Osprey in flight with Black Crappie in Golden Light

That early morning mist hanging over Lake Blue Cypress, the sun just kissing the tips of the ancient, water-bound cypress trees... there's a magic to it, especially when the air fills with the triumphant cries of Ospreys. One particular moment stands out during my recent "Ospreys Galore & so much more" workshop. Clutching a fresh catch (Black Crappie. Alternate names for the species include calico bass, speck, speckled perch, speckled bass, moonfish, grass bass, strawberry bass, shiner, crawpie, oswego bass, sac-a-lait, and marigane noire). This magnificent bird called out to its mate in the soft, golden light. Our trusty Captain Don maneuvered the pontoon perfectly, allowing us to capture a series of images before letting the Osprey deliver the black crappie to its nest for its chicks to enjoy their breakfast in peace.

Moments like these demand gear that can keep up with the speed and spontaneity of nature, and let me tell you, the new Sony 400-800mm zoom lens paired with the Sony a9 mark III and the Sony 1.4x teleconverter is an absolute game-changer for wildlife photography.

Think about it: a single lens that effortlessly transitions from a generous 400mm reach to a staggering 800mm, and then, with the seamless addition of the 1.4x teleconverter, stretches all the way to 1120mm! This versatility is pure gold in dynamic environments like Blue Cypress. One moment, you're framing a wider scene of the Osprey in its watery habitat; the next, you're zoomed in tight, capturing the intricate details of its plumage or the glint in its eye. No more fumbling with lens swaps and potentially missing that crucial shot.

But reach is only half the story. What truly elevates this combination is the blazing speed and pinpoint accuracy of the a9 III's autofocus system. With its global shutter, the camera locks onto subjects instantaneously, and the Real-time Tracking keeps even erratic flyers like Ospreys locked in focus as they soar and dive. Adding the 1.4x teleconverter introduces more glass into the equation, but I was genuinely impressed by how little it impacted the autofocus performance. The lens and camera communicated flawlessly, delivering sharp, in-focus results even at those extreme focal lengths.

OSPREY in flight with a Black Crappie (Pandion haliaetus, Balbuzard pêcheur, Águila pescadora, OSPR) from my Ospreys Galore Workshop at Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @1,120mm ISO 8,000, f/13 @ 1/5,000s. Manual Exposure mode. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

Green Heron Calling in Flight Sony 400-800 with Sony 1.4X Tele-converter

A distinct, loud guttural "skeow" broke the silence as we waited for this Green Heron to take flight from a perch it landed on in front of us a few moments earlier. I tracked it flying directly across my frame as it took flight and called—the fleeting moment when you get the shot or don't. Thankfully, the new Sony 400-800mm with the 1.4x teleconverter attached to the Sony a9 mark III was already poised and ready.

What struck me immediately was the sheer versatility of this setup. Going from 560mm to 1,120mm with a 1/4 turn of the zoom ring while maintaining exceptional image quality is a game-changer. There was no time to swap lenses; frankly, I wouldn't have wanted to. The integrated zoom allowed me to track the heron smoothly as it flew, adjusting my composition on the fly.

And the autofocus? Absolutely tenacious. Even with the added magnification of the teleconverter, the focus locked onto the heron's eye instantly and held firm as it zipped past: crucial for capturing birds in flight, where even the slightest hesitation can mean a missed opportunity. The resulting images are tack sharp, revealing the intricate details of its plumage. The detail retention and auto-focus speed are remarkable.

This encounter perfectly illustrates the power and flexibility of the Sony 400-800mm with the 1.4x. It's a setup that allows you to react quickly, achieve incredible reach, and capture breathtaking sharpness, even in challenging situations. This lens is a serious contender for wildlife photographers who demand the best and need to be ready for anything. It's not just about getting closer; it's about capturing the moment with stunning clarity.

Be sure to take a look at my other blog posts from my trip to Florida with only a Sony a9 mark III, the new Sony 400-800 and both teleconverters (1.4X and 2X):

FE 400–800 mm F6.3–8 G OSS Mini-review. Is this the "Holy Grail" for bird photography? by Christopher Dodds

Less is More: Finding Freedom with only the Sony a9 III and 400-800mm in Florida

Red-shouldered Hawk and the freedom of the new Sony 400-800mm Zoom lens

Green Heron Calling in Flight (Butorides virescens, Héron vert, Garcilla Verde, GRHE). From my recent Ospreys Galore Workshop Lake Blue Cypress near Vero Beach, Florida, USA. Image Copyright ©Christopher Dodds. Sony a9 III Mirrorless camera & Sony FE 400-800mm f/6.3-8 G OSS Lens with Sony 1.4X Teleconverter @1,036mm ISO 3,200, f/13 @ 1/5,000s. Manual exposure.

Sandhill Crane and Bosque Workshop Openings.

A Sandhill Crane calls to announce its arrival as it lands in front of us during my Best of Bosque workshop last December.

Due to an unfortunate medical emergency, I have two spots open for the previously sold-out Dec. 5-9, 2024 Best of Bosque workshop. Join me for five full days of EPIC imagery and learning.

Sandhill Crane Calling in flight. Landing Loud. (Grus canadenis, Grue du Canada, SACR) from my Better than Bosque workshop. Bosque del Apache National Wildlife Refuge, San Antonio, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony a1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 5,000, f/5.6 @ 1/5,000s Manual exposure. Full frame image.

Sandhill Crane calling in flight in golden light

A Sandhill Crane calls as it flies past the out-of-focus autumn foliage of the cottonwood trees.

Sandhill Cranes can be heard as far as 2.5 miles (4km) away. They give loud, rattling bugle calls, each lasting a few seconds and often strung together.

Sandhill Crane calling in flight in Golden Light (Grus canadenis, Grue du Canada, SACR) from my Better than Bosque workshop. Bernardo Wildlife Area, Bernardo, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 3,200, f/8 @ 1/5,000s Manual exposure. Full frame image.

Happy Fourth of July

Happy Fourth of July to all of my American friends and family. This image was made during my annual Eagles Galore Workshop in Alaska every March. The predawn colours in the sky were a fantastic pallet of pastels - and the Eagles were singing their morning chorus. What could be better?

Bald Eagle Call of the Wild (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 6,400, f/8 @ 1/3,200s. Manual Exposure mode. Join me for my Eagles Galore workshop in March. To learn more, CLICK HERE.

Osprey Showing off a Fish

This Osprey announcing its arrival with fresh fish for its new babies was made during my Ospreys Galore Workshop on Lake Blue Cypress near Vero Beach in Florida. The is still one spot left due to last-minute medical cancellation (a fractured femur that led to three days in hospital, rods, plates and screws and a whole lot of physio. Get back on your feet soon, Joe!).

Learn more & Sign up for Ospreys Galore HERE

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Learn more & Sign up for Ospreys Galore HERE /

OSPREY Showing off a Fish (Pandion haliaetus, Balbuzard pêcheur, OSPR) from my Ospreys Galore Workshop Lake Blue Cypress near Vero Beach, Florida, USA. Image copyright ©Christopher Dodds Sony Alpha a1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 1.4X Teleconverter @840mm ISO 640, f/5.6 @ 1/5,000s. Manual Exposure mode. Full frame image. Join me for my Ospreys Galore workshop every April. To learn more, CLICK HERE.

Hi Chris, Thank you for the magical photography experience on Lake Blue Cypress. The opportunity to witness and capture images of this annual ritual of the osprey life cycle was truly a privilege. The setting and expertise of you and the captain were perfection, with the weather and wind in remarkable compliance for the ideal opportunities for memories of a lifetime. Thank you again for putting together this wonderful experience. Honestly, I am in awe of the photos that came out of my camera— you set me up for success! Thank you so much for this!
— Marsha Lomis (Ontario, Canada)

Bald Eagle The Call of the Wild

This is another portrait of an Adult Bald Eagle calling from my recent Eagles Galore Workshops in Alaska. The new Sony A9 Mark III proved to be an incredible tool for any action. In this case, having so many frames to choose from ensured direct eye contact with open eyes. As always, I chose manual mode and exposed for the light falling on the subject to ensure a perfect exposure for every frame.

Bald Eagles Calling Portrait (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) March 13, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 1.4X Tele-extender @840mm ISO 2,000, f/9 @ 1/800s. Manual Exposure mode. Full frame image. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Bald Eagle Calling Portrait

After a flurry of feeding, the Eagles settled down on perches, and many allowed us to get really close, as they usually do during my Eagles Galore Workshops in Alaska.

The key to getting a close-up portrait of an Eagle calling is patience; wait, and they will call!

ki-ki-ki-ki-ki-ki-ker! An Eagle calling is like no other sound in nature; it always induces goosebumps and is instantly recognizable.

Bald Eagles Calling Portrait (Haliaeetus leucocephalus, Pygargue à tête blanche, BAEA) March 13, 2024 near Homer, Alaska. Image copyright ©Christopher Dodds Sony Alpha a9 III Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony 1.4X Tele-extender @840mm ISO 2,000, f/9 @ 1/800s. Manual Exposure mode. Full frame image. Join me for my Eagles Galore workshop next March. To learn more, CLICK HERE.

Snow Goose announcing its arrival

A Snow Goose announcing its arrival in magical light from my recently concluded Better than Bosque workshop in New Mexico, USA.

Snow Goose calling at light (Chen Caerulescens, Oie des Neiges, SNGO) from my recently concluded Better than Bosque workshop. Bernardo Wildlife Area (Ladd S. Gordon Waterfowl Complex), Bernardo, New Mexico, USA. Image Copyright ©Christopher Dodds. Sony Alpha 1 Mirrorless camera & Sony FE 600mm f/4 G Master OSS Lens with Sony FE 2X Teleconverter @1,200mm ISO 2,500, f/8 @ 1/5,000s Manual exposure. Full frame image.

Snow Geese are possibly the noisiest of all waterfowl. Their main call, made by both males and females, is a nasal, one-syllable honk given at any hour of the day or night, at any time of year, in the air or on the ground. Distant calling flocks are reminiscent of a pack of baying hounds. Birds less than a year old have a clearer and higher-pitched whistle. Family groups use a series of guttural notes to communicate with each other while feeding. Parents make a fast, quiet series of notes as a brood call to round up goslings. During nesting, they use a penetrating alarm call that varies in intensity. The flight call is a continuous chorus of shrill cries, hoarse honks, and high-pitched quacks, audible both day and night.
— https://www.allaboutbirds.org/guide/Snow_Goose/sounds#

Northern Gannet Singing in the rain

Last Chance to join the Ultimate Northern Gannet Adventure CLICK HERE TO LEARN MORE or SIGN-UP!!

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Last Chance to join the Ultimate Northern Gannet Adventure CLICK HERE TO LEARN MORE or SIGN-UP!! 〰️

Northern Gannets SINGING IN THE RAIN (Morus Bassanus, Fou de Bassan) from my Gannets Galore Workshop on Bonaventure Island, Quebec in 2013 ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. 70-300mm @188mm ISO 400, F9 1/400s Manual exposure with balanced flash.

A Northern Gannet calls in the rain and I used a flash set in manual mode as balanced light to add the glitter :)

There is still a couple of spots available for my June 10-13, 2022 Gannets trip due to unvaccinated participants who decided to postpone another year.

Join me for the ultimate immersive bird photography workshop! We start each day onboard a 28-foot Zodiac Hurricane under the bird-filled cliffs of Bonaventure Island. We’ll be photographing diving Gannets, Common Murres, Razorbills, Harlequin Ducks, and Black Guillemots while getting close to Grey Seals and Whales. After our daily Zodiac adventure, it’s off to the colony with the park staff transporting our gear on their Kawasaki Mule, making our walk an easy and pleasant one!

Join the ADVENTURE to Bonaventure Island for Gannets Galore LEARN MORE CLICK HERE

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Join the ADVENTURE to Bonaventure Island for Gannets Galore LEARN MORE CLICK HERE 〰️