Canon 70-300mm f/4-5.6 L IS USM ROCKS!

OSPREY head-on (Pandion haliaetus, Balbuzard pêcheur, OSPR) Lake Blue Cypress, Florida. Image Copyright ©Christopher Dodds. Canon EOS 1DMKIV, 70-300mm f/4-5.6 L IS USM @300mm. ISO 640, f/5.6 @ 1/2000s Manual. PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION HERE.

Here's an Osprey from my workshop on Lake Blue Cypress in Florida last April; it's full-frame, at the longest focal length of 300mm and wide-open at f/5.6. It's razor sharp. During the last day of the workshop, friends and long-time repeat clients, Rick & Melody, loaned me their Canon 70-300mm f/4-5.6 L IS USM lens. To make a long story short; I loved it so much that it is a new favourite carry everywhere, mid range zoom lens. The auto-focus is snappy and accurate and it's relatively compact and lightweight lens.

Like the new 70-200 f/2.8 L IS II USM, this lens auto-focuses down to 47.1 inches (mine will focus to 41 inches @ 70mm and 44 inches @ 300mm if focused manually), making it a great all-purpose lens ready for a close encounter with wildlife, or point it straight at the ground and start shooting details in nature. The new tripod and monopod sensing, 4 stop IS unit works just as advertised when used in low light conditions; I was blown away with sharp results at 1/4 second at it's widest 70mm, and 1/8 second at it's longest 300mm focal length.  

Overall, the build quality, image sharpness and auto-focus accuracy is all there; this is a sweet lens. Will it replace my 70-200mm L f/2.8 IS II USM lens? No, but I will have to own both from now on. This will be the most used nature, travel and general purpose lens, but the 70-200mm L f/2.8 IS II USM lens will remain in my kit when photographing events, people and extremely low light work, or when a really narrow depth-of-field is needed. As for the over-the-shoulder go-to lens? That's an easy one; it is now the 70-300mm f/4-5.6 L IS USM.

HALF is TWICE as good - JOBU Jr 3

Burrowing Owl PORTRAIT  (Athene cunicularia, Chevêche des terriers, BUOW) Cape Coral, Florida. Image Copyright ©Christopher Dodds All Rights Reserved. Canon 1D MK IV, 500mm F4 L IS, 2X Teleconverter III & Canon 25mm Extension Tube. Jobu Jr. 3 & tripod. ISO 400, F11 @1/320s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION

HALF is TWICE as good!

I was sitting here, in front of my computer, thinking of concepts to help remind people how to make better images, when it suddenly dawned on me: HALF is TWICE as good! Well, it’s no brilliant marketing slogan, but as a concept, I think it works.

Take half the pictures, but spend twice the time composing each one; your images will, most likely, be twice as good. It's a simple principle; make the image, instead of taking the picture.

Take half the number of trips, and spend twice as much time photographing in each place; sounds simple enough, right? But imagine how much more you will learn about the place, the culture, your subject and it’s behavior. If you are shooting landscapes, you will learn about the weather, the light and how the light interacts with the scene. If you are shooting wildlife, then you will develop an intimate knowledge of your subject, it’s behavior and it’s habits. Guess what? You will probably make images that are; you guessed it, twice as good!

Keep half the pictures and those you keep will be twice as good? Well, I’m not certain that this one is true, but I am always telling people to edit, edit, edit! People tend to take so many pictures these days, and I cringe every time someone wants to show me pictures from a trip, birthday or event; they want me to sit there and see all of them! For crying out loud people: keep the best and trash the rest!

My new LOVE: Meet JR.

I confess: I’ve been using the Jobu JR. 3 Compact Gimbal Head since April, and although I got one to reduce space and weight while travelling on aircraft, I haven’t been able to use anything else since! As you all know, I have owned, and used, a Wimberley gimbal head forever. I have tried many other makes and models of gimbal head that are smaller and lighter, but never found anything that I could even settle for. The Jobu Jr. 3 was designed for smaller lenses like the 70-200mm f/2.8, 300mm f/2.8, 100-400mm and 400mm DO, etc., but I have been using mine exclusively since I left for Texas in early April; It works remarkably well with my 500mm F4 IS L, even when working with the 1.4 or 2X extenders! The level of customer service, after sale support and engineering expertise from Jobu is unmatched in the industry today!

At HALF the size and less than HALF the weight of the Wimberley Head II (23 ounces or .65 kilograms VS. 60 ounces or 1.4 kilograms), the Jobu Jr. 3 has become my main tripod head!

I have also developed a love for their one piece flash bracket, so be sure to check that out as well.

I'm thrilled to announce that I am an official distributor of the Jobu line, and have forged a terric partnership with them. Jobu heads, flash brackets and assorted items will be available for you to test-drive and purchase on all of my Canadian workshops, presentations and lectures.

Workshop updates & FREE JOBU JR.3!:

This is a tough business, I have had a few people cancel at the last minute due to illness recently, leaving some new openings is what were full workshops.

Gannets Galore on Bonaventure Island June 15-17, 2011 - 2 spots due to illness.

Puffins Galore July 1 to 3, 2011 - 2 spots due to illness.

Puffins Galore July 5-7, 2011 - 1 spot due to illness

Puffins Galore and Puffin Pad Review

 Atlantic Puffin Horizontal Portrait (Fratercula arctica, Macareux moine, ATPU) île aux Perroquets, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Canon 25mm Extension Tube, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 400, F13 @1/160s Manual mode. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Atlantic Puffin REUNION(Fratercula arctica, Macareux moine, ATPU) île aux Perroquets, Réserve de parc national du Canada de l'Archipel-de-Mingan, Quebec, Canada. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 1.4X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1600, F6.3 @1/2000s Manual mode. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

PUFFINS GALORE Workshop / Safari

Both of these images were made during last year's Puffins Galore workshop / safari. It's not too late to join-in for the adventure, daily boat voyage and awesome photography. This is the very best place in the world to photograph Atlantic Puffins and Razorbills fishing, with fish in their bills, in flight and in golden light. Follow the links to learn more...

July 1-3, 2011 Puffins Galore

July 5-7, 2011 Puffins Galore SOLD OUT!

THE Puffin Pad REVIEW

I have only just received a sample of the Puffin Pad and have not put it through it's paces in the field, but from my testing today, this is a great alternative to your heavy beanbag. It weighs only 3.4 oz and is made of durable automotive foam that measures 7"L x 5"W x 5"H. There is a window groove along the underside of the long side that fits firmly and snugly onto a partially retracted window and a 1/2 thick piece of memory foam on it's top - perfect to keep your lens/camera in place. Turn it over to use it as a support on the roof of your car, or inside a Frisbee on the beach. Be sure to order the optional tether kit for easy transport while in the field. I'm already converted and sure you'll be hearing more from me about this great new product in the future.

Buy The Puffin Pad from Amazon and support this site HERE.

Learn more at www.puffinpad.com HERE.

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Canon 1.4x EF Extender III (Teleconverter) Northern Hawk Owl

 

Northern Hawk-Owl (Surnia ulula, Chouette épervière) Low, Quebec. Image Copyright ©Christopher Dodds  All Rights Reserved. Canon EOS 1DMKIV, 300mm F2.8 IS, 1.4X Extender III, Tripod & Wimberley Head II ISO 500, F5.6 1/2500s Manual. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Canon 1.4x EF Extender III (Teleconverter)

As usual, B & H Photo in the USA has had stock of the new Canon 1.4X and 2X Extender III (Teleconverters) for well over two months, and there is no sign of any arriving in Canada anytime soon. I did manage to get my hands on a 1.4X III a little over a week ago through Canon Canada (who always seem last to get new products from Canon headquarters), and am still waiting for my 2X to arrive in Canada (without an expected delivery date).

The two new EF extenders are direct replacements of the current extenders offered by Canon as essential accessories for professionals. These new extenders have been designed to provide faster autofocusing and improved autofocus precision with compatible EF lenses. Each extender includes an anomalous dispersion lens element for reduced chromatic aberration and enhanced optical image quality. Each extender also features a newly developed microcomputer that increases AF precision when the extenders are used with a IS Series II EF super-telephoto lens. Both extenders are equipped with rubber gaskets and seals to enhance weather resistance. A new fluorine anti-smear coating is applied to the front and rear elements of both extenders.        -CANON PRESS RELEASE

After only a few uses, I find the new coatings increase contrast, and therefore increase the acquisition speed and accuracy of the 1D Mark IV's auto-focus system. I also see a significant reduction in chromatic aberration (especially when stacked with a 2X). My initial testing is limited to the 70-200 F2.8 IS II, 300mm F2.8 IS and 500mm F4 IS and so far, it's looking like they are well worth the upgrade.

Here's something a little off-topic and different from a recent Owl Prowl. The ice that was lining the shore one morning was simply too good to pass-up. It ain't all just Owls - smile.

Shoreline Ice from Amherst Island (Stella) in Lake Ontario near Millhaven, Ontario. Image Copyright ©Christopher Dodds All Rights Reserved Canon EOS 1Ds Mark III, 24-70mm F2.8L, Tripod & Wimberley Head II ISO 200, F11 1/100s Manual. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Canon EF 200-400mm f/4L IS USM Announced

 Coastal Brown Bears Sow & Cub in last light (Ursus arctos or Grizzly Bear) Hallo Bay, Katmai National Park, AK. Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS, 2X Teleconverter II, Tripod & Wimberley Head II. ISO 800, F10 @1/640s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION

There's been some exciting news for Canon wildlife photographers. I'm still on the road, but wanted to share the exciting news with you. The new 200-400mm f/4 with built-in 1.4X extender has the potential to become the ultimate wildlife photography lens for African safari, photographing mammals in Yellowstone, Bears in Katmai and many other venues. I can't wait to get my hands on this new lens and give it a try. Here's an excerpt from Canon's press release:


Canon Will Exhibit The Prototype Of A New Super-Telephoto Zoom Lens At The CP+ Event: The EF 200-400mm f/4L IS USM EXTENDER 1.4x Lens

LAKE SUCCESS, N.Y., February 7, 2011 – Canon Inc. today announced the development of a new super-telephoto lens, the EF 200-400mm f/4L IS USM EXTENDER l.4x, for use with all EOS SLR cameras. A prototype of the new lens will be exhibited at the CP+ trade show, held in Pacifico Yokohama, from February 9 - 12, 2011.
The EF 200-400mm f/4L IS USM EXTENDER l.4x is being developed as an L-series super-telephoto lens with an integrated 1.4x extender and high-performance Image Stabilizer technology. The new lens will offer exceptional flexibility by incorporating a built-in 1.4x extender that increases the maximum focal length to 560mm for sports and wildlife photography. High-quality images with high levels of resolution and contrast will be possible through the use of advanced optical materials such as fluorite crystal. The new lens will also include dust- and water-resistant construction designed for extended usage under harsh conditions.

If you go out in the woods today - Think-Tank Photo Digital Holster V2.0

Great Grey Owl Winter (Strix nebulosa, Chouette Lapone) Bracebridge, Ontario, Canada. Image Copyright ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 400mm. ISO 800, F8 1/400s Manual Exposure. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION. Image presented with both a visible, and invisible digital watermark by Digimarc.

Let’s face it: digital cameras are responsible for more people being more successful at making great images than ever before. The instant feedback from the image and histogram displayed on digital camera's LCD screens has revolutionized how we take picture and is responsible for the astronomical volume of pictures captured every day – many of them great images.
The gap between the professional and amateur has narrowed. The biggest difference between a professional and amateur today, is their ability to edit down the number of similar images, and a professional's ability to leave some gear behind. If you head out into the woods to look for owls, consider packing less for speed, ease of movement, comfort and your back. You really don't need to lug around every lens you own in the biggest of camera backpacks. I’ve seen it countless times out in the field: great images missed while the photographer was selecting which lens and camera to use from the arsenal they had just hauled through waist deep snow into the woods. Imageless, out of breath, dripping sweat, shaking from the physical exertion, they are left to pack-up their photographic assets, while I quickly chimp through the images, stow my single camera and lens and carry-on looking through the woods for owls.

Nature Photographer Christopher Dodds with Think-Tank Photo's new Digital Holster 50 V2.0 and Digital Holster Harness V2.0 looking for owls December, 2010, Rockburn, Quebec, Canada. Image Copyright and courtesy ©Julie Morrison All Rights Reserved. Image from my Canon S-95.

Think-Tank Photo Digital Holster 50 V2.0

My friends over at Think-Tank Photo are at it again. This time, they have redesigned their Digital Holster line. I was thrilled to receive the new Digital Holster 50 V2.0 with a Digital Holster Harness V2.0 and put them to the test recently while out in the recent Canadian winter looking for owls.
I threw my 70-200mm F2.8 IS II onto my Canon 1D Mark IV, extended the hood and slid it into my new Digital Holster 50 V2.0 after un-zipping the “pop down” lens compartment extension on the case – a terrific design that reduces the holster’s size when you travel with the lens hood reversed. Next, I quickly installed and adjusted the Holster Harness (they have even found a simple way to stash the left-over ends of straps so they don’t get in the way or blow around in the wind) and quickly loaded the rig over my huge coat and onto my chest. I threw an extra battery and some extra memory cards into the built-in side pocket and was off to try my luck at finding any owls that may have been out in the fresh snow. The new version even has a built-in side attachment system compatible with modular Think-Tank Photo pouches if you need a little more room. Built materials and quality are first rate, as expected from Think-Tank Photo and there is even a built-in padded flap to cover and protect the camera’s LCD screen.
The Digital Holster 50 V2.0 and the new Digital Holster Harness V2.0 worked flawlessly and proved to be the key to mobility and agility while safely protecting my camera as I navigated around the forest in the fresh snow. As mentioned, the material is durable and it’s built well, I only wish the fine folks over at Think-Tank Photo would stop including waterproof covers that take away storage space when stowed in the bag, get in the way and then become lost, and instead produced a weatherproof line of gear for the outdoor crowd – don’t get me wrong, they are almost weatherproof now and I have yet to find a better alternative. I am just hopeful we will see an “adventurer” line from them in the future; a line designed by and for the outdoor photographer.
Order yours now and get a free bag HERE while helping to support this site.

Great FREE Gear Giveaway Continues

Sign-up for my newsletter before Dec. 15th, 2010 and you will automatically be entered to win some amazing prizes. Simply fill-in your name and email address in the form in the column to the right of this post and you are entered automatically (only sign-up once please). Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

  • WH-200 Wimberley Head version II (retail value of US$595.00)
  • Think-Tank Photo Urban Disguise 50 (retail value US$169.00)
  • Nik Software Viveza 2 (retail value US$199.95)
  • Digimarc for Images Professional Edition 1 year subscription (US$99.00)
  • One of eight Canon Long Lens Rain Covers (US$125.00 each)

Dec. 15th PHOTO GEEK CHRISTMAS PARTY

I'm hosting my first annual PHOTO GEEK CHRISTMAS PARTY at the ROCKBURN PUB 2461 Mtee Rockburn, Hinchinbrook, Quebec J0S 1E0 (450) 264-2239. All amateurs and hobbyists welcome! It's an à la carte menu and there is no fee (other than paying for your own food & drinks) - John Zimmerman (President, Montreal Camera Club) has graciously agreed to pass the hat for Missing Children's Network / Enfant-Retour Québec; donations are optional but encouraged (Tax receipts will be issued for contributions greater than $15.00). Come on out and meet me, my friends and make new contacts while networking and showing off a few of your favorite images from 2010. Feel free to bring prints, iPads or laptops with your favorite images. RSVP required - email me at chris@chrisdoddsphoto.com (please type PHOTO GEEK CHRISTMAS PARTY in the subject line) to reserve your spot. Space is limited, so be sure to reserve soon. I will be drawing some great prizes for the Great Gear Giveaway Contest and you get another name in the hat @ the party. Special thanks to Joann for opening the pub just for us!

Cotton Carrier Review & Nik Software SHOCK & AWE!

Atlantic Puffin Vertical PuffinScape(Fratercula arctica, Macareux moine, ATPU) latrabjarg, Iceland. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 17-40 F4 @21mm. 550EX Flash manual mode. ISO 250, F10 @1/250s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION. An old favorite REMASTERED using NIK SOFTWARE's VIVEZA 2 and Color Efex Pro 3.0 PRO CONTRAST.

Nik Software

**UPDATE OCTOBER 6, 2016: Since writing this post, please note that Nik Software was bought by Google and is currently offered as a free download HERE.

 

Just when I thought I had mastered Photoshop, Nik Software comes along and changes everything. I've been oohing and awing over the latest offerings from Nik Software since I received my review copy of their Complete Collection late last week. I've never really worked with anything other than Photoshop, Lightroom and Aperture in the past, so it's been quite an eye-opener for me. Consisting of Dfine 2.0, Viveza 2, HDR Efex Pro, Color Efex Pro 3.0, Silver Efex Pro and Sharpener Pro 3.0, this is one sweet suite of plug-ins! Shock and awe hardly describes how I feel after re-working several older images. I'll probably never get to a full review of each of these amazing plug-ins, but it's certainly not the last you've heard about them here. Be sure to check out Nik Software's latest offerings HERE and save 15% by using the coupon code cdodds at the check-out. I like Viveza 2 so much, we're giving one away on Dec. 15th (thank-you Nik Software) - simply sign-up for my newsletter in the column to the right of this post. Be sure to check-out the details of the other great prizes below.

Testimonials

I had a blast teaching a mini-workshop for the Montreal Camera Club this past week-end with 100,000 Snow Geese, and many of them came very close. Special thanks to Canon Canada Professional Services for loaning a Mark IV and 800mm F5.6 lens for everyone to try.

"Chris, I can't thank you enough for this most inspiring weekend photographing wild snow geese. I thoroughly enjoyed your expertise and advise on how to take breathtaking photos. After quickly reviewing 2,000 photos I'm proud to say that close to 200 will be keepers. At least 3 or 4 of the really interesting ones actually had their beaks open. Also I'd like to thank you for the use of the 800mm lens and Mark IV; by day 2 I got the hang of using it and some of the close-ups are outstanding."  

- George Liberman Montreal | Quebec | Canada

"Thank you for the wonderful day I spent with you on Saturday photographing the snow geese. Thanks to your help and individual attention I was able to figure out some issues that would have taken me a long time to solve  on my own. Your tips on memory cards and how to keep the dust out of my lens when in Africa were things I’d never thought of. I look forward to doing another workshop with you and wish you all the best. Once again, thank you for a great day."

- Wendy Altona Montreal | Quebec | Canada

Cotton Carrier Review

I have been meaning to check out the innovative camera carrying system from Cotton Carrier since first seeing one last winter. It’s a vest type harness made of ballistic nylon with a polycarbonate breast-plate receiver that allows you to keep your camera in a comfortable, ready to use intuitive position. Simply screw an adapter (camera hub) to your camera, and it slides right into the receiver - twist to release. If carrying one camera is not enough, then install the second receiver (or side holster) on the side cinch strap (or any belt) and you are ready to go with two easy to access and use cameras. Right after I published the Spider Holster review HERE, Cotton Carrier sent one over for review. I was thrilled to discover the Cotton Carrier is invented and designed in Western Canada.
The very first thing I noticed when I opened the plastic UPS shipping bag was the whole deal is in a nylon mesh bag and there was no box - unusual today, but a great sign of respect towards the environment. No box not only saves trees, it reduces the greenhouse gas emissions required to ship the smaller volume package.

The Cotton Carrier is well engineered, designed to fit comfortably and made of some pretty durable materials; ballistic nylon, polycarbonate and aluminum. There’s no doubt that the right choice for the impending winter season is the Cotton Carrier ; it’s versatile design will allow me to adjust it to fit over my bulky Canada Goose winter parka while trying to keep warm in the coldest conditions. The Cotton Carrier holds my camera much higher than the Spider Holster, so it is also the best option to keep my camera with my 70-200mm or 100-400mm lens from getting full of snow as I navigate waist deep snow drifts that I often have to traverse while photographing during my winter owl prowls. Be sure to use the included camera tethers as insurance against dropping any gear if you miss the receiver or have freezing cold hands. There is a wide Velcro horizontal strap to ensure your cameras safety while doing physically demanding photography like mountain-biking, motor-biking, skiing, rock climbing, hiking or dog-sledding. It's important to properly adjust and fit the Cotton Carrier, so I strongly recommend watching this "stellar" video by Andy Cotton ;)

If you are already familiar with the Cotton Carrier , then there are a few new items you should be aware of; I skipped the regular adapters and installed their brand new Arca-Swiss compatible adapter plate. The Cotton Carry-Lite is the newest addition to the Cotton line-up; it is designed to hold one camera at waist level and has a unique built-in shoulder strap. Also new is the Cotton Lens Bag System. Be sure to check them out at www.cottoncarrier.com

Great FREE Gear Giveaway Continues

Sign-up for my newsletter before Dec. 15th, 2010 and you will automatically be entered to win some amazing prizes. Simply fill-in your name and email address in the form in the column to the right of this post and you are entered automatically (only sign-up once please). Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

  • WH-200 Wimberley Head version II (retail value of US$595.00)
  • Think-Tank Photo Urban Disguise 50 (retail value US$169.00)
  • Nik Software Viveza 2 (retail value US$199.95)
  • Digimarc for Images Professional Edition 1 year subscription (US$99.00)
  • One of eight Canon Long Lens Rain Covers (US$125.00 each)
  • More to come

Dec. 15th PHOTO GEEK CHRISTMAS PARTY

I'm hosting my first annual PHOTO GEEK CHRISTMAS PARTY at the ROCKBURN PUB (2461 Mtee Rockburn, Hinchinbrook, Quebec J0S 1E0 (450) 264-2239). All amateurs and hobbyists welcome! It's an à la carte menu and there is no fee (other than paying for your own food & drinks) - I will pass the hat for a soon to be announced charity; donations are optional but encouraged. Come on out and meet me, my friends and make new contacts while networking and showing off a few of your favorite images from 2010. Feel free to bring prints, iPads or laptops with your favorite images. RSVP required - email me at chris@chrisdoddsphoto.com (please type PHOTO GEEK CHRISTMAS PARTY in the subject line) to reserve your spot. Space is limited, so be sure to reserve soon. I will be drawing some great prizes for the Great Gear Giveaway Contest and you get another name in the hat @ the party. Special thanks to Joann for opening the pub just for us!

Getting the most from your flash batteries & Think-Tank Photo Urban Disguise 50 Give Away

American Bald Eagle HOLD TIGHT (Haliaeetus leucocephalus, Pygargue à tête blanche) Homer, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, flash, tripod and Wimberley Head II. ISO 800, F4 1/1000s Manual Exposure. Full Frame. Click HERE to order a print or license image for publication.

Getting the most from your flash batteries

Weather your choice is flash as fill light, or flash as main light, you most likely don't pay a lot of attention to your flash batteries and charger. With today's cameras capable of a 10 frame per second capture rate; you should.

I boost the battery capacity and recycle rate with Canon CP-E4 Compact Battery pack. The CP-E4 is powered by 8 AA batteries and attaches to the flash with an integrated cable. You still need a separate set of batteries in the flash unit itself, and I use Custom Function 12-1(for the Speedlite, not the camera) to set the 580EX II to draw recycle power from the battery pack only, as opposed to the default setting of drawing power from both the flash batteries and those in the CP-E4. That way I still have a fully-charged set of internal batteries available if the pack runs low on power after a big day of shooting action.

What kind of batteries? I use rechargeable Ultra high capacity PowerEx 2700mAh NiMH (Nickel Metal Hydrate). They cost more than alkaline batteries, but save money in the long run because they can be used hundreds of times (often more than 1,000 times). NiMH batteries preform well in cold weather, but they gradually loose power when they are not in use. I always carry a full set of spares and because they have no memory, I can charge them any time without affecting their capacity.

What kind of charger? Maximizing battery life is not only about buying the highest-capacity batteries, it's got a lot to do with the charger you choose. Buying the wrong charger can result in under, or overcharging your precious batteries; resulting in lower capacity and a shorter life. I use the PowerEx MH-C801D battery charger which holds eight AA or AAA batteries and provides a dedicated circuit to charge each cell. It can also independently condition each cell through a charge - discharge - recharge cycle (which is recommended every 10th charge). Known as a smart charger, the MH-C801D initially charges with a hight rate once the batteries are inserted, then slowly reduces the current to a trickle charge once peak current is reached. Be sure to install the batteries in sequence from left, to right, without leaving an empty bay.

Think-Tank Photo Urban Disguise 50 Give Away!

We've teamed-up with Think-Tank Photo to give away an awesome camera bag. Sign-up for my free newsletter before December 15th and be automatically entered for a chance to win! It's easy; simply fill-in the sign-up form in the column to the right of this post. Tweet, Like or Share this blog entry on Facebook or Twitter, or leave a meaningful comment here for additional chances to win. Don't forget to tell your friends or fellow camera club members about the prizes.

White-Tailed Deer Buck in Velvet & Spider Holster Review

Eastern White-tailed Deer Buck in velvet (Odocoileus virginianus, Cerf de Virginie) Amherst Island, Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4, 1.4X II Tele-converter Tripod and Wimberley Head II. ISO 400, F5.6 1/40s Manual mode. BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION HERE.

Eastern White-tailed Deer Buck in velvet (Odocoileus virginianus, Cerf de Virginie) Amherst Island, Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4, 1.4X II Tele-converter Tripod and Wimberley Head II. ISO 400, F5.6 1/60s Manual mode. BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION HERE.

Eastern White-tailed Deer Buck in velvet (Odocoileus virginianus, Cerf de Virginie) Amherst Island, Ontario, Canada. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark IV, 500mm F4, 1.4X II Tele-converter Tripod and Wimberley Head II. ISO 400, F5.6 1/640s Manual mode. BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION HERE.

SpiderPro Holster Review

I've been hanging my heavy 1D Mark IV with 70-200F2.8 IS II lens over my shoulder, or around my neck for years, and with a bad neck and back; I've had enough. I set out on a quest; find a simple, but efficient way to hold my second camera while working with a tripod mounted primary long lens. Let’s face it; we all spend a lot of time waiting for the right “moment”, and don’t want anything in our way when it presents itself.

Shai Eynav just sent me a review sample of the SpiderPro System, and I love it; in fact, this may be my favorite new photography accessory. The SpiderPro System is a remarkable new way to carry your camera. I got the whole kit and caboodle; a nylon belt (Spider Holster Belt) with a holster shaped flap  (Spider pad) to protect your camera from any metal studs in your jeans, and provide a little comfort cushion between your hip and your camera. The belt buckle even requires two hands to release, making it impossible to accidentally come undone. When secured around your waist, with the holster shaped flap (Spider pad) on your side, there's an ingenious cast aluminum/stainless steel slotted holder (SpiderPro) which receives the metal pin (Spider pin) that attaches to the Spider plate, which, in turn, is securely fastened to your camera. There’s even a safety latch, which you decide weather to engage, or not. The unique design ensures the camera and lens stay in the horizontal position; this keeps the lens from touching the ground when crouching or kneeling, as it would if the lens was pointing down. Shai has thought of everything; he's even placed four threaded holes in the Spider plate for easy quick-release plate attachment.

With the Spider Holster, my camera now hangs comfortably by my side ready for action. There’s no better way to get the weight of my neck, shoulders and back than this! When the “moment” presents, I’m ready; thanks to Shai Eynav and his marvelous invention, the Spider Holster. In the wilds of Alaska or Tanzania, at a press event in the city, or in the home studio, the Spider Holster will prove invaluable to any photographer. Find out more, or order yours at www.spiderholster.com

Coastal Brown Bear (Ursus arctos or grizzly) wrestling. HYDROPHOBIA; the Ultimate Rain Cover & Trip Report Part III

Coastal Brown Bear males (boars) Wrestling in rain (Ursus arctos) Kukak Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1250, F8 @1/800s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Bear Fight

Though struggles between two juvenile bears might seem mortal, it is in fact just playful combat, designed to hone the animals skills. In later life, however, in teritorial disputes between two males, real fights can result in serious injury to the combatants, or even have a fatal outcome. Brown bears also fight to establish hierarchy and rights to prime fishing spots.

Trip Report

We had a blast watching, and photographing, four males (boar) fighting and wrestling with each other for what seemed like hours during the second afternoon of the Coastal Brown Bears of Katmai workshop/Safari. We carefully added out 2X tele-extenders to our 500mm Lenses for maximum reach, to fill the frame and to keep a safe distance between us and the battling giants. It rained much of the day, and we all put our Think-Tank Photo Hydrophobia rain covers to good use.

Do consider joining me next year, for the ultimate Coastal Brown Bears of Katmai Nature Photography Workshop / Photo Safari from July 24 to 30, 2011. MORE INFORMATION AND REGISTRATION FORM HERE.

Think-Tank Photo HYDROPHOBIA Ultimate Camera Rain Cover

I promised a review of the Think Tank Photo Hydrophobia when I got back from Bonaventure Island in June; Turns out, there's no better way to get hot, sunny and dry weather, than bringing along the very best rain gear to protect your valuable camera gear. We had day, after day, of glorious and hot, sunny weather; In fact, I only recall breaking out the rain covers once. There are now tons of reviews out there that include all of the technical specifications and videos of people spraying garden hoses onto expensive cameras sporting these covers. What I wanted to do here is give you a short, sweet, real world review of these covers when used in the very toughest conditions.

Coastal Brown Bear males (boars) Fighting in rain (Ursus arctos) Kukak Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1250, F8 @1/800s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Think-Tank Photo HYDROPHOBIA 300-600

Rain protection for everything between the 300 F2.8 and the 600 F4 (this even works perfectly with the Canon 800 F5.6, as I discovered). It's designed to be pre-mounted around the lens hood for easy deployment, has a pocket to store the eyepiece (Eyepieces sold separately) and includes an extension for use with the longer glass. Simply put; it's the very best option I've found out there - and I’ve tried dozens. I would love a lower profile pocket at the lens hood end, so my line of sight is not disrupted while photographing birds in flight with the rain cover in the "stored" position and having more material between ends (one piece) would mean I could actually remove the cover in it's stowed position with the lens hood for packing; something I found impossible with my 500mm F4 IS Canon lens, when installed with enough room for my 2X Tele-converter and the Canon off-camera shoe cord slid into the hot shoe. Other improvements that I quickly wished for were more clear window around the eyepiece and a flap over the eyepiece to protect it from filling with raindrops when I wasn't shooting - both of which have been incorporated into the design of the newer Hydrophobia 70-200 & Hydrophobia 70-200 Flash. I do hope there is a re-design of this model, with an option for a removable rain cover for a flash with the Better Beamer Flash Extender attached. I was able to use this cover with the Wimberley tripod head (Version I or II), and I figured out how to use my flash bracket, flash and Better Beamer, but I feel there is more than enough nature photographers out there to warrant a special "nature" edition. In the mean time, this is, without doubt, the very best option on the market now.

Think-Tank Photo Hydrophobia 70-200

Essentially the 70-200 Flash, without the clear flash pocket - do yourself a favor and spend the extra $6.00 to get the Flash version (below)

Think-Tank Photo Hydrophobia 70-200 Flash

Oh, la-la, this is the newest addition to the Hyrophobia line, and Think-Tank Photo's rapid product evolution really shines here. The clear window has been re-designed with more clear space, there's a cover over the eyepiece that flips up and out of the way when shooting, a removable front lens cover, an ingenious built-in camera strap that keeps your camera securely attached to the cover, and horizontal when slung under your shoulder - fantastic for the long days a nature photographer carries a second, shorter lens / camera. This one is evolutionary perfection and I can't think of a single thing to make it better. The clear flash pouch stows out of the way when not used, and there's even room for flash modifiers.

PRO TIPS:

Real world shooting in the rain required me to frequently remove my hands from the cover, and I found that  my hands got wet and I transferred water inside the cover; this caused the clear windows to fog up. I simply wrapped a small towel around the barrel, where the lens meets the camera body, to dry my hands and absorb any excess moisture, preventing the condensation from forming.
Don’t just use it in the rain. I found the covers to be really useful to prevent saltwater from splashing my gear while photographing from a boat, they kept my gear free of sand while getting low on a beach and I even used them as sun protection for my hands during lengthy shoots in strong sunlight.
Maintenance: For a long life, be sure to rinse after use and hang to dry; I found it practical to leave my Hydrophobia covers hanging in my car to ensure they dried thoroughly before packing into the nylon mesh pouch for storage.

BE SURE TO ORDER YOUR THINK-TANK PHOTO HYDROPHOBIA BY CLICKING THIS LINK AND RECEIVE A FREE BAG WITH EVERY ORDER OVER $50.00

Coastal Brown Bear males (boars) BEAR HUG in rain (Ursus arctos) Kukak Bay, Katmai National Park, AK Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DMKIV, 500mm F4 L IS with 2X Teleconverter II, Tripod & Wimberley Head II. Think-Tank Photo Hydrophobia 300-600. ISO 1250, F8 @1/800s Manual mode. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Herring Gull (Larus smithsonianus, Goeland argente, HERG)

American Herring Gull Emerging with fish (Larus smithsonianus, Goeland argente, HERG) Parc national de l'Île-Bonaventure-et-du-Rocher-Percé, Bonaventure Island, Quebec. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS-1D MKIV, 800mm F5.6 L IS. ISO 400, 1/2000s F5.6 Manual. 580EXII Flash manual full power . Tripod & Wimberley Head II. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

A quick post today to further demonstrate the power of side light to make dramatic, action stopping images in harsh light. This is another image from a good collection produced while Bonaventure Island was closed to visitors during a recent Gannets Galore Bonaventure Island Bird Photography workshop. We made the most of the day by visiting a favorite spot for Common Eider Ducks (we had males, females and babies really close). The gulls (Herring and Great Black-backed) would harass and steal fish from the diving Eiders.

Gannets Galore August 13-15, 2010 - still space available - more information HERE

Canon 800mm F5.6 IS L First impressions....

Yowsa, what an amazing piece of glass! This lens was razor sharp, fast and snappy to acquire auto-focus when used with my EOS 1D Mark IV camera body. Special thanks to Canon Canada for the loan and for giving a chance for workshop participants a chance to "get behind the wheel" and give it a try. New coatings, IS system and design all add up to make this a must have lens - anyone wanna chip-in? (grin).

Great Grey Owls IN LOVE & Canon EF 100-400mm f/4.5-5.6 L IS USM Lens saves the day

Great Grey Owls IN LOVE (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Great Grey Owls IN LOVE (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Great Grey Owls IN LOVE (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Great Grey Owls IN LOVE (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Great Grey Owls IN LOVE (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Great Grey Owls IN LOVE (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Great Grey Owls IN LOVE (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Great Grey Owls IN LOVE (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

Great Grey Owls IN LOVE (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

LEARN ABOUT MY WINTER SNOWY OWL WORKSHOPS HERE

 

Canon EF 100-400mm f/4.5-5.6 L IS USM Lens saves the day!

There’s no shortage of critics when it comes to Canon’s EF 100-400mm f/4.5-5.6 L IS USM Lens; just google it and see how many people complain about the image quality and an apparent lack of consistently sharp results from one copy to another. I’m not about to try to convince you it is as sharp as my primary telephoto 500mm F4 IS USM lens, because it isn’t! It is a sharp lens, and a very versatile one to carry over your shoulder on a second camera body.The Canon EF 100-400mm f/4.5-5.6 L IS USM Lens has, perhaps,  the most useful focal length range that includes the longest focal length found in a Canon zoom lens - 400mm. This long focal length and focal length range combine with very good image and build quality to make the 100-400 one of the most popular serious wildlife and sports lenses Canon sells

While photographing Great Grey Owls in Quebec and Ontario during the great irruption that occurred during the winter of 2004-2005, I always had my second camera body mounted on my trusty EF 100-400mm f/4.5-5.6 L IS USM lens, and many of the images I made with it have since been published around the globe and have been amongst my most successful print sales. Simply put: this is perhaps the most special moment I've witnessed in nature (and there have been many), and without the versatility of this zoom lens, it would have been missed. There are very few people on this earth that have witnessed this behaviour, and even fewer that have photographed it. You see, I was walking around with my 500mm and a 2X tele-extender, so the resulting images would have been very, very different.

In my mind, there simply is no other lens out there that offers so much versatility for your money. Canon has been busy replacing many of their lenses with new, improved optics, coatings and adding the latest image stabilizer systems; I do hope that they have a version II in the plans soon, all good things can be better, but the sequence of events recorded above (and the 51 other images in it) would not have been possible without it.

The Great Grey Owl

The Great Grey Owl or Lapland Owl (Strix nebulosa, Chouette lapone) is a very large owl, distributed across the Northern Hemisphere. In some areas it is also called the Great Gray Ghost, Phantom of the north, Cinerous Owl, Spectral Owl, Lapland Owl, Spruce Owl, Bearded Owl and Sooty Owl.
Courtship involves feeding and mutual preening between mates and begins in midwinter. The male typically approaches the female, holding food in its beak, which is passed with both birds closing their eyes. The male selects possible nest sites and attracts its mate with calls. Several sites are inspected before she chooses the nest site. The Great Gray Owl nests primarily in stick nests made by hawks, ravens, or crows, in the hollowed out top of large-diameter snags, or on the top of clumps of mistletoe, and in Europe sometimes on the forest floor. Northern Goshawks are very common providers of nest sites for Great Gray Owls. They also readily take to artificial platforms or nests placed in suitable habitat. Nests are usually in a forest, but with a large clearing or meadow located within 1.3km (0.8 miles). Unlike most other Owls, nests are usually tidied up and refurbished before use. Nest linings include conifer needles, deer hair, moss, and shredded bark. 2 to 5 (average 3) eggs are laid, each separated by 1 to 2 days. Incubation commences with the first egg laid and lasts 28 to 29 days. The female does all incubation and the male provides all food to the female and young. The female tears food into small pieces and feeds the young. Young leave the nest at 3 to 4 weeks and can climb well. Fledging occurs after about 8 weeks and young remain near the nest for several months, with the female caring for them.
Great Gray Owls are single-brooded but will readily lay replacement clutches if the first clutch or brood is lost. Males and females aggressively defend nests and have been known to drive off predators as large as black bears. Among other threats, ravens and Great Horned Owls prey on eggs and nestlings.
Great Gray Owls are semi-nomadic, with irregular site or mate fidelity between years. They tend to settle and nest in areas with high food resources and this may lead them to occupy the same nest for several years or move off to new areas. Nesting territories are defended from other Great Gray Owls, but foraging areas are widely overlapping. This leads to higher than expected densities, for a large bird of prey. In areas of good habitat this may be as high as 1 pair/58 hectares (5 pairs/square mile).
These birds wait, listen, and watch for prey, then swoop down; they also may fly low through open areas in search of prey. Their large facial disks, also known as "ruffs", focus sound, and the asymmetrical placement of their ears assists them in locating prey, because of the lack of light during the late and early hours in which they hunt. On the nesting grounds, they mainly hunt at night and near dawn and dusk; at other times, they are active mostly during the night. They have excellent hearing, and may locate (and then capture) prey moving beneath 60 cm (2 feet) of snow in a series of tunnels solely with that sense. These owls can crash through snow that could support the weight of a 180-pound person.[citation needed] Unlike the more versatile eagle and horned owls, Great Grey Owls rely almost fully upon small rodents, with voles being their most important food source. Locally, alternative prey animals (usually comprising less than 20% of prey intake) include hares, moles, shrews, weasels, thrushes, grouse, Gray Jays, small hawks and ducks. Great Grey Owl juveniles may themselves fall prey to bears, fishers, and large hawks, especially Northern Goshawks; while adults may fall prey to Bubo owls and lynxes.
Every few years, great grey owls move—usually en masse—from their boreal breeding grounds, typically in search of food. The last great irruption (as these movements are called) happened in 2004-2005. It was so large that it caught the attention of photographers, bird lovers, environmentalists, and the mainstream media from around the world.

Photographing Frogs: Endangered Species of Panama.

Harlequin Toad (Atelopus limosus). Provincia de Colón, Panama. Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, Sigma 150mm F2.8 Macro, Wimberley F2 Macro Flash Bracket, Canon 580 EX II Flash with LumiQuest Softbox III Hand-held. ISO 400, F16 @ 1/160s Manual mode. Full Frame. CLICK HERE TO ORDER A PRINT OR TO LICENSE IMAGE FOR PUBLICATION.

Panama: Home safe

Just home from an incredible nature photography trip to Panama. By far, the most fun, rewarding  and adventurous part was spending days deep in the jungle photographing highly endangered relatives of the, now extinct in the wild, Panamanian Golden Frog (Atelopus zeteki). Crawling around jungle streams after hiking through the jungle had me facing some of the very toughest tropical conditions. I was constantly soaking wet from sweat, and I could feel my own body heat reflect back onto my face each time I brought the camera to my eye to take a picture; only to have the viewfinder  and my glasses constantly fog-up. There was simply no escape from the heat and humidity. I chose to bring my Canon EOS 1Ds Mark III as my primary camera body and my Canon EOS 5D Mark II as my back-up; both performed flawlessly in the very toughest of conditions. I was, however, disappointed to have my Canon 580 EX II Flash fail yet again.
I have only had conjunctivitis once before, but quickly realized it's symptoms appearing on the third morning. Facing a medical situation involving my eyes in a third world country was a somewhat worrisome task; I was afraid that the medicine would do more harm than good. Turns out that my worries were unfounded and I was able to get American made medicine over the counter at a large pharmacy chain. The infection started to clear within 24 hours and all is fine now.
Enduring mosquitoes, tick and chigger bites and an ant attack were all well worth it (yes, I did use precaution), and a visit to Dr. Rashed at the Tropical Disease Centre of the Montreal General Hospital upon my return to have the various bites, blisters, welts, marks and rashes checked-out seems to have given me a clean bill of health (though I'm still waiting for the results of the three ticks that I removed from myself after my return home). Oh, the glorious & romantic life of a nature photographer (smile).
Harlequin Toad (Atelopus limosus). Provincia de Colón, Panama. Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, Sigma 150mm F2.8 Macro, Wimberley F2 Macro Flash Bracket, Canon 580 EX II Flash with LumiQuest Softbox III Hand-held. ISO 640, F16 @ 1/125s Manual mode. Full Frame. CLICK HERE TO PURCHASE A PRINT OR LICENSE AN IMAGE FOR PUBLICATION.

“Ground Beef”

After arriving in Panama City and collecting luggage, rental car and picking-up granola bars and bottles of water, I stopped for a bite at the international fast food chain symbolized by the golden arches. While waiting an unusually long time for my meal, I watched the woman at the grill drop a hamburger patty on the floor, pick it up with her spatula and replace it on the grill; I guess she thought it would sterilize it by putting it back on the heat (smile). I have always heard the rumors that there was no beef in their burgers; but now know it is, in fact, GROUND BEEF! She took a quick look around while laughing with her colleagues in the kitchen until she made eye contact with me and realized that she had been seen - then she quickly looked away and resumed making burgers. I simply walked away and decided I could wait until breakfast to eat.
Harlequin Toads Amplectant Pair (Atelopus limosus). Provincia de Colón, Panama. Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 5D mark II, Sigma 150mm F2.8 Macro, Wimberley F2 Macro Flash Bracket, Canon 580 EX II Flash with LumiQuest Softbox III Hand-held. ISO 800, F14 @ 1/160s Manual mode. Full Frame. CLICK HERE TO ORDER A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Harlequin Toads (Atelopus limosus) & amphibian chytrid fungus (Batrachochytrium dendrobatidis)

amphibian chytrid fungus (Batrachochytrium dendrobatidis) is a lethal fungus spreading across Central America and wiping out entire populations of frogs. The Batrachochytrium dendrobatidis is so deadly that it kills about half of all amphibian species and reduces overall populations by about 80% after it’s arrival in any given place. One third of the known 5,743 amphibian species in the world are at risk of being wiped out! On a world scale, 122 species of amphibian species have gone extinct, compared with five bird species and no mammals in the same period.

Listed by the IUCN (Red List) as endangered, the Harlequin Toad (Atelopus limosus) is also known as the Mossy Stub-footed Toad and Limosa Stubfoot Toad. An endemic species of Panama, it’s population is limited to 5,000 square kilometer range of severely  fragmented forest and is at risk from Amphibian Chytrid Fungus and habitat loss.

Apple Announces Aperture 3 - FINALLY

Funny how critics blasted Apple for not announcing a new version of Aperture when Adobe released it's free beta version of Lightroom 3. I'm happy to report that Apple just released it's newest full version of Aperture. Unlike Adobe, Apple waited to release a full, working version available as an upgrade for only CAD$109.00. This new version has more than 200 new features, including the incorporation of Faces and Places from iPhoto. Apple included brushes, pre-sets and advanced slideshows with full multimedia support. If you're a Mac user, be sure to try the 30 day free trial here. If you're a PC user, then is is just another reason to make the switch to Apple (smile). I've only had limited time with Aperture 3, but kudos to Apple for waiting to offer a full version and skipping the "use your customer base as guinea-pigs" stage. Though, perhaps, early to offer a full review, my experience has been flawless so far.

Thanks for your concern

My last post was on January 22, 2010, so this is the longest I've gone without blogging. Many thanks to the many dozens of folks who emailed me to check-in and see if all was A-OK. As you can see, I was having a blast in Central America!

The Fundamentals of Photography: Understanding the Light Meter

Siberian (Amur) Tiger Portrait Panthera tigris altaica (Tigre de L'Amour ou Tigre de Sibérie). CAPTIVE ANIMAL. Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 IS, 2X II Tele-converter Gitzo 1325 Tripod with Wimberley Head II. ISO 800, F8 @ 1/160s Manual mode. Ambient exposure using hand-held Sekonic L-358 Light Meter. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE IMAGE FOR PUBLICATION.

The in-Camera Light Meter:

Pretty much all digital cameras sold today include a built-in REFLECTIVE light meter. The volume of light measured by a reflective light meter varies relative to the color (or reflectance) of the subject, the background (and the subjects distance from it) and the chosen metering mode (or pattern); A Snowy Owl in a bright, snowy field reflects more light than a black bear on a dark, wet rock. Think of it this way: pure white reflects nearly all of the light that strikes it, and pure black reflects virtually none of the light that strikes it.
Left to it’s own devises, a digital camera in one of it’s automatic modes (Program, Aperture Priority or Shutter Priority) will use it’s built-in computer  processor and programmed algorithms to determine the appropriate exposure settings such as shutter speed, f-stop (or aperture) and ISO to render the scene at what it thinks should be 18% grey, or a mid-tone (exactly mid way between the blackest black and the whitest white). The problem is a simple one; most cameras assume that everything they photograph reflects 18% of the light that falls onto them. Not everything we see or photograph is a mid-tone; with this method, we need to compensate to achieve the correct exposure for anything that is not a mid-tone; The Snowy Owl in a Snowy field we talked about earlier would be about two stops under-exposed, so we need to add about two stops of light to the metered reading to achieve the correct exposure. The black bear on the dark, wet rock will be about two stops overexposed, so we have to remove about two stops of light from the metered reading to achieve the correct exposure. A picture of the green grass on your front lawn is a middle tone and requires no compensation to achieve the correct exposure.
The problem gets much bigger when your subject starts to move from one colored background to another, or, moves closer or further away; can you imagine dialing in the correct exposure compensation, on the fly, as a white bird flies from a blue sky background to a dark cliff face background as it gets bigger in the frame while flying toward you? (smile) ... I didn’t think so.

Hand-held Light Meter:

The single best teaching aid that I know of is a hand-held light meter; students wanting to learn exposure theory tend to improve the exposure accuracy of their captures almost instantly when handed a hand-held light meter.
In it’s simplest form, a light meter measures light;  We’ve discussed how your camera uses it’s meter to measure the light that is reflected from your subject, now let’s talk about how to measure the ambient light that falls onto your subject by using a hand-held light meter. If we can measure the AMBIENT light that falls onto the subject, we can successfully expose for the light (not the subject), and capture colors and tones as our eyes see them; white looks white, black looks black and middle tones still look like middle tones; just the same as our eyes see them. As long as you are in the same light as your subject, and the volume of light does not change between measurement and capture, you can take a reading and lock and load the chosen ISO, F-stop and shutter speed. Just like the sunny F/16 rule in my last post, you should still use your camera’s histogram to tweak the exact exposure to taste, and you should expose to the right and maximize that right most fifth of the histogram, as it contains 50% of the data in a digital capture. I typically add light to extract maximum detail from very dark subjects and remove light from very bright subjects, all the while ensuring I’m not clipping unrecoverable highlight detail.
On a clear day, from two hours after sunrise, until two hours before sunset, the light remains constant (provided it doesn't get cloudy, of course). If your subject flies from the blue sky to a dark cliff face, there is no need to make adjustments to your chosen exposure settings; the subject will be correctly exposed in manual mode.

A major difference between the old film days and digital is that instead of exposing for shadow detail on film, we now expose for the highlight. To ensure a correct exposure for the highlights, simply turn the meter’s dome toward the light source. To take a reading for the underside of a bird flying over your head, turn the dome toward the ground and to establish the correct reading for  a subject in the shade, point the dome toward the light source and use your hand to shade the dome. It won’t take long to learn all about light, it’s volume and the correct exposure relative to it.

There are many light meters to choose from, but I find the best value to be the Sekonic L-358 Flash Master Light Meter

Free Site Guide: Photographing the Snow Geese of Victoriaville, Quebec

Snow Goose (Chen caerulescens, Oie des neiges) Réservoir Beaudet, Victoriaville, Quebec, Canada. Image Copyright ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark III, 500mm F4 IS, 2X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 320, 1/1250s F8 Manual Exposure. Full Frame. CLICK HERE TO BUY A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Réservoir Beaudet is immediately adjacent to the city of Victoriaville, in the Eastern Townships of southern Québec. During migration, this site harbours significant numbers of gulls and geese. Since 1996, high numbers of Greater Snow Geese have been recorded here. So far, 224 species of birds have been recorded at this site. The high concentration of waterbirds using the reservoir is probably linked to the absence of hunters. At peak times in October, ducks, geese, and gulls numbers exceed 1000,000 individuals. Several species of land birds also use the reservoir in high numbers for roosting in the fall. The following are some of the peak counts for certain species: 4,000 American Crows (1989), 17,251 European Starlings (1989), 2,500 Red-winged Blackbirds (1988), 1,000 Common Grackles (1988) and 700 Brown-headed Cowbirds (1988).

Photography is relatively easy here; only a short walk from the parking lot is a boat ramp (GPS co-ordinates: 46° 4'6.37"N , 71°58'35.94"W) that is about the best place to be when the wind is from the west in the afternoon. April-May and October-November are the best times of year for photography.


View Larger Map The green arrow indicates the exact location that I like to be in the afternoon when the wind is from the west. GPS co-ordinates are: 46° 4'6.37"N , 71°58'35.94"W

Vested Interest Photo Vests

John Storrie of The Vested Interest (a division of Storrie Parachute Works Inc.) sent me a Khumbu Photography vest and I am thrilled. True to his solid background in building safe, strong and rugged parachutes, John's The Vested Interest produces top quality photo vests. I wanted a vest, but had very specific needs that only John could address. I wanted a way to transport my camera equipment like a backpack, but allow access to camera bodies and lenses while I hiked without removing a backpack, having to lay it down and unzip it, etc.. I chose the Kumbu model because of the large padded pocket on the back that holds either my 500mm F4 IS or my 300 F2.8 IS Canon lenses. I spend a lot of time photographing from a Zodiac, and that large rear "drop-in" lens pouch on the back is perfect even if I were to take the whole kit off; I simply wrap the whole vest around the mast of the flying bridge and secure with the zipper. Unlike a photo-backpack, where the whole contents are at risk of a spill when open, this vest protects all of my gear and still allows access to each component while protecting the rest. I recently took the vest to photograph Snow Geese in Quebec where there are simply too many people to lay equipment down and not worry about it. The vest held everything I needed and still had plenty of room to spare. It's simply a study in astounding build quality, and design genius; there are even brilliantly designed padded shoulders which not only cushion the weight of your shouldered camera, lens and tripod, but they also disperse it. Built of military grade (just about bomb-proof) parachute nylon, this vest will easily outlast me; it's easy to see why the military buy these for their photographers. Be sure to visit The Vested Interest and check out the various vest designs - most of which can be customized to your specific needs.

That's me, Christopher Dodds, with my Vested Interest Khumbu Photo Vest. Notice just how many pockets there are and that it fits over my down winter jacket. Image copyright & courtesy of Bruce Lapointe.

Pro Tip: GET A GRIP!

I often have many thousands of dollars of equipment set-up on my tripod and carry it around on my shoulder while following my subjects around the wilds. From the moment I leave my car, I risk slipping on packed snow or ice. I keep a pair of MICROspikes with me at all times in the winter. It's like having the very best winter tires with studs and chains and is a relatively small investment to protect both myself and my gear. Wether I'm looking for owls in Owl Woods where it is often icy, or just walking my dog, T-Bone; MICROspikes is the product I use. A less expensive product is offered by Yak-Trax, which I used to use until I discovered MICROspikes - both are good, but MICROspikes are more aggressive, robust, long lasting and less likely to get stuck on something and lost.

                           

Comments welcome & appreciated.

 

Knowledge: The Single Best Way to Improve Your Wildlife Photography

Timber Wolves Alpha Pair in Fog (Grey Wolves, Canis lupus, Loup Gris) Quebec (C) ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 70-200mm F2.8 IS @ 200mm ISO 500, F5.6 1/200s Manual Mode. Hand Held. Full Frame. CLICK HERE TO BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Hearing Timber Wolves (Grey Wolves, Canis lupus, Loup Gris) howl while photographing them on a foggy January mourning was a hair raising experience; their reputation as ferocious enemies of man owes more to fiction and folklore than reality, in fact, they go out of their way to avoid contact with humans. Grey Wolves vary in colour from white on the arctic tundra (Arctic Wolves) to grey (Timber Wolves) or black in the forested regions of Northern wilderness regions. They  travel in packs, working co-operatively to bring down their prey; big game like deer, caribou and moose. Most regard wolves as unbeatable hunters, but they often fail to catch their intended prey. 

If I had to name a single way for anyone to improve their skill at wildlife photography, it would be to know your subject inside and out. I love to read, and I love books, so I was recently thrilled to get my hands on two simply outstanding books. I've caught myself getting lost in the pages of these marvels of the wild world far too often. Essential for the library of any nature photographer (or nature lover), The Princeton Encyclopedia of Birds and The Princeton Encyclopedia of Mammals have become the go to resource when I'm researching a specific species; or simply sitting here daydreaming of my next big adventure to some far corner of the world. Of all the natural history books in my collection, these two stand out amongst the best! ... and they are a bargain!

                                                                    

 

The Princeton Encyclopedia of Mammals

 (David W. Macdonald ISBN13: 978-0-691-14069-8) is the most comprehensive and accessible reference book on mammals available. Unsurpassed in scope and stunningly illustrated, this book covers every known living species, from aardvarks to zorros. The informative and lively text is written by acclaimed researchers from around the world and features a concise general introduction to mammals followed by detailed accounts of species and groups that systematically describe form, distribution, behavior, status, conservation, and more. There are superb full-color photos and illustrations on virtually every page that show the animals in their natural settings and highlight their typical behaviors. And throughout the book, numerous "Factfile" panels with color distribution maps and scale drawings provide at-a-glance overviews of key data. The Princeton Encyclopedia of Mammals is the definitive one-volume resource--a must-have reference book for naturalists and a delight for general readers.

  • Covers every living mammal
  • Describes form, distribution, behavior, status, conservation, and more
  • Features spectacular full-color photos and illustrations on virtually every page
  • Includes "Factfile" panels with color distribution maps and scale drawings for at-a-glance reference
  • Written by an international team of experts

David W. Macdonald is director of the Wildlife Conservation Research Unit and a fellow of Lady Margaret Hall at the University of Oxford. He is an award-winning documentary filmmaker and the author of several books, including Mammals of Europe (Princeton).

The Princeton Encyclopedia of Birds

 (Christopher Perrins ISBN13: 978-0-691-14070-4) is a comprehensive and lavishly illustrated reference to the world's birds. Accessibly written by renowned biologists and conservationists, and illustrated in color throughout, the book provides authoritative and systematic accounts of every bird family, covering form and function, distribution, diet, social behavior, breeding biology, and conservation and status. More than 1,000 superb color photos reveal the enormous diversity of birds in their natural habitats, from arctic tundra to tropical rain forest, and a wealth of beautifully detailed color and line illustrations depict representative species from each family and highlight characteristic behaviors. The main articles are complemented by detailed coverage of special topics, such as how ibises and spoonbills feed by touch, how pigeons find their way home, and how crows store food. And throughout the book, numerous "Factfile" panels with color distribution maps and scale drawings provide at-a-glance overviews of key data. The Princeton Encyclopedia of Birds is the definitive one-volume reference--an essential guide for amateur bird enthusiasts and professional ornithologists alike.

  • Covers all the bird families of the world
  • Describes form and function, distribution, diet, social behavior, breeding biology, and conservation and status
  • Features more than 1,000 spectacular color photos and illustrations
  • Includes "Factfile" panels with color distribution maps and scale drawings for at-a-glance reference
  • Explores special topics in depth
  • Written by leading biologists and conservationists

Christopher Perrins is a distinguished ornithologist, the author of many popular and scholarly books on birds, and a fellow of the Royal Society. A former professor of ornithology at the University of Oxford and former director of the Edward Grey Institute of Field Ornithology, he is currently a fellow of Wolfson College, Oxford.

Comments welcome & appreciated.

Photographing the Common Raccoon with wide-open & fast lenses.

Common Raccoon  (Procyon Iotor, raton laveur) Quebec, Canada ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 5D Mark II, 70-200mm @ 195mm. ISO 400, F2.8 1/1000s Manual Mode.

Pro Tip: I'm amazed at the number of photographers out in the field today, and even more amazed at the inventory of professional camera gear they cart around with them. Many pay the hefty price, and carry the extra weight of fast lenses, rarely using them at their intended extremes. Try using your F2.8 lenses at F2.8, then try them at F16; while it is true that they are not quite as sharp at F2.8 than, say F4.5, or F5.6, I would bet money that you can't tell the difference with a full frame Canon 1DsIII and all of the pixels it has to offer. Try using your depth of field (or lack of one) to hide or accentuate different features, or areas, of your subject. A shallow depth of field is especially useful when photographing captive animals: I can't tell you how sick I am of looking at "snapshot" style captive images from "serious" photographers - mostly the result of too much depth of field with cluttered backgrounds.

Common Raccoon  (Procyon Iotor, raton laveur) Quebec, Canada ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMark III, 500mm F4 IS. ISO 800, 1/160s F4 Manual Mode.

The black mask across their eyes and ringed tails are the keys to identifying the "backyard bandit" of Southern Canada and much of the United States. Raccoons, Procyon Iotor, are amazing climbers and swimmers that den in hollow trees and spend the night foraging for food. When these masked marauders move into the suburbs, they become experts at opening garbage cans (waste bins).
Not true hibernators, Raccoons do sleep through much of the winter. By February, the mating urge sends the males on a quest regardless of the weather. Nine weeks later most females have three to six kits.

Comments welcome & appreciated.

 

Photographing the Boreal Owl & Ultimate Owl Camera Kit

Boreal Owl  or Tengmalm's Owl (Aegolius funereus, Nyctale de Tengmalm) Owl Woods, Amherst Island, Ontario, Canada Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 50D, 100-400mm @ 285mm. ISO 400, F5.6 1/80s Manual. Purchase a print or license image for publication HERE.

The thick frost and -5°C temperature during my morning walk through the orchard with T-Bone this morning had me looking foreword to having my snow tires installed and the coming winter owl season.
Last year, I found that having a Canon 50D (with it's 1.6X crop factor) and my Canon 100-400mm zoom lens in a Lowepro Cirrus TLZ 25 Holster Style Case For Digital SLR & Telephoto Zoom Lens (Black) shoulder pouch was the ultimate owl kit to have with me at all times while scouting for roosting Saw-whet owls, Boreal owls, Long-eared owls and short-eared owls. I used to hike through the woods with my pro camera bodies and multiple lenses (including the 500mm F4 IS with matching Tele-converters) packed in my Lowepro Super Trekker. Both Boreal and Saw-whet owls are nocturnal and will probably stay on the same perch for most of the daylight hours, so if I decide I would like images with my 1DsIII and tripod mounted 500mm lens, I have plenty of time to go back to the car and get them. Long-eared and short-eared owls typically flush quite easily, so being ready with my ultimate hand-held rig is key to photographing them. This winter I will use Canon's new 7D with my 100-400mm zoom lens while hiking through the woods and I can't wait!
How do you get an image of a nocturnal owl with it's eyes wide open? - just wait as long as it takes for a birding group (often 10-20 people) to hike right up to you and the owl; there is often a thin layer of ice covering the snow or frozen swampland in the woods that makes quite a racket when that may people approach.

Known in North America as the Boreal Owl, Aegolius funereus, it is also known as Tengmalm's Owl, named after the Swedish naturalist Peter Gustaf Tengmalm.

SOLD: FOR SALE: CANON 1D MARK II

I have a used Canon 1D Mark II (not the 1D Mark IIN) for sale. This has been a much loved and used camera body that has many marks, scratches and little dings. It has been used professionally and it shows. 100% in working order and includes the original box , charger and contents. Also includes an extra battery. CAD$1,000.00 or best offer. Email me if interested: chris@chrisdoddsphoto.com

Comments welcome & appreciated.