Grizzly Brown Bear second summer cub in the rain

A second summer Coastal Brown Bear grazing in the rain from my recently concluded ULTIMATE BROWN BEARS OF KATMAI WORKSHOP. I love cloudy and overcast light, especially when it is misty or drizzling in Katmai. The short grass in mid-June offers amazing low-angle images possible. The bears love the sweet, high-protein sedge and spend much time grazing like cows - smile.

One of the few reliable food sources for bears in the spring is Lyngbye's sedge (Carex lyngbyaei). On the Pacific coast of Katmai, large numbers of bears gather to graze like cattle when this sedge emerges in salt marshes. As it begins to grow, Lyngbye’s sedge is relatively high in protein and lower in crude fibre, making it easier for bears to digest and extract nutrition.

Northern Gannet Singing in the rain

Last Chance to join the Ultimate Northern Gannet Adventure CLICK HERE TO LEARN MORE or SIGN-UP!!

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Last Chance to join the Ultimate Northern Gannet Adventure CLICK HERE TO LEARN MORE or SIGN-UP!! 〰️

Northern Gannets SINGING IN THE RAIN (Morus Bassanus, Fou de Bassan) from my Gannets Galore Workshop on Bonaventure Island, Quebec in 2013 ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. 70-300mm @188mm ISO 400, F9 1/400s Manual exposure with balanced flash.

A Northern Gannet calls in the rain and I used a flash set in manual mode as balanced light to add the glitter :)

There is still a couple of spots available for my June 10-13, 2022 Gannets trip due to unvaccinated participants who decided to postpone another year.

Join me for the ultimate immersive bird photography workshop! We start each day onboard a 28-foot Zodiac Hurricane under the bird-filled cliffs of Bonaventure Island. We’ll be photographing diving Gannets, Common Murres, Razorbills, Harlequin Ducks, and Black Guillemots while getting close to Grey Seals and Whales. After our daily Zodiac adventure, it’s off to the colony with the park staff transporting our gear on their Kawasaki Mule, making our walk an easy and pleasant one!

Join the ADVENTURE to Bonaventure Island for Gannets Galore LEARN MORE CLICK HERE

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Join the ADVENTURE to Bonaventure Island for Gannets Galore LEARN MORE CLICK HERE 〰️

All about Watermarks: Visible and Invisible

Great Grey Owl SPRING SHOWERS  (Strix nebulosa, Chouette Lapone, GGOW) Île Bizard, Montreal, Quebec ©Christopher Dodds All Rights Reserved. Canon EOS 1D Mark II, 100-400mm F4-5.6 L IS USM @ 360mm Hand Held ISO 1400, f/6.3 @ 1/800s Manual mode. Click HERE to order a print or license image for publication.

Here's an old favourite from 2005. I have re-processed the image using my current workflow after negotiating a generous licensing fee after the image was found by a legitimate buyer in a blog that had "re-posted" my image. This kind of thing happens almost every day to my images and I maintain a vigilant watch for them and quickly follow-up with invoices that are usually paid in full quite quickly.

I'm bringing this to your attention after reading several rants from a couple of "famous" photographers who regularly try to make you believe that you should be posting your images on-line without any watermarks; be they visible or not. This despite my not remembering many artists who didn't sign their work.

Here's my thoughts; those of a professional who does still post to the web, my blog, Facebook, Google Plus and 500px. It's fun and it's good for business.

All of my images are posted with a huge visible watermark and they all contain a digital watermark in the event that someone decides to remove the visible watermark before they share them without my permission. The visible watermark is there to build my brand and inform the viewer that it is my work; the invisible watermark to protect myself from image theft and the possibility of the work being rendered an orphan work.

An orphan work is a copyrighted work for which the copyright owner cannot be contacted. That's what happens after someone strips your image of the visible watermark …. or, if you never put one on the image in the first place.

Why is this all important? Once you post an image without a watermark, or, if someone re-posts your image without your watermark, then a legitimate buyer doesn't know who to buy the rights from. It could be the editor of a very prestigious magazine, or an advertising agency representing a very prestigious brand; there are still people out there right now who pay large sums of money to licence an image.

How to prevent this from happening to you? Simple, place a visible watermark somewhere on your image with your name or website address AND be sure to Watermark your image with an invisible, digital watermark by running it through the Digimarc for images filter  in Photoshop.

A digital watermark embedded in your image carries a unique ID and can link to contact information or a website for viewers interested in learning more about you or purchasing your artwork. The watermark stays with your image regardless of the path it travels across the Internet. No matter where your digital image ends up, others will be able to determine your copyright ownership and find you. If anyone finds your image on-line and wants to contact you, they need only read the Digimarc invisible watermark to either find your co-ordinates via the Digimarc site, or be directly connected to your website.

As an added bonus, Digimarc for images also offers premium services which searches for, and index all of the images it finds on-line with a Digimarc invisible watermark; it's a search engine for protected images - now you can see who has been stealing your work and pursue them.

Find out more about Digimarc for Images and Save 30% off your subscription to Digimarc for images by using the coupon code "naturephotography" at www.digimarc.com/digimarc-for-images

The Screaming Eagle & when not to use flash

Bald Eagle (Haliaeetus leucocephalus Pygarge à tête blanche) Homer Alaska, USA. ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter,1.4X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 640, F20 1/80s Manual Exposure and Manual Focus. Full Frame. Click HERE to order a print or license image for publication.

I have been to Alaska to photograph Bald Eagles many times, and always wish for golden light during the first, and last, hour of light. It's often cloudy when I'm there, and my flash is always mounted and ready to go. Typically I would use some light fill flash on heavily overcast days; even when this bird looked to the side I used fill flash. The thing is, I was looking for a perfectly framed, tight portrait of a screaming eagle; and I wanted to see straight down it's throat without any shadows. The single best time to get this shot was during a snowstorm when the clouds and snow diffuse the natural light and bounce it around creating a virtually shadowless world.  It was hovering around freezing and the snow was changing to rain (as we'd endured for a couple of days). I saw this eagle singing and decided to dedicate some time to this shot. So, why no flash? Simple, It would have created a shadow from the front part of it's beak that is hooked downward.

Comments welcome & appreciated.