Osprey in flight with Black Crappie in Golden Light

That early morning mist hanging over Lake Blue Cypress, the sun just kissing the tips of the ancient, water-bound cypress trees... there's a magic to it, especially when the air fills with the triumphant cries of Ospreys. One particular moment stands out during my recent "Ospreys Galore & so much more" workshop. Clutching a fresh catch (Black Crappie. Alternate names for the species include calico bass, speck, speckled perch, speckled bass, moonfish, grass bass, strawberry bass, shiner, crawpie, oswego bass, sac-a-lait, and marigane noire). This magnificent bird called out to its mate in the soft, golden light. Our trusty Captain Don maneuvered the pontoon perfectly, allowing us to capture a series of images before letting the Osprey deliver the black crappie to its nest for its chicks to enjoy their breakfast in peace.

Moments like these demand gear that can keep up with the speed and spontaneity of nature, and let me tell you, the new Sony 400-800mm zoom lens paired with the Sony a9 mark III and the Sony 1.4x teleconverter is an absolute game-changer for wildlife photography.

Think about it: a single lens that effortlessly transitions from a generous 400mm reach to a staggering 800mm, and then, with the seamless addition of the 1.4x teleconverter, stretches all the way to 1120mm! This versatility is pure gold in dynamic environments like Blue Cypress. One moment, you're framing a wider scene of the Osprey in its watery habitat; the next, you're zoomed in tight, capturing the intricate details of its plumage or the glint in its eye. No more fumbling with lens swaps and potentially missing that crucial shot.

But reach is only half the story. What truly elevates this combination is the blazing speed and pinpoint accuracy of the a9 III's autofocus system. With its global shutter, the camera locks onto subjects instantaneously, and the Real-time Tracking keeps even erratic flyers like Ospreys locked in focus as they soar and dive. Adding the 1.4x teleconverter introduces more glass into the equation, but I was genuinely impressed by how little it impacted the autofocus performance. The lens and camera communicated flawlessly, delivering sharp, in-focus results even at those extreme focal lengths.

OSPREY in flight with a Black Crappie (Pandion haliaetus, Balbuzard pêcheur, Águila pescadora, OSPR) from my Ospreys Galore Workshop at Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @1,120mm ISO 8,000, f/13 @ 1/5,000s. Manual Exposure mode. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

Coastal Brown (Grizzly) Bear Cub with Salmon in Golden Light

Here, we see a Coastal Brown (Grizzly) Bear cub captured in the warm, golden light of the setting sun, enjoying a salmon during my Ultimate Brown Bear Photography Workshop in Alaska. Notice the detail – the cub's bloody lips, a testament to the raw, natural moment we were privileged to witness.

Many of you might immediately point to the low angle of view as the defining element of this shot. And you'd be right; it creates a sense of strength and immediacy, placing us in the moment with the cub. However, I want to draw your attention to something more subtle yet equally crucial: the background. Observe how it's rendered soft and out of focus. This wasn't accidental. To achieve this, we needed to position ourselves strategically, ensuring the background was far enough away from our subject. But that's not all. Look at the light illuminating that background. It's the same golden light bathing the cub, creating a harmonious and cohesive image. This golden light on the background is as important as the cub itself.

The key takeaway is that capturing a compelling wildlife shot isn't just about the subject. It's about understanding and controlling your entire frame. Knowing where to position yourself to achieve that desired background – both in terms of distance and lighting – is absolutely essential.

So, while the low angle adds drama, the careful consideration of the background and the golden light truly elevates this image, creating a sense of depth and atmosphere. Remember, thoughtful composition and light management are your allies in crafting truly impactful photographs.

Coastal Brown (Grizzly) Bear Cub with Salmon in Golden Light (Ursus arctos, ours brun) from my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens. ISO 1,600, f/4 @ 1/5,000s Manual exposure. Full frame image.

Sandhill Crane flying in golden light

A Sandhill Crane landing at dusk against the golden backdrop of blurred Cottonwood trees during my recent Better than Bosque Workshop in New Mexico.

This year, we were fortunate to enjoy golden light and ideal wind direction for most of my Better than Bosque workshop. The Cottonwoods displayed their autumn foliage, creating stunning backgrounds when the light became perfect - smile.

Sandhill Crane flying in golden light (Grus canadenis, Grue du Canada, SACR) from my recently concluded Better than Bosque workshop. Bernardo Wildlife Area (Ladd S. Gordon Waterfowl Complex), Bernardo, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 8,000, f/8 @ 1/5,000s Manual exposure. Full frame image.

Northern Shoveler Reflection

This Northern Shoveler was photographed during my recent Better than Bosque Workshop in New Mexico. Shovelers spend so much time “shovelling” that getting an image with their bills out of the water is challenging!

When photographing ducks in a pond, I start as low as possible to capture the sweetest low-contrast golden light. As the light becomes more contrasty, I work at higher angles to capture fuller reflections and eliminate bright distractions in the background.

Many of the dabbling ducks use their flat bills to strain food items from the water, but the big spatulate bill of the Northern Shoveler is adapted to take this habit to the extreme. Flocks of shovelers often swim along with their big bills barely submerged in front of them, straining food from the muddy soup of shallow waters.

Northern Shoveler (Spatula clypeata, Canard souchet, NSHO) from my Better than Bosque workshop. Bosque del Apache National Wildlife Refuge, San Antonio, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 1,600, f/8 @ 1/5,000s. Full frame image. Manual exposure.

Ring-necked Duck Drake in Golden Light

An ethereal fog covered the duck ponds during the coldest morning of my recent Better than Bosque Workshop. The fog thinned as the sun rose, and the warm light on the windless morning made for some great images.

Ring-necked Duck Drake in Golden Light (Aythya collaris, Fuligule à collier, RNDU) from my Better than Bosque workshop. Albuquerque, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha Alpha 9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 5,000, f/8 @ 1/5,000s. Manual exposure.

Raven in flight with a mouse

During my Best of Bosque Workshop last December, we were set up in front of a cornfield on the North Loop, where the Cottonwood trees line the ditch. I remember everyone ignoring this Raven while we were in front of about 5,000 Sandhill Cranes. I am always looking for something different, and I initially thought this Raven might have a bird in its bill, so I rattled off a few frames and discovered it was a mouse for breakfast. The golden light and pumpkin orange out-of-focus autumn cottonwood trees in the background make it special.

Raven in flight with a mouse in Golden Light (Corvus corax, Grand corbeau, CORA) from my Better than Bosque workshop. Bosque del Apache NWR, San Antonio, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 6,400, f/8 @ 1/5,000s Manual exposure.

Peek-a-Boo Sandhill Crane

This is an image of a Sandhill Crane landing in a cornfield midway through my five-day workshop in New Mexico on December 7. So many Cranes landed in the freshly cut corn that it was hard to isolate a single subject in the frame. We worked our way to the outside edge of the activity and worked on the birds outside the circling flight path, which limited the number of birds in the background.

Peek-a-Boo Sandhill Crane Landing in Golden Light (Grus canadenis, Grue du Canada, SACR) from my Better than Bosque workshop. Bernardo Wildlife Area, Bernardo, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 8,000, f/8 @ 1/5,000s Manual exposure. Full frame image.

Sandhill Crane Landing in Golden Light against out-of-focus Cottonwood Autumn Foliage

A Sandhill Crane landing in golden light against magical out-of-focus Autumn foliage (Cottonwood trees) from Dec. 9, 2023, during my Better than Bosque Workshop in New Mexico. We had some off-the-charts magical light last December!

There are still a few spots left for my Dec. 5-9, 2024, Better than Bosque workshop!

Sandhill Crane Landing in Golden Light against out-of-focus Cottonwood Autumn Foliage (Grus canadenis, Grue du Canada, SACR) from my Better than Bosque workshop. Bosque del Apache National Wildlife Refuge, San Antonio, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 3,200, f/8 @ 1/5,000s Manual exposure. Full frame image.

Atlantic Puffin flying with fish against golden cliffs

It takes a minute for the dust to settle before we can fully appreciate everything we witness and experience. Looking back through the memories of my recently completed five sold-out, back-to-back Deluxe Atlantic Puffin workshops, I can’t help but feel somewhat overwhelmed by them. There are those moments frozen in time by my camera, but there are also the moments standing on the beach before sunrise, waiting for the imagess to emerge from the scene. It’s not only about the images! I keep thinking about new friendships and when a client starts to understand a new technique or theory or, perhaps, realizes that exposure theory may be simpler than they thought. That’s what makes me happy!

“The Deluxe Atlantic Puffin Workshop Photo Tour was fantastic! The island is remote, and Chris helped me with some complex travel arrangements. The location is beautiful, away from other people getting in your shots. There are many photo ops on the island, many razerbills, gulls, and my favorite, 1,000s of puffins. We were able to shoot them on land, taking off, flying, and bringing back fish. Not only is Chris an internationally renowned wildlife photographer, he is an incredible teacher. He assessed each of our photography skills and worked with us at our level, answering questions and making suggestions. We were able to shoot several times each day. He would walk around the island and let us know if there were spots that were especially good, helping us find the best opportunities. We stayed in the lightkeepers inn, which was very nice. Our French chef was fantastic, and prepared meals with several options. I especially liked the eggs Benedict and salmon. I would strongly recommend this tour to photographers at any level, beginner to advanced. Thank you Chris! ”
— Victoria Steelman | Iowa, USA | Deluxe Puffins Galore Workshop 2024

Atlantic Puffin flying with fish against golden cliffs (Fratercula arctica, Macareux moine, ATPU) from my Deluxe Puffins Galore Lighthouse Island Workshop Adventure. Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony A9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 12,800, f/8 @ 1/5,000s Manual exposure. Full frame image.

A Coastal Brown (Grizzly) Bear Cub in golden light

This Coastal Brown (Grizzly) Bear Cub was the star performer during my Ultimate Brown Bears of Alaska Workshop last September. Join me for an incredible all-inclusive eight days of Brown Bear photography along the Katmai coast with departure from Kodiak, Alaska, September 17-24.

A Coastal Brown (Grizzly) Bear Cub in golden light. (Ursus arctos, ours brun) From my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens. ISO 800, f/4 @ 1/5,000s Manual exposure. Full Frame Image (cropped slightly top & bottom to 4 X 5 aspect ratio).

Coastal Brown (Grizzly) Bear Eye to Eye

A Coastal Brown (Grizzly) Bear cub proudly shows off its prize: a freshly caught salmon during my Ultimate Brown Bears of Alaska Workshop in Katmai National Park.

If you dream of fishing bears in golden light with unique autumn colours in the background, my Ultimate Brown Bears of Alaska trip is for you! We are the last group in the park for the season, and the bears are enormous, with fur that glistens from eating so much salmon to prepare for their winter hibernation. The September sun in Alaska has started to move south of the equator for the winter, so the low light angle and light quality are spectacular.

Join me for my Ultimate Coastal Brown Bears of Katmai Adventure from September 17 to 24 for an incredible 8-day/7-night photographic adventure on a private charter along the Katmai Coast of Alaska. We will photograph the numerous Coastal Brown Bears congregating along streams overflowing with salmon as they fatten up for the long and harsh Alaskan winter. Unlike many other tours, our Itinerary starts by flying out to the ship from Kodiak, Alaska, on day 1 (flights from Kodiak to the boat and back are included), and we remain there until we fly back to Kodiak on day 8. We photograph bears from day 1 to day 8, so eight days of epic brown bear photography! There are only two spots left!

Coastal Brown (Grizzly) Bear Cub with Salmon. Eye to Eye. (Ursus arctos, ours brun) From my Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens. ISO 1,000, f/4 @ 1/5,000s Manual exposure.

Last minute cancellation for Deluxe Atlantic Puffins and so much more workshop in Quebec

An Atlantic Puffin photographed in flight with fish at first light during my Deluxe Atlantic Puffin Lighthouse Island adventure workshop in Quebec.

I just had a last-minute cancellation for my otherwise sold-out Deluxe Atlantic Puffin Lighthouse Island Adventure Workshop in Quebec. Click below to find out more or to reserve your spot.

Atlantic Puffin flying with fish at first light (Fratercula arctica, Macareux moine, ATPU) from my Deluxe Puffins Galore Lighthouse Island Workshop Adventure. Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 8,000, f/8 @ 1/3,200s Manual exposure. Full frame image.

Atlantic Puffin banking in golden light with fish

This is, by far, my favourite from last summer’s Deluxe Puffins Galore Lighthouse Adventure Workshops. The sun came up quickly as the Puffins were swirling around trying to align their trajectory, the wind with the entry to their burrows; I have watched them circle as many as 23 times while trying to get everything right before landing. Sunrise was 04:59 on August 11, 2023, and this image was made just a few moments later, against the glowing out-of-focus cliffs.

Join me in Quebec for my Deluxe Atlantic Puffins (and so much more) Lighthouse Island Workshop. I just added another date to accommodate the high demand at the best time to be there to ensure there are Puffins bringing fish home for their babies.

Atlantic Puffin banking with fish at first light (Fratercula arctica, Macareux moine, ATPU) from my Deluxe Puffins Galore Lighthouse Island Workshop Adventure. Mingan Archipelago National Park Reserve, Quebec, Canada. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm. ISO 6,400, f/8 @ 1/3,200s Manual exposure. Full frame image (shot an ounce too tight, so I added a sliver of canvas to the left and bottom).

Osprey Calling with fish in first light

After an early breakfast, we drive to Lake Blue Cypress and board the pontoon boat for what is always a magical ride through the Osprey-filled Blue Cypress trees that grow in the water as the sun begins to cast its magical first drops of light. On the last morning of the first Ospreys Galore Workshop (April 7), I heard the celebratory calling of this Osprey showing off its fresh catch to its mate, and Captain Don quickly did his part and got us in position to make a series of images before leaving the bird in peace.

Join me next April for this magical adventure: Ospreys Galore and so much more Aril 5-7 & 8-10, 2025. Learn More HERE.

OSPREY in flight with fresh catch (Pandion haliaetus, Balbuzard pêcheur, OSPR) from my Ospreys Galore Workshop on April 7, 2024, at Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 2X Teleconverter @1,200mm ISO 3,200, f/8 @ 1/5,000s. Manual Exposure mode. Full-frame image. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

Peregrine Falcon in Golden Light

Peregrine Falcons don’t nest in Florida but can be seen during seasonal migrations. We often get to see them during my Ospreys Galore Workshops every April.

Fun Fact: “Peregrine” means wanderer. Northern breeders migrate from the Arctic tundra to South America.

Peregrine Falcon in golden light (Falco peregrinus, Faucon pèlerin, PEFA) from my Ospreys Galore Workshop Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds Sony Alpha a1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 1.4X Teleconverter @840mm ISO5,000, f/5.6 @ 1/5,000s. Manual Exposure mode. Join me for my Ospreys Galore workshop every April. To learn more, CLICK

Coastal Brown Grizzly Bear Sow with Pink Salmon

My group was treated to more than a few phenomenal moments during my Ultimate Coastal Brown Bears of Katmai Adventure Workshop. This is the mother of the Coastal Brown (Grizzly) Bear Yearling with Pink Salmon I posted yesterday. She put on quite a show with her yearling twins, and my “secret spot” on the Salmon River, with its amazing backgrounds, made the images surreal.

Join me for my Ultimate Coastal Brown Bears of Katmai Adventure Workshop

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Join me for my Ultimate Coastal Brown Bears of Katmai Adventure Workshop 🧸

Coastal Brown (Grizzly) Bear Sow with Pink Salmon (Ursus arctos, ours brun) from my recent Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens and Sony 2X Tele extender @1,200mm. ISO 8,000, f/8 @ 1/5,000s Manual exposure.

Coastal Brown (Grizzly) Bear Yearling with Pink Salmon

Here is another favourite from my Ultimate Brown Bears of Alaska Workshop Adventure: Our favourite yearling showing off his prize. We were in the right place for the light and fantastic autumn colours in the background, but there were no bears when we first set up. All of my experience told me to hold tight and wait - smile!

Join me in June or September for the trip of a lifetime! Learn more about my Ultimate Brown Bears of Katmai workshop HERE.

Coastal Brown (Grizzly) Bear Cub with Pink Salmon (Ursus arctos, ours brun) from my recent Ultimate Coastal Brown Bears of Katmai adventure workshop in Alaska. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens and Sony 2X Tele extender @1,200mm. ISO 2,000, f/8 @ 1/5,000s Manual exposure.

Snow Goose Landing in Last Drops of Golden Light

The light was spectacular, and the Snow Geese were plentiful. For most of the afternoon, the wind blew into our faces when we were positioned with our shadows pointed toward the birds with the sun at our backs. The worst combination: the birds landing toward the wind or away from us. All we saw was the south end of northbound birds - smile! The sweeter the light got, the more the wind shifted in our favour. What a perfect ending!

Snow Goose Landing in last drops of golden light (Chen Caerulescens, Oie des Neiges, SNGO) from my recently concluded Better than Bosque workshop. Bernardo Wildlife Area (Ladd S. Gordon Waterfowl Complex), Bernardo, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 6,400, f/8 @ 1/5,000s Manual exposure. Full frame image.

Sandhill Crane in last light

A Sandhill Crane in flight against the out-of-focus Cottonwood trees and distant snow-covered Sandia Mountains in the last drops of golden light.

We had some epic light and unforgettable experiences during my recently concluded Better than Bosque Workshop in New Mexico. The group was terrific, and the photographic opportunities were plentiful and awe-inspiring.

After driving our RV across the country, Julie and I spent a week scouting dozens of locations outside the Bosque del Apache NWR to ensure the group had the best opportunities as the Bosque del Apache refuge continues to decline as a photographic destination. We had an epic trip!

Sandhill Crane in last light (Grus canadenis, Grue du Canada, SACR) from my recently concluded Better than Bosque workshop. Bernardo Wildlife Area (Ladd S. Gordon Waterfowl Complex), Bernardo, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 10,000, f/8 @ 1/5,000s Manual exposure. Full frame image.