Northern Harrier & " Stressful Jobs that Pay Badly"

Northern Harrier   (Circus cyaneus, Busard Saint-Martin) Bosque del Apache National Wildlife Refuge, New Mexico, USA ©Christopher Dodds All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter, Canon 580 EXII Flash with Better Beamer, Gitzo tripod and Wimberley Head II  ISO 400, F8 1/800s Manual Mode. Full Frame. Click HERE to order a print or license image for publication.

Northern Harriers have owl-like facial disks to help with directional hearing; unusual among hawks, they use their sense of hearing to locate prey.

This article from CNNMoney.com caught my eye when someone posted a link to it on FaceBook. They forgot to mention that no matter what your area of expertise, there is always a pile of people who don't depend on photography to earn their living; and those people will all do the job for 1/10 the price, or even free. I remember when I used to charge $5,000.00 for a wedding and there were always another ten "photographers" charging $500.00; you do get what you pay for. Most people think that the life of a professional photographer is glamorous and well paying....Sigh, smile.

Click on the image to go directly to the CNN article.

 

Comments welcome & appreciated.

 

 

Brand Identity, Watermarks & Copyright Infringement as a Marketing Tool / Sales Aid

Eastern White-tailed Deer Buck Portrait (Odocoileus virginianus, Cerf de Virginie) ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1Ds Mark III, 500mm F4, Gitzo 1325 Tripod and Wimberley Head II. ISO 250, F5 1/400s Manual mode.

As a passionate nature photographer, I often post images to this Blog, my website and various on-line nature photography forums like NatureScapes.net (where I happen to be a moderator for the bird photography forum). I regret any image that I have posted on the Internet without a very bold and obvious watermark. Let me explain: I have recently received two very different phone calls, from two very different people, in very different places. Both callers referred to a video that they had seen on YouTube.

Caller number one described the video and paid huge compliments to my images. She informed me that her son, Lee, had recently achieved the honor of becoming an Eagle Scout, and that he had asked his mother if she thought it would be all right for him to project the slideshow video to his Scout Troop during the evening of his Eagle Scout Court of Honor. She told me that there were only two images with copyright information visible, that both images were identified as mine, and that she was pretty sure they were used without permission. I granted permission for the viewing and thanked her for calling, her honesty and for raising her boy to achieve that honor (I was a Boy Scout myself). Congratulations Lee!


Caller number two called me and pointed me to that very same video, but this was a very different call. Long story short, he was calling to place an order for 16 large, signed prints for the golf course the he runs.

Despite the video producer stealing the images, he left my copyright watermarks intact and I doubt he made any financial gain, or caused me any financial loss, so a lawsuit would only cost me money. By leaving the video as is (not that I could have done anything about a video that I didn’t know about) I made a very substantial sale.

So, what's the moral of the story?

You are a brand: Identify your brand, market your brand and protect your images; do it boldly and do it consistently. The next time you consider making a small, transparent watermark, think of the Nature Photography Blog and the video below:

In closing, if they really want an image without a watermark, they most likely will find a way to remove it, or simply find another picture. If they really just want a picture for a slideshow like this one, then it becomes a great sales aid for you. 

This video clip was produced and posted to YouTube without my knowledge. Ten of the Bald Eagle images it contains are "stolen" from me, Christopher Dodds. Images in question can be viewed at the following times: 1:33, 1:41, 1:49, 1:54, 2:01, 2:35, 2:43, 3:02, 3:06.

Comments welcome & appreciated.

 

Twitching & The Black-Tailed Gull of Charlotte, Vermont

Black-tailed Gull (Larus crassirostris, Goéland à queue noire, BTGU) October 21, 2005 Lake Champlain, Charlotte, VT, USA ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 500mm F4 IS, Gitzo tripod and Wimberley Head. ISO 200, F7.1 1/1250s Manual Mode. Full Frame. Click HERE to order a print or license image for publication.

First used in the 1950s to describe the nervous behavior of Howard Medhurst, a British birdwatcher, a twitcher is a birder who travels long distances to see a rare bird and check it off, on a list. Previously known as "pot-hunter", "tally-hunter", or "tick-hunter", a twitcher’s main goal is to accumulate species on their bird lists. Some birders engage in competition to accumulate the longest species list. The act of the pursuit itself is referred to as a "twitch" or a "chase". A rare bird that stays put long enough for people to see it is "twitchable" or "chaseable".

I am not a "Twitcher", so I don't run off to photograph rare birds at the drop of a hat. I certainly wouldn’t go running off to Lake Champlain to try to find a Black-tailed Gull amongst the thousands of Ring-billed Gulls that are typically found there; Lake Champlain is huge; it would be like finding a needle in a haystack. On October 21, 2005, I was on my way to Dead Creek Wildlife Management Area to photograph Snow Geese, when I got a call from a friend telling me about this rare Asian visitor in Charlotte, Vermont. I laughed when I heard that it was "along the shore of Lake Champlain", but decided that I would stop by for a look on my way to Dead Creek WMA. Not hopeful, I assembled my camera and set the exposure in manual mode and then headed for the water's edge where at least 50 birders had gathered. I set-up my camera in manual mode and started to eat a sandwich, when there it was. The image above was one of about thirty that I took within the first ten minutes of my arrival. I changed my plans and stay put, but the bird didn't re-appear that day. Great fun was had exchanging stories with the many birders present - the images were a nice bonus too.

Service Notice: EOS 7D: Residual Image in Picture

Thank you for using Canon products.

We have confirmed that in certain camera settings and shooting conditions, the phenomenon described below may occur in images captured by the EOS 7D Digital SLR camera.

Canon is currently investigating and analyzing the cause of this phenomenon, and we are planning to release a firmware update to address this issue.

Once the support measures have been established, we will post the relevant information on our Web site.

We offer our most sincere apologies to customers using this product who have been inconvenienced by this issue. Going forward, we will spare no effort in our quality management to make sure our customers can use our products with confidence. We hope our efforts will earn your understanding.

Phenomenon
In images captured by continuous shooting, and under certain conditions, barely noticeable traces of the immediately preceding frame may be visible. This phenomenon is not noticeable in an image with optimal exposure. The phenomenon may become more noticeable if a retouching process such as level compensation is applied to emphasize the image.

Affected Product
EOS 7D Digital SLR

Support
This contact information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region.

Thank you,
Customer Support Operations
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Contact Information for Inquiries
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For additional support options: www.usa.canon.com/support

 

Comments welcome & appreciated.

 

Photographing the Pied-billed Grebe: light illuminates - shadows define

Pied-billed Grebe Reflection (Podilymbus podiceps, Grèbe à bec bigarré) Bosque del Apache National Wildlife Refuge, New Mexico, USA ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter, Gitzo tripod and Wimberley Head II from VW Westfalia (thanks  Ethan). ISO 250, F16 1/320s Manual Mode. Full Frame. Click HERE to purchase a print or license image for publication.

Light Illuminates - Shadows Define

Though many try to take the credit for saying it, it was Howard Pyle who said, "Light illuminates texture and color - shadows define form" - though he was referring to painting, the same holds true for photography. Light is an incredibly important part of photography. Out in the field, or in the studio; it's quality, quantity and direction are all very important components in your final image. Many nature photographers advocate pointing your shadow directly at your subject, resulting in a direct, flat, frontal light source (the sun). While that is a good starting point, I strive to get my light source (the sun in this case) off to one side. As you can see in this image of a Pied-billed Grebe, the sun is off to my far right. The resulting image is full of light and shadow, creating a dramatic, detail rich image; every wet feather on the back of its neck is accentuated by both light and shadow. This method works incredibly well for white birds like Snowy Owls, that have a hollow feather structure.

The Bigger Pictures:

As promised when I started this Nature Photography Blog, I have been messing around with image sizes and page format. I do hope you like the new, bigger pictures and will try to get all of the older posts updatesd soon. Leave a comment to let me know how you like the new format.

Pied-billed Grebe facts:

Nicknamed dabchick, devil-diver, hell-diver and water witch, the Pied-billed Grebe, Podilymbus podiceps, feeds on fish (carp catfish & eels), insects (dragonflies, ants & beetles) and amphibians (frogs & tadpoles).
The most widespread of the North American Grebes, it is often found on remote ponds and marshes of Canada, parts of the United States and temperate South America. Preferring to escape danger by diving, this Grebe rarely flies.
Instead of having webbed feet like ducks, Pied-billed Grebes have lobes extending out the sides of it's toes to provide extra surface area for paddling.

Comments welcome & appreciated.

 

Photo Competition: Buyer Beware!

Coyote Autumn pup  (Canis latrans) Quebec, Canada (C) ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMark III, 500mm F4 IS, Gitzo Tripod & Wimberley Head II. ISO 500, 1/160s F4 Manual Mode. Full Frame. Click HERE to purchase a print or license image for publication.


So, you work for a magazine and your publisher is trying to squeeze a profit out of your magazine during these difficult economic times. Earning kudos from the boss may be easier than you would think: Just announce a photo competition where all entrants assign all publication rights (editorial, commercial & educational) AND they send a $20.00 bill with each submission. Just 1,000 entrants produces an image bank of at least that many images AND $20,000.00 for the magazine. The grand prize: get you picture published in the magazine. The most shocking part is how hard it was to find the fine print and I'm sure most people who sent off a cheque never read it. Oh, I almost forgot: the magazine does not have to pay publication rights to photographers anymore. Just something to think about next time you think about entering a competition…

Entries become the property of (insert magazine name here), a division of (insert company name here) Inc., which reserves the right, without further consideration, to use all photos and text in any publication, media, and related prodcts or promotions. The company cannot confirm receipt or return entries. By submitting your materials, you agree that your contact information may be given to the contest sponsor, which may use the information for marketing purposes. You further agree that your photo, text, name, and city and state may be posted on (insert company name here)-owned websites and, on sponsor websites, as well. If you are younger than 13 years of age, you will need to provide signed permission from a parent or guardian allowing you to enter the contest. - REAL FINE PRINT FROM A REAL PHOTO COMPETITION 

The Coyote , Canis latrans, runs with it's tail down, unlike domestic dogs with their tail up or wolves with their tail straight. Known as the best runner among the canids, the Coyote cruises at 25-30 mph (40-50km/h), with a top speed of 40 mph (65 km/h). Always an opportunist, Coyotes eat small mammals like mice, squirrels and rabbits, as well as birds, frogs, toads snakes, insects and fruit.

Comments welcome & appreciated.

 

Photographing the Common Raccoon with wide-open & fast lenses.

Common Raccoon  (Procyon Iotor, raton laveur) Quebec, Canada ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 5D Mark II, 70-200mm @ 195mm. ISO 400, F2.8 1/1000s Manual Mode.

Pro Tip: I'm amazed at the number of photographers out in the field today, and even more amazed at the inventory of professional camera gear they cart around with them. Many pay the hefty price, and carry the extra weight of fast lenses, rarely using them at their intended extremes. Try using your F2.8 lenses at F2.8, then try them at F16; while it is true that they are not quite as sharp at F2.8 than, say F4.5, or F5.6, I would bet money that you can't tell the difference with a full frame Canon 1DsIII and all of the pixels it has to offer. Try using your depth of field (or lack of one) to hide or accentuate different features, or areas, of your subject. A shallow depth of field is especially useful when photographing captive animals: I can't tell you how sick I am of looking at "snapshot" style captive images from "serious" photographers - mostly the result of too much depth of field with cluttered backgrounds.

Common Raccoon  (Procyon Iotor, raton laveur) Quebec, Canada ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMark III, 500mm F4 IS. ISO 800, 1/160s F4 Manual Mode.

The black mask across their eyes and ringed tails are the keys to identifying the "backyard bandit" of Southern Canada and much of the United States. Raccoons, Procyon Iotor, are amazing climbers and swimmers that den in hollow trees and spend the night foraging for food. When these masked marauders move into the suburbs, they become experts at opening garbage cans (waste bins).
Not true hibernators, Raccoons do sleep through much of the winter. By February, the mating urge sends the males on a quest regardless of the weather. Nine weeks later most females have three to six kits.

Comments welcome & appreciated.

 

Photographing the Boreal Owl & Ultimate Owl Camera Kit

Boreal Owl  or Tengmalm's Owl (Aegolius funereus, Nyctale de Tengmalm) Owl Woods, Amherst Island, Ontario, Canada Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 50D, 100-400mm @ 285mm. ISO 400, F5.6 1/80s Manual. Purchase a print or license image for publication HERE.

The thick frost and -5°C temperature during my morning walk through the orchard with T-Bone this morning had me looking foreword to having my snow tires installed and the coming winter owl season.
Last year, I found that having a Canon 50D (with it's 1.6X crop factor) and my Canon 100-400mm zoom lens in a Lowepro Cirrus TLZ 25 Holster Style Case For Digital SLR & Telephoto Zoom Lens (Black) shoulder pouch was the ultimate owl kit to have with me at all times while scouting for roosting Saw-whet owls, Boreal owls, Long-eared owls and short-eared owls. I used to hike through the woods with my pro camera bodies and multiple lenses (including the 500mm F4 IS with matching Tele-converters) packed in my Lowepro Super Trekker. Both Boreal and Saw-whet owls are nocturnal and will probably stay on the same perch for most of the daylight hours, so if I decide I would like images with my 1DsIII and tripod mounted 500mm lens, I have plenty of time to go back to the car and get them. Long-eared and short-eared owls typically flush quite easily, so being ready with my ultimate hand-held rig is key to photographing them. This winter I will use Canon's new 7D with my 100-400mm zoom lens while hiking through the woods and I can't wait!
How do you get an image of a nocturnal owl with it's eyes wide open? - just wait as long as it takes for a birding group (often 10-20 people) to hike right up to you and the owl; there is often a thin layer of ice covering the snow or frozen swampland in the woods that makes quite a racket when that may people approach.

Known in North America as the Boreal Owl, Aegolius funereus, it is also known as Tengmalm's Owl, named after the Swedish naturalist Peter Gustaf Tengmalm.

SOLD: FOR SALE: CANON 1D MARK II

I have a used Canon 1D Mark II (not the 1D Mark IIN) for sale. This has been a much loved and used camera body that has many marks, scratches and little dings. It has been used professionally and it shows. 100% in working order and includes the original box , charger and contents. Also includes an extra battery. CAD$1,000.00 or best offer. Email me if interested: chris@chrisdoddsphoto.com

Comments welcome & appreciated.

 

The Many Moose of Baxter State Park. Trip Report Part III

Bull Moose Vertical (Alces, Elan, Orignal) Baxter State Park, Maine ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 1.4XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 500, F5.6 1/200s Manual.

As mentioned in earlier posts, this years trip to Baxter State Park in Maine was one of my most productive. Here's just a few of the 13 Moose we spent time photographing. It's always a thrill to get close, and close we got on a few occasions; It's best to let Moose come to you, rather than go off chasing them around the forest & remember that Bull Moose that are about two and a half years old (like the Moose in the photo above) are the most unpredictable and therefore the most dangerous; If you find yourself feeling a little uncomfortable, then slowly move away. Moose of this age are starting to "feel their oats" for the first time, and unsure of how to behave during this time of hormonal change.

Bull Moose Giant of the Northwoods (Alces, Elan, Orignal) Baxter State Park, Maine ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 2XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/160s Manual.

Named from the Algonquin term meaning "twig-eater", Moose rely most on their strongest senses: Hearing and smell. Their vision isn't the best, but with the placement of their eyes they can see almost 360°. Inhabiting dense forests throughout Canada, Maine and Alaska, Moose (Alces alces) are the giants of the deer family. They may lack the grace of other deer, but they are among North America's most magnificent mammals. A bull moose crashing through the underbrush in a northern bog is a sight not soon forgotten.
Alaska boasts the largest males: they weigh some 1,800 pounds, stand seven feet tall at the shoulder, and have antlers with a spread of over six feet. In addition to a massive body and a big, overhanging muzzle, the moose is characterized by a fold of skin on the throat (its function unknown) called the "bell" or "Dewlap". You may be able to distinguish particular moose by their distinctive dewlaps. Though long and spindly-looking, its legs are well suited for moving swiftly across snow, wading in water, and swimming.
During the fall rutting season, when their low, mooing calls echo through the forest, bulls battle over cows in savage antler-to-antler confrontations. By December the contests end and the bulls shed their hefty headgear.
In summer, moose wade into ponds and streams to eat aquatic plants, and in winter they browse on twigs and bark. Once exterminated in parts of their range- they were used as food by native peoples and early settlers, and their antlers have always been prized as trophies- moose have lately made quite a comeback.

Bull Moose Vertical Portrait (Alces, Elan, Orignal) Baxter State Park, Maine ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 2XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/125s Manual.

Do consider joining me for the Moose and fall colors of Maine Workshop next year.

Comments welcome & appreciated.

 

American Black Bears of Baxter State Park. Trip Report Part II

American Black Bear Curious Cutie  (Ursus americanus, Ours Noir) Roaring Brook Campground, Baxter State Park, ME ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS Ids Mark III, 500mm F4, Gitzo 1325 Tripod & Wimberley Head II. ISO 640, F4 1/200s Manual mode.

We were pleased to photograph these two Black Bear cubs at the Roaring Brook campground parking area of Baxter State Park in Maine, but saddened by their future. Though the park staff called them problem bears, the problem is the people who offered hand-outs and simply didn't listen to the Park Rangers pleas to lock all food inside vehicles. By the time you read this, I hope they have been relocated, as planned, to a rehabilitation centre in New Brunswick in Canada.
American Black Bear Autumn Stroll  (Ursus americanus, Ours Noir) Roaring Brook Campground, Baxter State Park, ME ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS Ids Mark III, 500mm F4, Gitzo 1325 Tripod & Wimberley Head II. ISO 500, F4 1/200s Manual mode.

Do consider joining me for this unique workshop next year. Details HERE.

American Black Bear facts: There are three species of bear in North America: Polar Bear, Brown Bear (commonly called Grizzly Bear), and Black Bear. The Black Bear, Ursus americanus, is the only bear that lives in Maine where they are generally deep brown or black with a tan muzzle. Current estimates place the Black Bear population at around 30,000 in Maine; with as many as 300-400 of these in Baxter State Park.

The average life expectancy of Maine bears is only about 5-6 years; whereas a typical life expectancy in the wild might be 25 years. Most Black Bears are killed well before the end of their natural lifespan by human-related factors like hunting or  vehicular collision. Baiting (or feeding) is legal while hunting bear in Maine: READ THIS

Comments welcome & appreciated.

 

White-tailed Deer of Baxter State Park. Trip Report Part I

Eastern White-tailed Deer Fawn Portrait (Odocoileus virginianus, Cerf de Virginie) Sandy Stream Pond (Roaring Brook Campground), Baxter State Park, Maine, USA ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1Ds Mark III, 500mm F4, 2X II Tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/500s Manual mode.

This years trip to Baxter State Park in Maine was, without doubt, my most productive. We had a great time photographing two Black Bear Cubs, an Eastern White-tailed Deer doe and her twin fawns, Common Goldeneyes, Common Mergansers, amazing fall foliage and did I mention the 13 Moose? I thought I would make my first post about the Eastern White-tailed Deer that live in the park, but until this visit I had never seen there. Shortly after setting-up for Moose one afternoon, we watched as a doe brought her twin fawns out to the water's edge across the lake from us. She slowly made her way around the lake until they were about forty feet from us.

White-tailed Deer Doe & twin fawns at Sandy Stream Pond (Odocoileus virginianus, Cerf de Virginie) Sandy Stream Pond (Roaring Brook Campground), Baxter State Park, Maine, USA ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 5D Mark II, 24-70mm F2.8 @ 70mm, ISO 400, F14 1/200s Manual mode.

White-tailed Deer facts

Our only animals with antlers, North America's deer include three giants; Moose, caribou , and wapiti, or elk. The most widespread and abundant members of the family, however, are the alert, elegant bucks, graceful does, and dappled fawns of the white-tailed and mule deer.
Especially common throughout the East, the delicate white-tailed, or Virginia, deer prefers woodland edges but can also be found in many suburban areas. Up to 3 1/2 feet tall and weighing as much as 250 pounds, it is a fast, elusive creature that, when frightened, flashes the white underside of its tail like a banner. White-tailed deer can run at speed up to 36 mph (58 km/h), it can make vertical leaps of 8.5 feet (2.6m) and horizontal leaps of 30 feet (9m). The stockier, long-eared mule deer lives in the west on forested mountain slopes and deserts. The black-tailed deer of the North-West is a subspecies of the mule deer.
Both white-tails and mule deer browse by day and on moonlit nights on the buds and twigs of trees, feeding on tender grass, berries, and acorns when they are available. During hard winters they barely subsist on the meager food that is available, and starvation is common.
Male deer, or "bucks", are easily recognizable in the summer and fall by their prominent set of antlers, which bear a number of tines, or sharp points. In the fall, the antlered males battle other bucks  for mates. About seven months later, first-time mothers generally give birth to a single fawn, while older does commonly bear twins. The young have spotted coats that provide much needed camouflage when they crouch motionless on the forest floor or in tall grass. And they are scentless, which further protects them from predators.

Kudos

from multiple workshop participant Eleanor Kee Wellman (thanks, Eleanor):

Since I first met Chris he has been telling me I should go with him and photograph the Northern Gannets on Bonaventure Island.  He knows I love to capture behavior and there, you are surrounded by the many behaviors of the gannets as they go about their daily lives.
Chris is super organized and extremely well prepared!  He knows what lenses and flash combinations are needed to maximize your opportunities.  He genuinely wants his participants to go home with the best and most varied images possible. His early morning zodiac trips aren’t available through anyone else.
Lots of people, me included, dislike bad weather but Chris relishes it!  The more dramatic the better for photography!  Gannets in rain, fog, drizzle and sun, too.  Eagles at Homer in the rain!  Snowy Owls in white snowy haze!  Hey, there’s going to be a big snowstorm!  Why don’t you leave now and meet us for some great photo ops!  He is ever enthusiastic and helpful.
He inspires everyone to do their best and he knows the greatest places to eat, too!
Thanks, Chris!!!!!

Eleanor Kee Wellman - Balla, Ontario (www.eleanorkeewellman.com)

For the love of Puffins; Photographing The Atlantic Puffin

Atlantic Puffin with Sand Lance , Fratercula arctica (Macareux moine) Gull Island, Witless Bay Ecological Reserve (south of St. John's) Newfoundland & Labrador ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved Canon EOS 1DsMKIII, 500mm F4IS, 2X II Teleconverter and Canon 25mm extension tube. ISO 400, F20 1/160s Manual mode. Gitzo 1325 tripod and Wimberley Head II.

Proper exposure technique is crucial to maintaining intricate detail in both the whites and blacks. Be sure to check your histogram and expose so the whites are right up against the right hand side, without touching (expose it right, to the right). Often overlooked is the use of a sturdy tripod and head, and good long lens technique - it's pointless to achieve perfect exposure, only to loose the detail by hand-holding or bad long lens technique.
Atlantic Puffin Back in Black , Fratercula arctica (Macareux moine) Iceland ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved Canon EOS 1DMKII, 300mm F2.8IS. ISO 400, F2.8 1/1250s Manual mode. Canon 580 EX Flash in manual mode.

Everybody loves puffins! I know that it's probably the most sought after bird species for birders and bird photographers alike. There's hundreds of puffin books out there and even puffin clubs and associations. It is the official bird of the Canadian province Newfoundland and Labrador. The genius name Fratercula means "little brother" or "friar" which may refer to its black and white coloring. I've spent countless hours watching, studying and photographing them in Maine, Quebec, Newfoundland and Iceland. Puffins are curious and I'm sure that they spend just as much time watching and studying me.
A seabird species in the auk family, the Atlantic Puffin (Fratercula arctica) is a pelagic (Relating to or living in or on oceanic waters) bird that feeds primarily by diving for fish like Capelin and Sand lance. If necessary, they will also eat other sea creatures like squid and crustaceans. A series of backward-pointing spines that project from the tongue and top of the mouth allow them to hold food in place while more is being caught. The record in Canada is 61 fish in one bird's mouth!
Approximately 95% of the Atlantic Puffins in North America breed around Newfoundland's coastlines. With an estimated population of more than 260,000 pairs, Witless Bay Ecological Reserve near St.John's is the largest puffin colony in the western Atlantic.
Puffins have difficulty taking-off and flap their wings at an amazing 300-400 beats per minute.They also have trouble landing and often crash.
A "puffin wheel" is when they gather in large numbers and fly in wide circles over the sea around their nesting grounds to protect and defend against gull predation - it's a sight to behold.

Comments welcome & appreciated.

 

Wood Duck ON GOLDEN POND

Wood Duck ON GOLDEN POND , Aix sponsa (Canard Branchu) Albuquerque, New Mexico, USA ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved Canon EOS 1DsMKIII, 500mm F4IS, 1.4X II Teleconverter. ISO 400, F8 1/800s Manual mode. Canon 580EXII Flash in manual. Gitzo 1325 tripod and Wimberley Head II. Click HERE to purchase print or license image for publication.

Ever wonder how to photograph ducks (waterfowl) on beautiful golden water? The technique is much easier than most think. I love digital, and digital photography does amazingly well in the shade or overcast conditions. Once you locate your subject, simply position yourself so that your "zone" is in the shade of beautifully colored fall trees. Set your cameras exposure for the shade (here, I used Aperture priority set to minus 1/3 stop) and add enough flash to properly expose your subject (I used my flash in manual mode, set to the approximate distance where the Wood Duck filled the frame reasonably well). This technique works incredibly well to bring out the iridescent colors on the wood ducks head.

Perhaps the most beautiful species of waterfowl in North America, if not the world, the Wood Duck, Aix sponsa, lives in swamps, creeks, river valleys, streams, lakes and forest bottomlands. They can be found from southern Canada to the eastern, southern and western coasts of the United States. Unlike most other ducks it has sharp claws for perching in trees where it normally nests in cavities. In southern parts of the breeding range the wood duck regularly produces two broods in a single breeding season, making it the only North American duck to do so. Often called "woodies" or "woody", their population was nearly wiped-out around 1900, and a complete ban on hunting them between 1918 and 1941 brought their population back to what is now considered to be a secure one.

upcoming photo safaris / workshops:

 

Comments welcome & appreciated.

 

Arca-Swiss releases its DSLR shifter

Arca-Swiss, maker of high precision tilt-and-shift cameras, has announced the availability of a new range that can accept digital SLR cameras.

Sadly, Arca-Swiss does not have a website; unimaginable in today's world.
I had heard this was coming down the pipe when I had posted the release of the Horseman VCC Pro. Expensive, but certainly worth the wait.


The M-Line Two is available in two formats; one accepting Canon, Nikon and Sony DSLRs, and the other designed for medium format.

Aimed at photographers who 'want to take more elaborate images using shift for perspective control and Scheimpflug (a rule that calculates the alignment of subject, lens and film planes) for image sharpness', the M-Line Two is compatible with a large range of accessories that can replicate the movements of a large format technical camera.

Like Cambo's Ultima 35 and Silvestri's Flexicam - who also make systems that can accept digital SLRs - the M-Line Two serves as a platform for a camera or back (film or digital), attached via a range of adaptors, together with specialist lenses made by Rodenstock and Schneider.

'When used with a DSLR camera or a digital back, this new precision system enables you to take images of buildings, landscapes or objects with the fullest of control. It's ideal for landscapes to macros. The M-Line Two is part of one of the largest photographic systems currently available and is compatible with all DSLR cameras.'

'All traditional medium format film backs are compatible with the M-Line Two,' says the statement. 'The usable focal length extends from 28mm for the M-Line Two SLR and 23mm for the M-Line two MF, to infinity.'

The system measures 250x140x300mm (length x depth x height). It offers a vertical and horizontal shift of 70mm, a swing of 30 degs, a tilt of 90 degs and a maximum extension of 190mm (depending on the configuration).

Adaptors for the M-Line Two are available in Canon, Nikon and Sony fits for the DSLR version, and Contax 645, Hasselblad V/H, Mamiya 645 AFD, AFi/HY6 for the medium format version. Accessories include a binocular viewfinder, lens hood, extension rail and compendium.

Pricing starts from EUR2990 +VAT. For more details, email arca-swiss@wanadoo.fr.

Set the stage in nature photography; framing the shot / work the zone . . predictable patterns in nature

Canada Goose FALL FRAMED LANDING , Branta canadensis (Bernache du Canada) Ontario, Canada ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved Canon EOS 1DsMKIII, 500mm F4IS, ISO 400, F7.1 1/1600s Manual mode. Gitzo 1325 tripod and Wimberley Head II.

Predictable patterns in nature: A pattern is easily explained as a set of recurring elements. These elements repeat in a predictable manner. Patterns can be found everywhere in art and nature. Leonardo Da Vinci was known to exploit the golden ratio (approximately 1.618), which can be seen everywhere in nature from the spirals of flowers to the symmetry of the human body. Alfred North Whitehead (an English philosopher and mathematician), once said "Art is the imposing of a pattern on experience, and our aesthetic enjoyment is recognition of the pattern".

Aside from the obvious patterns in nature, step back and study your subjects behavior, try to identify behavioral patterns. Here I watched geese fly toward me from a pond to the open meadow in front of me. At first it seemed like a random, unpredictable flight pattern; I soon realized that every so often a goose would land in the same zone. Instead of randomly shooting at anything that moved, I instead set-up with this image in mind. I pre-visualized an image of a Canada Goose framed by fall colors in nice evening light. I worked the zone undistracted by anything else that tempted me (and there were many temptations - smile). Studying your subjects behavior will make you a better nature photographer and add visual impact to your imagery.

Kudos:

I really enjoyed the Bonaventure trip for Gannets. You always had us in the best spots regardless of the weather. Your tips on flash for high key shots and postprocessing of the shots were really helpful. The Zodiac trips before going onto the island were very interesting and fun. Diving Gannets are definately a challenge to capture! .......... I look forward to doing more trips with you to further improve my skills and add to my portfolio. - - John Dupps, Middletown, OH

Comments welcome & appreciated.

Long-tailed Ducks

Long-Tailed Duck LANDING , Clangula hyemalis (Harelde kakawi) Kachemak Bay, Homer, AK ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKIII, 500mm F4IS, 2XII Teleconverter ISO 400, F8 1/1600s Manual mode. Gitzo 1325 tripod and Wimberley Head II. Click HERE to purchase a print or license an image for publication.

Long-Tailed Duck Flyby , Clangula hyemalis (Harelde kakawi) Kachemak Bay, Homer, AK ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKIII, 500mm F4IS, 2XII Teleconverter ISO 400, F8 1/1600s Manual mode. Gitzo 1325 tripod and Wimberley Head II. Click HERE to purchase a print or license image for publication.

Apart from the obvious fun and excitement of photographing Bald Eagles during my annual March trip to Alaska, Photographing Long-Tailded Ducks in flight certainly ranks right up there on the difficulty scale. These ducks come in fast, low and have an uncanny ability to out maneuver even the most skilled of lensmen.
I was set-up low, on the tideline, and the recent lousy, cloudy and dark sky lifted as the sea calmed to a near mirror flat (did I mention the soft, gorgeous Alaskan light?). What a glorious evening I had with many close flybys and dozens of Long-Tailed ducks landing at full-frame distance. It was just one of those moments that I'll never forget.

Formerly known as Oldsquaw, the Long-Tailed Duck, Clangula hyemalis, is among my very favorite ducks. Capable of diving some 200 feet, it spends the most time under water relative to time on the surface ,while foraging, of all the diving ducks. With three different plumages during the year, it has the most complex molt of any waterfowl species.

Comments welcome & appreciated.

upcoming photo safaris / workshops:

 

9/11 Tribute

American Bald Eagle MOURNING SONG , Haliaeetus leucocephalus (Pygargue à tête blanche) Homer, AK ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKII, 500mm F4IS ISO 400, F4 1/250s Manual mode. Gitzo 1325 tripod and Wimberley Head. Click HERE to order a print or license image for publication.

The world changed eight years ago on September 11, 2001. This image is my tribute to that tragic day.

This image of an American Bald Eagle, MOURNING SONG, is symbolic of the pain and hurt of that day, but also strength and courage; Let us never forget.

This image was captured on the last day of my first trip to Homer, Alaska. I ventured out in the dark with an image like this in my mind. I had tried on several mornings to make this image, but several things had to align for it to become a reality. I needed the full co-operation of the pre-dawn light, lightly overcast sky and not only an Eagle, but an Eagle on my perch, parallel to me and with it's wings outstretched and singing. I knew I was asking a lot, but the moment I pressed the shutter release will remain in my memory forever. I can still hear the "kleek-kik-ik-ik", kak-kak-kak" and remember just how cold and damp the pre-dawn Alaskan air was.

Comments welcome & appreciated.

Mac OS X v10.6.1 Update for Snow Leopard users HERE

 

Cover all of the angles & Calendar Template

American Bald Eagle Underside Dive , Haliaeetus leucocephalus (Pygargue à tête blanche) Homer, AK ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKII, 100-400mm @260mm ISO 400, F5.6 1/1250s Manual mode. Always a good thing to shoot some frames with your camera turned to vertical.

Here's a couple of images that I've come across while making submissions this week-end. Proof positive that the 100-400mm Canon zoom does produce tack sharp images (well, at least the copy I have does). The 100-400mm has it's place in any nature photographers camera bag. It's an ideal lens to carry while hiking or canoeing looking for larger mammals like Moose or Deer. It is also great to have on your passenger seat while doing wildlife viewing from your car.

It's always a good idea to stand back and think a little while photographing anything. Try to cover all of the angles and diversify your portfolio; there's more to your subject than just the frontal view.

American Bald Eagle Topside Dive , Haliaeetus leucocephalus (Pygargue à tête blanche) Homer, AK ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1D MKII, 100-400mm @260mm ISO 250, F5.6 1/2000s Manual mode. 

Calendar Template

I had the pleasure of meeting fellow nature photographer Michael Milicia in Maine last fall.  Mike attended my spring Songbirds of Pelee workshop, joined me to photograph Snowy Owls last winter & came to Bonaventure Island for my August Gannets Galore workshop. He showed me a couple of fine art style calendars that he had just produced featuring his bird photographs and I was immediately impressed not only by the beautiful images but also by the unique presentation and the overall graphic design and layout of the calendar.  The format is a bit hard to describe but you can see an example of Mike's 11" x 14" calendar for 2010 HERE

One of my first thoughts was "I'd love to make a calendar like this with my own images", so  I suggested to Mike that he should consider putting together a set of Photoshop templates that he could sell to other photographers and artists wishing to make this style of calendar.  Well, almost a year has passed but that is exactly what he has just done!

Mike was kind enough to give me an advance copy of the template package which is now available on his web site and is distributed via DOWNLOAD

I have to say that he has taken my suggestion and ran with it!  The template package supports two sizes of calendars (5" x 7" and 11" x 14") in 5 different well-chosen fonts, includes a template for a "back page" index, and the entire thing is easily customizable to make a calendar for any year to come!

Given the amount of time and aggravation saved by not having to deal with the text layout and design of the calendar pages, the one-time cost of $20.00 has to be one of the biggest bargains around.  I am about halfway through putting together my own calendar and the templates have performed flawlessly.  The included instructions are clear and concise and also provide many useful production tips.

So, for those of you with a hard drive full of images just waiting to be seen and appreciated by friends, family, and potential customers, I highly recommend that you check out the template package.  The "make a calendar"  item on your "to do" list can finally become a reality!

Pronghorns of Yellowstone

Pronghorn SUNSET SNACK (Antilocapra americana) Yellowstone National Park, Monotana ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKII, 500mm F4 and 2XII tele-converter Gitzo 1325 tripod & Wimberley Head II. ISO 250, F9 1/500s Manual.

I've been busy making submissions and came across a folder from my last trip to Yellowstone. I love looking through folders of images from past trips and remembering (visually) the great times had. Photography, for me, is about the time in the field with your subject, but I am fortunate to also spend a lot of time with great friends. The day before this image was captured, I was with a great friend photographing Bison (Buffalo, as they are sometimes called).  We had left our car and walked about half a mile (or more) to our subjects, when the biggest bull bison in the herd decided to charge us. What do you do when a 900-pound, horned mass charges you? Seriously! (Insert laughter here) My friend lifted his tripod and shouldered the rig, only to realize, too late, that the lens plate had not properly mated with the clamp on his tripod head. To make a long story short; that was the second time my friend had to have emergency surgery on a long lens (that I know about - smile). Always double check your equipment, fasteners, clamps and straps before you venture out into the field.

Pronghorn SUNSET SNACK II (Antilocapra americana) Yellowstone National Park, Monotana ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKII, 500mm F4 and 2XII tele-converter Gitzo 1325 tripod & Wimberley Head II. ISO 250, F9 1/500s Manual.


Battling Pronghorns (Antilocapra americana) Yellowstone National Park, Monotana ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DsMKII, 500mm F4 and 2XII tele-converter Gitzo 1325 tripod & Wimberley Head II. ISO 250, F8 1/1000s Manual.

North America's swiftest mammal - the graceful and agile Pronghorn (Antilocapra americana) - can leap 20 feet in a single bound and is able to sprint over prairies and sagebrush flats at speeds of 60 miles per hour. Sometimes called the American antelope, the pronghorn is unique; it has no close relatives and is virtually unchanged from ancestors that roamed the earth some 2 million years ago.
Mainly brown, with two white stripes across the chest, a large white rump patch with hairs that are raised in warning when danger looms, and two-pronged horns, the creature is easily recognized. Males are strongly territorial and compete with each other for harems during the autumn rut. The fawns, often twins, are born the following spring. True to their heritage, they can run faster than humans within days of their birth. Pronghorns feed in the morning and evening, grazing on grasses and weeds and occasionally on shrubs.

Many familiar farm animals, and their wild relatives as well, are ungulates - mammals with hooves. Made of a tough hornlike substance, hooves are, in effect, heavy -duty fingernails that cover and protect the toes. Wild horses have only one hoofed toe per foot, cattle have two, and pigs have four. Moose in the north woods, pronghorns on the prairie, and sheep and goats in the barnyard are other well-known examples of animals with hooves.

upcoming photo safaris / workshops:

More on fog

Northern Gannet , Morus bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DMKIII, 70-200mm F2.8 Lens @ 125mm ISO 500, F3.2, 1/2000s Manual, Canon 580EXII Flash full power in manual mode.

The single hardest thing to do at Bonaventure Island is stop photographing the action and work on static portraits. Action is non-stop; since they can't easily take flight without wind, action at the colony increases proportional to the wind velocity; on a really wet and windy day, it’s almost incredible!

I've been up at the colony in the fog many times, and am amazed at the amount of times I've seen photographers (amateur and professional alike) either sitting, waiting for the weather to improve, or simply just leave. After photographing for an hour and seeing the almost white images on the LCD screen on the back of his camera, a professional photographer declared that it is impossible to make any decent images and that I must be nuts (well, he wasn't far from the truth calling me "nuts" - smile). Always trust the histogram and use the actual image preview for checking sharpness and composition (not exposure; that's what the histogram is for). Here's the secret: Fog is like a huge diffuser; it's like a huge light source. The larger the light source, the lower the contrast. Properly exposed images captured in the fog have a histogram that is all bunched-up against (but not touching) the right side of the histogram, and we need to spread that data out during post capture processing. In Photoshop, just slide the left slider during your Levels adjustment; sliding it towards the middle darkens the blacks that are missing in the raw data: the more you move towards the middle, the more you remove the foggy appearance of your image. Be careful not to go too far.

Northern Gannet landing in the pouring rain, Morus bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1DMKIII, 70-200mm F2.8 Lens @ 125mm ISO 500, F2.8, 1/2000s Manual, Canon 580EXII Flash full power in manual mode.

We spend a lot of money for fast lenses, so don't be afraid to use them. Even a large subject like a Northern Gannet stays sharp from wingtip to wingtip when it is flying towards you. Here, I used an aperture of F2.8 to help make the vegetation in the background out of focus and to make the heavy rain almost invisible.

Horseman VCC Pro announced

FOR IMMEDIATE RELEASE:

Horseman VCC Pro for DSLRs Provides Full Bellows And Advanced Technical Movement Capabilities
Turns DSLR Into Large Format Type View Camera

CONCORD, CA, AUGUST 27, 2009 -- Direct Source Marketing (DSM), the sole U.S. distributor of Horseman photo products for professionals and high-end consumers, today announced the Horseman VCC Pro, a hand-held view camera that offers full bellows function, a variety of technical movements, and gives a DSLR large format view camera functions.

The VCC Pro is a breakthrough because it does the only thing DSLR's can't do -- technical movements. This allows professional photographers to handle technical movements ranging from tabletop shooting to landscape photography.

"Technical movements are important in a digital SLR since bellows functions are one of the major attractions of large format photography," stated Richard Dischler, President of DSM.

Compact and lightweight, the new Horseman camera converter comes in models for Nikon and Canon Digital SLR's. Both VCC models accept a wide variety of lenses and control depth of field and perspective, as well as utilize digital image stitching.

Since the VCC is on revolving mount, you can easily switch between horizontal and vertical positions with a single turn of a knob. It can also be held or mounted on a tripod.

The VCC Pro gives the end user control of both the front and rear standard and allows them to use tilt, swing, shift, fall, rise and any combination to increase or reduce depth of field and to correct perspective distortions -- even at the widest aperture -- from architectural, table top, food and commercial work to photography in restricted spaces. The rear standard is used for stitching images together and allows 30mm vertical and 40mm horizontal movements by the use of an ultra precise spindle drive.

The VCC also provides four-frame stitching with a full size CCD or FX imager. This provides extremely high resolution image quality equivalent to that achieved by professional high end digital backs. Inaccuracies between successive pictures are held to an absolute minimum, making post-editing an easy task.

Getting the image "right and tight" on capture allows far more creativity for the photographer. All additional software applications now can work far more effortlessly and creatively providing a true workflow solution. The VCC truly extends the function and creativity of the DSLR platforms.

Horseman products are manufactured in Japan by Komamura Corporation.

The Horseman VCC Pro will be available at the professional photo dealers at a suggested list price of $1999.00.