Red-shouldered Hawk and the freedom of the new Sony 400-800mm Zoom lens

Huge thanks to my eagle-eyed friend and workshop regular, Susan A., for spotting this magnificent red-shouldered hawk! Her sharp observation made this incredible shot possible.

As I mentioned in my last blog post (Less is More: Finding Freedom with only the Sony a9 III and 400-800mm in Florida), I've been rocking a minimalist setup during my Florida workshops: the ever-reliable Sony α9 Mark III and the seriously impressive new Sony 400-800 mm zoom. Let me tell you, this duo is a dream!

What truly impresses me is the seamless transition it allows – from capturing the wider environment to a tight, detailed portrait while maintaining exceptional balance in hand and, most importantly, uncompromising sharpness. This adaptability transforms challenges into opportunities in the unpredictable world of avian photography.

When it comes down to it, the ultimate test is sharpness. The Sony Zoom has genuinely blown me away. The exquisite detail in the hawk's plumage and the raw power in its gaze are testaments to the optical mastery within this lens.

Read my mini-review of the new zoom lens here: FE 400–800 mm F6.3–8 G OSS Mini-review. Is this the "Holy Grail" for bird photography? by Christopher Dodds

Red-shouldered Hawk (Buteo lineatus, Buse à épaulettes, Busardo de hombro rojo, RSHA). April 5, 2025, during my Ospreys Galore Workshop Lake Blue Cypress near Vero Beach, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens @800mm ISO 1,600, f/8 @ 1/5,000s. Manual exposure.

Osprey in flight in golden light

We had an epic time with fantastic light, weather, ospreys and ospreys with fish during both of my Ospreys Galore workshops on Lake Blue Cypress in Florida. It was fantastic to be out on the lake with some new and some old friends.

“Hi Chris, Thank you for the magical photography experience on Lake Blue Cypress. The opportunity to witness and capture images of this annual ritual of the osprey life cycle was truly a privilege. The setting and expertise of you and the captain were perfection, with the weather and wind in remarkable compliance for the ideal opportunities for memories of a lifetime. Thank you again for putting together this wonderful experience. Honestly, I am in awe of the photos that came out of my camera— you set me up for success! Thank you so much for this!”

— Marsha Lomis (Ontario, Canada)

Canon 70-300mm f/4-5.6 L IS USM ROCKS!

OSPREY head-on (Pandion haliaetus, Balbuzard pêcheur, OSPR) Lake Blue Cypress, Florida. Image Copyright ©Christopher Dodds. Canon EOS 1DMKIV, 70-300mm f/4-5.6 L IS USM @300mm. ISO 640, f/5.6 @ 1/2000s Manual. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's an Osprey from my workshop on Lake Blue Cypress in Florida last April; it's full-frame, at the longest focal length of 300mm and wide-open at f/5.6. It's razor sharp. During the last day of the workshop, friends and long-time repeat clients, Rick & Melody, loaned me their Canon 70-300mm f/4-5.6 L IS USM lens. To make a long story short; I loved it so much that it is a new favourite carry everywhere, mid range zoom lens. The auto-focus is snappy and accurate and it's relatively compact and lightweight lens.

Like the new 70-200 f/2.8 L IS II USM, this lens auto-focuses down to 47.1 inches (mine will focus to 41 inches @ 70mm and 44 inches @ 300mm if focused manually), making it a great all-purpose lens ready for a close encounter with wildlife, or point it straight at the ground and start shooting details in nature. The new tripod and monopod sensing, 4 stop IS unit works just as advertised when used in low light conditions; I was blown away with sharp results at 1/4 second at it's widest 70mm, and 1/8 second at it's longest 300mm focal length.  

Overall, the build quality, image sharpness and auto-focus accuracy is all there; this is a sweet lens. Will it replace my 70-200mm L f/2.8 IS II USM lens? No, but I will have to own both from now on. This will be the most used nature, travel and general purpose lens, but the 70-200mm L f/2.8 IS II USM lens will remain in my kit when photographing events, people and extremely low light work, or when a really narrow depth-of-field is needed. As for the over-the-shoulder go-to lens? That's an easy one; it is now the 70-300mm f/4-5.6 L IS USM.