree that your photo, text, name, and city and state may be posted on (insert company name here)-owned websites and, on sponsor websites, as well. If you are younger than 13 years of age, you will need to provide signed permission from a parent or guardian allowing you to enter the contest. - REAL FINE PRINT FROM A REAL PHOTO COMPETITION 

The Coyote , Canis latrans, runs with it's tail down, unlike domestic dogs with their tail up or wolves with their tail straight. Known as the best runner among the canids, the Coyote cruises at 25-30 mph (40-50km/h), with a top speed of 40 mph (65 km/h). Always an opportunist, Coyotes eat small mammals like mice, squirrels and rabbits, as well as birds, frogs, toads snakes, insects and fruit.

Comments welcome & appreciated.

Photographing the Common Raccoon with wide-open & fast lenses.

Common Raccoon  (Procyon Iotor, raton laveur) Quebec, Canada ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 5D Mark II, 70-200mm @ 195mm. ISO 400, F2.8 1/1000s Manual Mode.

Pro Tip: I'm amazed at the number of photographers out in the field today, and even more amazed at the inventory of professional camera gear they cart around with them. Many pay the hefty price, and carry the extra weight of fast lenses, rarely using them at their intended extremes. Try using your F2.8 lenses at F2.8, then try them at F16; while it is true that they are not quite as sharp at F2.8 than, say F4.5, or F5.6, I would bet money that you can't tell the difference with a full frame Canon 1DsIII and all of the pixels it has to offer. Try using your depth of field (or lack of one) to hide or accentuate different features, or areas, of your subject. A shallow depth of field is especially useful when photographing captive animals: I can't tell you how sick I am of looking at "snapshot" style captive images from "serious" photographers - mostly the result of too much depth of field with cluttered backgrounds.

Common Raccoon  (Procyon Iotor, raton laveur) Quebec, Canada ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMark III, 500mm F4 IS. ISO 800, 1/160s F4 Manual Mode.

The black mask across their eyes and ringed tails are the keys to identifying the "backyard bandit" of Southern Canada and much of the United States. Raccoons, Procyon Iotor, are amazing climbers and swimmers that den in hollow trees and spend the night foraging for food. When these masked marauders move into the suburbs, they become experts at opening garbage cans (waste bins).
Not true hibernators, Raccoons do sleep through much of the winter. By February, the mating urge sends the males on a quest regardless of the weather. Nine weeks later most females have three to six kits.

Comments welcome & appreciated.

The Many Moose of Baxter State Park. Trip Report Part III

Bull Moose Vertical (Alces, Elan, Orignal) Baxter State Park, Maine ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 1.4XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 500, F5.6 1/200s Manual.

As mentioned in earlier posts, this years trip to Baxter State Park in Maine was one of my most productive. Here's just a few of the 13 Moose we spent time photographing. It's always a thrill to get close, and close we got on a few occasions; It's best to let Moose come to you, rather than go off chasing them around the forest & remember that Bull Moose that are about two and a half years old (like the Moose in the photo above) are the most unpredictable and therefore the most dangerous; If you find yourself feeling a little uncomfortable, then slowly move away. Moose of this age are starting to "feel their oats" for the first time, and unsure of how to behave during this time of hormonal change.

Bull Moose Giant of the Northwoods (Alces, Elan, Orignal) Baxter State Park, Maine ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 2XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/160s Manual.

Named from the Algonquin term meaning "twig-eater", Moose rely most on their strongest senses: Hearing and smell. Their vision isn't the best, but with the placement of their eyes they can see almost 360°. Inhabiting dense forests throughout Canada, Maine and Alaska, Moose (Alces alces) are the giants of the deer family. They may lack the grace of other deer, but they are among North America's most magnificent mammals. A bull moose crashing through the underbrush in a northern bog is a sight not soon forgotten.
Alaska boasts the largest males: they weigh some 1,800 pounds, stand seven feet tall at the shoulder, and have antlers with a spread of over six feet. In addition to a massive body and a big, overhanging muzzle, the moose is characterized by a fold of skin on the throat (its function unknown) called the "bell" or "Dewlap". You may be able to distinguish particular moose by their distinctive dewlaps. Though long and spindly-looking, its legs are well suited for moving swiftly across snow, wading in water, and swimming.
During the fall rutting season, when their low, mooing calls echo through the forest, bulls battle over cows in savage antler-to-antler confrontations. By December the contests end and the bulls shed their hefty headgear.
In summer, moose wade into ponds and streams to eat aquatic plants, and in winter they browse on twigs and bark. Once exterminated in parts of their range- they were used as food by native peoples and early settlers, and their antlers have always been prized as trophies- moose have lately made quite a comeback.

Bull Moose Vertical Portrait (Alces, Elan, Orignal) Baxter State Park, Maine ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 2XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/125s Manual.

Do consider joining me for the Moose and fall colors of Maine Workshop next year.

Comments welcome & appreciated.

American Black Bears of Baxter State Park. Trip Report Part II

American Black Bear Curious Cutie  (Ursus americanus, Ours Noir) Roaring Brook Campground, Baxter State Park, ME ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS Ids Mark III, 500mm F4, Gitzo 1325 Tripod & Wimberley Head II. ISO 640, F4 1/200s Manual mode.

We were pleased to photograph these two Black Bear cubs at the Roaring Brook campground parking area of Baxter State Park in Maine, but saddened by their future. Though the park staff called them problem bears, the problem is the people who offered hand-outs and simply didn't listen to the Park Rangers pleas to lock all food inside vehicles. By the time you read this, I hope they have been relocated, as planned, to a rehabilitation centre in New Brunswick in Canada.
American Black Bear Autumn Stroll  (Ursus americanus, Ours Noir) Roaring Brook Campground, Baxter State Park, ME ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS Ids Mark III, 500mm F4, Gitzo 1325 Tripod & Wimberley Head II. ISO 500, F4 1/200s Manual mode.

Do consider joining me for this unique workshop next year. Details HERE.

American Black Bear facts: There are three species of bear in North America: Polar Bear, Brown Bear (commonly called Grizzly Bear), and Black Bear. The Black Bear, Ursus americanus, is the only bear that lives in Maine where they are generally deep brown or black with a tan muzzle. Current estimates place the Black Bear population at around 30,000 in Maine; with as many as 300-400 of these in Baxter State Park.

The average life expectancy of Maine bears is only about 5-6 years; whereas a typical life expectancy in the wild might be 25 years. Most Black Bears are killed well before the end of their natural lifespan by human-related factors like hunting or  vehicular collision. Baiting (or feeding) is legal while hunting bear in Maine: READ THIS

Comments welcome & appreciated.

White-tailed Deer of Baxter State Park. Trip Report Part I

Eastern White-tailed Deer Fawn Portrait (Odocoileus virginianus, Cerf de Virginie) Sandy Stream Pond (Roaring Brook Campground), Baxter State Park, Maine, USA ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1Ds Mark III, 500mm F4, 2X II Tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/500s Manual mode.

This years trip to Baxter State Park in Maine was, without doubt, my most productive. We had a great time photographing two Black Bear Cubs, an Eastern White-tailed Deer doe and her twin fawns, Common Goldeneyes, Common Mergansers, amazing fall foliage and did I mention the 13 Moose? I thought I would make my first post about the Eastern White-tailed Deer that live in the park, but until this visit I had never seen there. Shortly after setting-up for Moose one afternoon, we watched as a doe brought her twin fawns out to the water's edge across the lake from us. She slowly made her way around the lake until they were about forty feet from us.

White-tailed Deer Doe & twin fawns at Sandy Stream Pond (Odocoileus virginianus, Cerf de Virginie) Sandy Stream Pond (Roaring Brook Campground), Baxter State Park, Maine, USA ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 5D Mark II, 24-70mm F2.8 @ 70mm, ISO 400, F14 1/200s Manual mode.

White-tailed Deer facts

Our only animals with antlers, North America's deer include three giants; Moose, caribou , and wapiti, or elk. The most widespread and abundant members of the family, however, are the alert, elegant bucks, graceful does, and dappled fawns of the white-tailed and mule deer.
Especially common throughout the East, the delicate white-tailed, or Virginia, deer prefers woodland edges but can also be found in many suburban areas. Up to 3 1/2 feet tall and weighing as much as 250 pounds, it is a fast, elusive creature that, when frightened, flashes the white underside of its tail like a banner. White-tailed deer can run at speed up to 36 mph (58 km/h), it can make vertical leaps of 8.5 feet (2.6m) and horizontal leaps of 30 feet (9m). The stockier, long-eared mule deer lives in the west on forested mountain slopes and deserts. The black-tailed deer of the North-West is a subspecies of the mule deer.
Both white-tails and mule deer browse by day and on moonlit nights on the buds and twigs of trees, feeding on tender grass, berries, and acorns when they are available. During hard winters they barely subsist on the meager food that is available, and starvation is common.
Male deer, or "bucks", are easily recognizable in the summer and fall by their prominent set of antlers, which bear a number of tines, or sharp points. In the fall, the antlered males battle other bucks  for mates. About seven months later, first-time mothers generally give birth to a single fawn, while older does commonly bear twins. The young have spotted coats that provide much needed camouflage when they crouch motionless on the forest floor or in tall grass. And they are scentless, which further protects them from predators.

Kudos

from multiple workshop participant Eleanor Kee Wellman (thanks, Eleanor):

Since I first met Chris he has been telling me I should go with him and photograph the Northern Gannets on Bonaventure Island.  He knows I love to capture behavior and there, you are surrounded by the many behaviors of the gannets as they go about their daily lives.
Chris is super organized and extremely well prepared!  He knows what lenses and flash combinations are needed to maximize your opportunities.  He genuinely wants his participants to go home with the best and most varied images possible. His early morning zodiac trips aren’t available through anyone else.
Lots of people, me included, dislike bad weather but Chris relishes it!  The more dramatic the better for photography!  Gannets in rain, fog, drizzle and sun, too.  Eagles at Homer in the rain!  Snowy Owls in white snowy haze!  Hey, there’s going to be a big snowstorm!  Why don’t you leave now and meet us for some great photo ops!  He is ever enthusiastic and helpful.
He inspires everyone to do their best and he knows the greatest places to eat, too!
Thanks, Chris!!!!!
Eleanor Kee Wellman - Balla, Ontario (www.eleanorkeewellman.com)