Basic Exposure Theory: The Sunny F/16 Rule Explained

Snowy Owl Bubo scandiacus (Harfang des neiges) Casselman, Ontario. Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 500mm F4 IS ISO 400, F5.6 1/1600s Manual mode. Full Frame. The chart below (in the cloudy bright column) shows the correct exposure to be ISO 400 F/11 @ 1/400s. I chose to stop the action by using a higher shutter speed, so I used the equivalent exposure of ISO 400 F/5.6 @ 1/1600 second. I also knew to expect less detail in the snow and white feathers, because there are no shadows to help define them.

“What you shooting at there, Dodds?” echoed across the landscape as I set-up to photograph Snow Geese and Sandhill Cranes in New Mexico about a year ago. “What exposure you at Dodds?” was the question asked by the same gifted photographer just recently. I don’t want to embarrass anyone, so I won’t mention any names here. I truly do think that he is a gifted and talented photographer. He’s widely published and is also the first person to admit that he doesn't really know all the “techie” stuff.....and he was much closer to my exposure this year, than last. 

The single most important skill a photographer should have is a basic understanding of the fundamentals of photography. The most important tool, and the least understood aspect of photography is exposure theory. I learned photography with a totally manual camera and used slide film (seems like so long ago), so a basic understanding was necessary to make successful images.

 Q: Why bother when I can just keep things simple and take a picture, check the histogram and make any adjustments necessary? 

 A: Because having an intimate knowledge of exposure theory and your cameras functions and controls helps you grow and improve as a photographer, make better decisions and better images as a result.

In it’s simplest form, the Sunny 16 rule (or Sunny F/16 rule) states: On a bright, sunny day, the correct exposure for any middle tone subject is F/16 at the shutter speed nearest to the reciprocal of the film speed. For example:

ISO 100 = 1/100 second @ F/16

ISO 200 = 1/200 second @ F/16

ISO 400 = 1/400 second @ F/16

ISO 800 = 1/800 second @ F/16

Now we have established the correct exposure, it’s time to decide if we need more depth of field or shutter speed. Each step up, or down, of one variable represents a doubling, or halving, of any other variable. If you need more shutter speed than 1/100 second @ F/16 (ISO 100), then an equivalent exposure would be ISO 100 1/1600 second @ F/4.

 

This chart illustrates the equivalent exposures for ISO 100 and 200. Each setting above will allow the same amount of light to fall on your digital cameras sensor, or film cameras film. The exposure is the same, with the only difference being either your shutter speed (to freeze or blur action) or the depth of field (very narrow to blur the background, or very large to capture an entire grand landscape sharp).

But wait! It got cloudy. Now what? The Sunny F/16 rule is actually the correct ambient exposure for an average subject under bright sunny conditions. If the sun goes behind a cloud, then the light falling onto your subject is decreased and you must make an adjustment to your basic exposure settings. Here are some aperture settings for some different daylight situations:

This is intended as a starting point, so there are exceptions. Backlight or sidelight both require adjustments to reach the correct exposure. It’s a good idea to expose to the right with your digital camera; 50% of the recorded data is recorded on the right fifth (or 20%) of your digital cameras histogram. With very light subjects in very bright conditions, I routinely subtract light so as not to clip the highlights. With very dark or black subjects, I tend to add light to maximize the recorded detail. Notice the technicals for the Snowy Owl in my previous post; ISO 200 F9 1/1600 second = ISO 200 F22 1/1250 second (or Sunny F/16 rule for light sand or snow) minus 1/3 stop to preserve all of the details in the whites without clipping (or loosing) any data.

Sounds complicated, but if you spend some time digesting and thinking about everything here; you'll be able to get that once in a lifetime shot accurately and consistently with confidence. Not to mention how much you will impress the boys (or girls) when you are all standing around waiting for the shot or talking shop.

If you own an iPhone or iPod touch, there's a great application available for $1.99 called Exposure Calc. I just found it while writing this blog entry and think it is a great learning aid and pocket reference.

If you don't get it, and need to take a test shot, check the histogram, make adjustments, take another test shot; that's okay too, as long as you're having fun and making the odd good image to keep you interested.

Comments welcome & appreciated.

The Business of Photography: Negotiation

  

Snowy Owl Blast-off Bubo scandiacus (Harfang des neiges) Quebec. Image Copyright ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 300mm F2.8 ISO 200, F9 1/1600s Manual mode. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Top 10 Negotiation Tips:

To succeed in any business, particularly as a photographer, we have to compromise from time to time. The trick is to compromise without loosing what you really need to accomplish your goals.

1. Learn to ask for what you want: We often fail to ask for a better price or better terms because we are afraid of failure. A good negotiator starts with a clear understanding of what they want, and what they don’t want. People new to negotiation feel it’s awkward to ask for a lower price or better terms. Anyone trying to buy or sell anything will be happy to consider any reasonable offer to help close the deal.
2. Eliminate disadvantages by acting quickly and decisively. Having a plan and knowing what your goals are is the best way to react quickly to offers or counteroffers. In todays connected world, waiting to reply during negotiations allows the other party time to seek other options.
3. Deal with the decision maker, but don’t be afraid to have someone who isn’t the decision maker negotiate for you. Use the power of your friendships with other people in the organization you are dealing with to help move the negotiations along in your favour.
4. Learn to listen. If you are talking; then you are not listening. Good negotiators are good listeners and good communicators. Those that do all of the talking during the negotiation process are usually the ones who loose; they don’t take the time to hear the other sides needs and concerns. By learning to listen, the other side will quite often tell you everything you need to know to win.
5. Leave your emotions out of the negotiation process and keep your cool. The moment you get angry is the moment you loose. You should not avoid discussing important issues, just avoid discussing them in a heated argument. Negotiations should not be arguments, but avoiding tough issues is not productive.
6. Don’t make a threat unless you are ready to follow through. 
7. Remember the power of conversation. It’s easy to misinterpret the tone of an email. Don’t be shy to pick-up the phone and make a phone call. Embrace the spoken word.
8. Don’t negotiate away from what’s important to you. Remember rule number one.
9. Don’t be afraid to walk away from a bad deal. Better to have no deal than one you will regret with time.
10. Get it in writing. I find the best usage licenses are the ones I’ve written myself. Using a standard form contract is a good indication that no negotiations took place.

                         

Happy New Year

Bald Eagle Sun-riser (Haliaeetus leucocephalus Pygarge à tête blanche) Homer Alaska, USA. ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter,1.4X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 400, F11 1/60s Manual Exposure and Manual Focus. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Welcome to tomorrow. It's 2010; a New Year and a New Decade. It's a good time to look back over the last year; the trips, the images and the people. What a year I had! Thank you to all of my loyal followers (and there are many of you).   My new year's resolution? to get out and shoot more, learn more and share more with you here at Nature Photography Blog .com.

I'm renewing my annual subscription to lynda.com software tutorials; probably a workshop leaders best kept secret! Ever wonder where we learn all about Adobe Photoshop, Lightroom, Aperture and just about any other software out there?; lynda.com software tutorials is probably the most valuable investment I make each year. Help support this site and subscribe by clicking on the banner below.

                         

Happy Holidays

Great Grey Owl Cozy Courtship (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 120mm. ISO 250, F6.3 1/800s Manual Exposure. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Happy Holidays

This was the time of year when my mom changed her "four season film" and sent it off to the lab. It was always fun to see the 24 pictures from the previous year; they usually included last years Christmas pictures, a couple of birthdays, the family camping trip and if I broke my nose, or my brother broke his leg that year; there'd be a picture of it. Always fun to look back through the ages.

May you have a year filled with great images, the wind always at your back, the sun always golden and behind you and may you be safe, happy and healthy weather you travel near, or far. All the very best for the Holiday season and the New Year ahead. 

                         

Free Site Guide: Photographing the Snow Geese of Victoriaville, Quebec

Snow Goose (Chen caerulescens, Oie des neiges) Réservoir Beaudet, Victoriaville, Quebec, Canada. Image Copyright ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark III, 500mm F4 IS, 2X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 320, 1/1250s F8 Manual Exposure. Full Frame. CLICK HERE TO BUY A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Réservoir Beaudet is immediately adjacent to the city of Victoriaville, in the Eastern Townships of southern Québec. During migration, this site harbours significant numbers of gulls and geese. Since 1996, high numbers of Greater Snow Geese have been recorded here. So far, 224 species of birds have been recorded at this site. The high concentration of waterbirds using the reservoir is probably linked to the absence of hunters. At peak times in October, ducks, geese, and gulls numbers exceed 1000,000 individuals. Several species of land birds also use the reservoir in high numbers for roosting in the fall. The following are some of the peak counts for certain species: 4,000 American Crows (1989), 17,251 European Starlings (1989), 2,500 Red-winged Blackbirds (1988), 1,000 Common Grackles (1988) and 700 Brown-headed Cowbirds (1988).

Photography is relatively easy here; only a short walk from the parking lot is a boat ramp (GPS co-ordinates: 46° 4'6.37"N , 71°58'35.94"W) that is about the best place to be when the wind is from the west in the afternoon. April-May and October-November are the best times of year for photography.

View Larger Map The green arrow indicates the exact location that I like to be in the afternoon when the wind is from the west. GPS co-ordinates are: 46° 4'6.37"N , 71°58'35.94"W

Vested Interest Photo Vests

John Storrie of The Vested Interest (a division of Storrie Parachute Works Inc.) sent me a Khumbu Photography vest and I am thrilled. True to his solid background in building safe, strong and rugged parachutes, John's The Vested Interest produces top quality photo vests. I wanted a vest, but had very specific needs that only John could address. I wanted a way to transport my camera equipment like a backpack, but allow access to camera bodies and lenses while I hiked without removing a backpack, having to lay it down and unzip it, etc.. I chose the Kumbu model because of the large padded pocket on the back that holds either my 500mm F4 IS or my 300 F2.8 IS Canon lenses. I spend a lot of time photographing from a Zodiac, and that large rear "drop-in" lens pouch on the back is perfect even if I were to take the whole kit off; I simply wrap the whole vest around the mast of the flying bridge and secure with the zipper. Unlike a photo-backpack, where the whole contents are at risk of a spill when open, this vest protects all of my gear and still allows access to each component while protecting the rest. I recently took the vest to photograph Snow Geese in Quebec where there are simply too many people to lay equipment down and not worry about it. The vest held everything I needed and still had plenty of room to spare. It's simply a study in astounding build quality, and design genius; there are even brilliantly designed padded shoulders which not only cushion the weight of your shouldered camera, lens and tripod, but they also disperse it. Built of military grade (just about bomb-proof) parachute nylon, this vest will easily outlast me; it's easy to see why the military buy these for their photographers. Be sure to visit The Vested Interest and check out the various vest designs - most of which can be customized to your specific needs.

That's me, Christopher Dodds, with my Vested Interest Khumbu Photo Vest. Notice just how many pockets there are and that it fits over my down winter jacket. Image copyright & courtesy of Bruce Lapointe.

Pro Tip: GET A GRIP!

I often have many thousands of dollars of equipment set-up on my tripod and carry it around on my shoulder while following my subjects around the wilds. From the moment I leave my car, I risk slipping on packed snow or ice. I keep a pair of MICROspikes with me at all times in the winter. It's like having the very best winter tires with studs and chains and is a relatively small investment to protect both myself and my gear. Wether I'm looking for owls in Owl Woods where it is often icy, or just walking my dog, T-Bone; MICROspikes is the product I use. A less expensive product is offered by Yak-Trax, which I used to use until I discovered MICROspikes - both are good, but MICROspikes are more aggressive, robust, long lasting and less likely to get stuck on something and lost.

Comments welcome & appreciated.

Emperor Goose

Emperor Goose (Chen canagica, Oie empereur) Homer Spit, Homer, Alaska, USA. Image Copyright ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 500mm F4 IS, Gitzo tripod and Wimberley Head. ISO 400, 1/100s F11 Manual Exposure. Full Frame.
Emperor Goose Close-up detail (Chen canagica, Oie empereur) Homer Spit, Homer, Alaska, USA. Image Copyright ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 500mm F4 IS, 2X II Tele-converter, Gitzo tripod and Wimberley Head. ISO 400, 1/30s F20 Manual Exposure. Canon 550EX II flash in manual mode. Full Frame.

Perhaps the most striking goose in North America, this small goose is seldom seen because of it's high-arctic haunts, where it is never far from coastal tundra. The Emperor Goose, Chen canagica, breeds on the coast of northwestern Siberia, St. Lawrence Island, and around the Bering sea, mostly in coastal northwestern Alaska. Winters mainly in the Aleutian Islands but wanders also down the North American western coast as far as California. Due to its low population size, and restricted range, the Emperor Goose is especially vulnerable to local catastrophic events, such as oil spills. In winter, the majority of the global population of this species can be found in the Aleutian Islands. Eskimos once rounded up thousands in "goose drives" during post-breeding, the flightless molt period, then drove them into traps to be killed for food. The Emperor Goose population is thought to be on the rise in Alaska after an unexplained decline from an estimated 139,000 in 1964 to only 42,000 in 1986.

Inner Game of Outdoor Photography

(Galen Rowell ISBN13: 978-0-691-14069-8) After posting the book reviews in my last entry, I received numerous requests for more; mostly from people looking for the perfect Holiday or Christmas present for photographers. If I could make a single suggestion for anyone interested in outdoor photography, It would be Galen Rowell's Inner Game of Outdoor Photography. Rowell, his wife Barbara Cushman Rowell, pilot Tom Reid, and Reid's friend Carol McAffee, were killed in a plane crash near the Inyo County Airport in Bishop, California on the 11th of August, 2002. They were returning from a photography workshop in Alaska.

“Galen Rowell was a man who went into the mountains, into the desert, to the edge of the sea, to the last great wild places in the world to be absorbed by their grace and grandeur. That is what he did for himself. For the rest of us, he shared his vision with—click—the release of a shutter, creating photographs as timeless, as stunning, and as powerful as nature itself.” –Tom Brokaw, from the foreword of Galen Rowell: A Retrospective

In sixty-six essays based on his popular Outdoor Photographer monthly column and with more than 160 color photographs, Galen illustrates how he transforms what he sees into vivid, memorable works of art. He clearly explains why “pre-visualizing” a photograph before exposing any film is one key to making an arresting image rather than a mere replica of what we see through the viewfinder. Includes advice on practical, technical matters, packing for travel, pushing film to extremes, and when to use fill flash and smart flash. Galen was instrumental in my early development as a nature photographer. I remember reading, and re-reading, every word he wrote for Outdoor Photographer; and that was long before I had access to the internet. This book should be a "must have" for any outdoor photographer.

Comments welcome & appreciated.

Knowledge: The Single Best Way to Improve Your Wildlife Photography

Timber Wolves Alpha Pair in Fog (Grey Wolves, Canis lupus, Loup Gris) Quebec (C) ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 70-200mm F2.8 IS @ 200mm ISO 500, F5.6 1/200s Manual Mode. Hand Held. Full Frame. CLICK HERE TO BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Hearing Timber Wolves (Grey Wolves, Canis lupus, Loup Gris) howl while photographing them on a foggy January mourning was a hair raising experience; their reputation as ferocious enemies of man owes more to fiction and folklore than reality, in fact, they go out of their way to avoid contact with humans. Grey Wolves vary in colour from white on the arctic tundra (Arctic Wolves) to grey (Timber Wolves) or black in the forested regions of Northern wilderness regions. They  travel in packs, working co-operatively to bring down their prey; big game like deer, caribou and moose. Most regard wolves as unbeatable hunters, but they often fail to catch their intended prey. 

If I had to name a single way for anyone to improve their skill at wildlife photography, it would be to know your subject inside and out. I love to read, and I love books, so I was recently thrilled to get my hands on two simply outstanding books. I've caught myself getting lost in the pages of these marvels of the wild world far too often. Essential for the library of any nature photographer (or nature lover), The Princeton Encyclopedia of Birds and The Princeton Encyclopedia of Mammals have become the go to resource when I'm researching a specific species; or simply sitting here daydreaming of my next big adventure to some far corner of the world. Of all the natural history books in my collection, these two stand out amongst the best! ... and they are a bargain!

The Princeton Encyclopedia of Mammals

 (David W. Macdonald ISBN13: 978-0-691-14069-8) is the most comprehensive and accessible reference book on mammals available. Unsurpassed in scope and stunningly illustrated, this book covers every known living species, from aardvarks to zorros. The informative and lively text is written by acclaimed researchers from around the world and features a concise general introduction to mammals followed by detailed accounts of species and groups that systematically describe form, distribution, behavior, status, conservation, and more. There are superb full-color photos and illustrations on virtually every page that show the animals in their natural settings and highlight their typical behaviors. And throughout the book, numerous "Factfile" panels with color distribution maps and scale drawings provide at-a-glance overviews of key data. The Princeton Encyclopedia of Mammals is the definitive one-volume resource--a must-have reference book for naturalists and a delight for general readers.

• Covers every living mammal
• Describes form, distribution, behavior, status, conservation, and more
• Features spectacular full-color photos and illustrations on virtually every page
• Includes "Factfile" panels with color distribution maps and scale drawings for at-a-glance reference
• Written by an international team of experts

David W. Macdonald is director of the Wildlife Conservation Research Unit and a fellow of Lady Margaret Hall at the University of Oxford. He is an award-winning documentary filmmaker and the author of several books, including Mammals of Europe (Princeton).

The Princeton Encyclopedia of Birds

 (Christopher Perrins ISBN13: 978-0-691-14070-4) is a comprehensive and lavishly illustrated reference to the world's birds. Accessibly written by renowned biologists and conservationists, and illustrated in color throughout, the book provides authoritative and systematic accounts of every bird family, covering form and function, distribution, diet, social behavior, breeding biology, and conservation and status. More than 1,000 superb color photos reveal the enormous diversity of birds in their natural habitats, from arctic tundra to tropical rain forest, and a wealth of beautifully detailed color and line illustrations depict representative species from each family and highlight characteristic behaviors. The main articles are complemented by detailed coverage of special topics, such as how ibises and spoonbills feed by touch, how pigeons find their way home, and how crows store food. And throughout the book, numerous "Factfile" panels with color distribution maps and scale drawings provide at-a-glance overviews of key data. The Princeton Encyclopedia of Birds is the definitive one-volume reference--an essential guide for amateur bird enthusiasts and professional ornithologists alike.

• Covers all the bird families of the world
• Describes form and function, distribution, diet, social behavior, breeding biology, and conservation and status
• Features more than 1,000 spectacular color photos and illustrations
• Includes "Factfile" panels with color distribution maps and scale drawings for at-a-glance reference
• Explores special topics in depth
• Written by leading biologists and conservationists

Christopher Perrins is a distinguished ornithologist, the author of many popular and scholarly books on birds, and a fellow of the Royal Society. A former professor of ornithology at the University of Oxford and former director of the Edward Grey Institute of Field Ornithology, he is currently a fellow of Wolfson College, Oxford.

Comments welcome & appreciated.

National Geographic Traveller rates Gaspé #3 Best-Rated Travel Destination in the world

Northern Gannets LOVE, Morus Bassanus, Fou de Bassan Bonaventure Island, Quebec ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKII, 300mm F2.8 and 1.4XII Tele-converter  ISO 250, F8 1/800s Manual. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

National Geographic Traveler Magazine rates Gaspé number 3 destination in the world:

Subject to development, mass tourism, pollution, globalization - are the world's great places still...great? Jay Walljasper writes on page 50 of the November / December 2009 edition of National Geographic Traveler Magazine, Gaspé ranks # 3 in the world - Congratulations Gaspé!
jutting into the Gulf of St. Lawrence, the colorful Gaspé Peninsula  offers "oceanfront, islands, and inland mountains" within "excellent parks and reserves," along with "authentic Francophone" villages. A big part of the area's appeal is "tourism development largely on a human scale." READ MORE HERE

Click HERE for more information on the Gannets of Bonaventure Island Photo Safari at The Parc National de l'Île-Bonaventure-et-du-Rocher-Percé and my very favorite bird photography location on planet Earth!

Testimonial

"I just returned from attending my first workshop, my first time in “the Gaspé” and my first experience with shooting birds in flight and I thought I’d share a bit about the experience…

The workshop was given by Christopher Dodds who is often referred to as one of the very best nature photographers in Canada. We were going to spend three days shooting Gannets on L’Ile Bonaventure, Québec (about 30 minutes off the Percé harbour and close to the famous Percé Rock). The Island is a protected habitat for Gannets and access to the Island is only allowed when the Parks Canada staff are there from about 9am to 5pm.

It’s a long uphill climb from the wharf to the top where the birds are, and Park staff say most people take about 45 minutes to an hour. Chris and I made it in about 30 minutes the first day (and got it down to about 25 minutes the following days but if he wanted to, I’m sure Chris could do it in 15!). We could hear the Gannets long before we got to the top and the first view of them – literally thousands and thousands of them – was breathtaking. The unofficial current estimate is at over 500,000 Gannets, now making this the largest colony in the world!

I can't speak highly enough about the experience of shooting with Chris Dodds. Chris is absolutely amazing. He's got tremendous experience and a great eye. The whole experience was way better than my expectations. He’s a far better photographer and workshop leader than I expected. Not only does he produce incredible work, he has the technical knowledge and experience to make this a really worthwhile learning experience. And he gives what is truly a “workshop”, in that he gives constant tips and coaching to make sure all participants are learning (no matter what their experience is or how stubborn and set in their ways they might be – like myself). He doesn’t just lead you to a subject (as many other workshops do), but he gives all the technical support and training you could wish for; he makes sure you are learning the photo techniques needed to improve. Chris and I knocked heads quite a bit those first days (he was right – I was wrong) as he stuck with trying to get me to improve and get out of my comfortable rut.

I liked those three days (and the one pre-workshop day) so much that I decided to stay for a second three-day workshop and luckily Chris still had a spot available. Not only that, but I’m certainly going to return to shoot those Gannets again, hopefully with Chris. In fact I’d love to take any workshop Chris was leading.

We were shooting ALL day... from the time we got to the top until we had to leave. There was absolutely no shortage of birds or birds in flight and that's unlike any other avian photography venue in the world from what everyone was saying. Elsewhere you only have a few hours to shoot and then the birds are gone. We were always the first ones on the Island (with the Park staff) and the last ones to leave (again with the staff).

Chris is so well known there (and so highly regarded) that he and his group were certainly given privileges and access that someone on their own wouldn't get. If (I should say when) I do this again, I'm going to do it with Chris on one of his workshops.

And with Chris, everything was organized for us including lunches; access and transportation to the island, accommodations and of course the great training. I wouldn't do it any other way.

Believe me, if you took such a workshop with Chris you wouldn't regret it! And his repeat clients (of which there were many in both the 3-day workshops I attended) had nothing but raves for him.

An absolutely fabulous time!"

Eldor Gemst | Montreal | QC | Canada

Comments welcome & appreciated.

Social Media Sites Strip Embedded metadata; Another Reason for Bold Watermarks!

 Great Grey Owl Blizzard in White (Strix nebulosa Chouette Lapone) January 2005 Bracebridge, Ontario, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 100mm. ISO 400, F6.3 1/800s Manual Exposure. Full Frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

Technology & Art; get it out of the middle

Modern digital cameras are tools jam packed with not-so-often used features; remember to use focus selection points other than the centre - it makes for much more pleasing photographs. As amazing as it was for photography, the Great Grey Owl invasion during the winter of 2004-2005 was an amazing time for friendships. I had a great time in Bracebridge, Ontario with a great friend who continues to inspire me today.

The American Society of Media Photographers has released a report called "Best Practice Recommendations for Social Networking Sites" by Christopher J. Reese, Esq. Well written, this is must read for anyone posting images to the internet (amateur or professional): READ HERE

Great Grey Owl WIngs Wide Open (Strix nebulosa Chouette Lapone) December 2004 L'Île-Bizard, Quebec, Canada ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 100-400mm @ 300mm. ISO 400, F6.3 1/640s Manual Exposure. Full Frame.

Recent infringements:

I am actively monitoring my image use, abuse and copyright infringements in an effort to keep you up-to date with infringements and resolutions. Here's an image of mine, stripped of it's metadata, and the copyright watermark was removed. While I'm flattered that they used my image, they should have asked & given credit! While the communications officer had agreed to replace the image with one that I provided with metadata and copyright watermark, they decided to remove the content instead.  From his last email to me: "I did some further digging to determine who looked after the site, and to put them in contact with you for other photos. That particular page and  site were run by a museum housed on campus but that museum is no longer at the university. We've removed the content, so your photo will no longer be on the BU website. I was unable to find a contact for the current curator of the museum, so I'm unable to pass along your information. Once again, sorry for the obtrusion."

I'm not against my images being used in high profile educational environments, but come on: It's about time that Universities and the Minister of Education audits image use on University websites! For crying out loud, these are the very institutions that educate our next generation of lawyers & scholars and they should set the example! I'm curious about Brandon University's view on plagiarism.

If anyone does know how to get in touch with the museum, please send me an email.

Comments welcome & appreciated.

It’s official: Bonaventure Island is the Largest Northern Gannet Colony in the World!

Northern Gannet EYE ON U, (Morus Bassanus, Fou de Bassan) Bonaventure Island, Quebec, Canada
Image Copyright ©Christopher Dodds All Rights Reserved. Canon EOS 1DsMKII, 70-200mm F2.8 @ 160mm 25mm, 12mm & 25mm Extension Tubes ISO 400, F14 1/180s Manual with Canon 580 EX Flash in manual mode and LumiQuest Soft-box III. Full frame. CLICK HERE TO PURCHASE A PRINT or LICENSE AN IMAGE FOR PUBLICATION.

 I have spent so much time on Bonaventure Island over the years and I have so many images – but I still can’t wait for next spring to get back there. Here’s a close-up look into a Gannet’s eye. I used my Canon 1Ds Mark II with my Canon 70-200mm F2.8 IS zoom lens (@160mm), a 12mm and two 25mm extension tubes . Hand-held, but resting on a wooden railing with a LumiQuest Soft-box III on my Canon 580 flash (in manual mode). There is a virtually unlimited number of ways to compose a close-up like this; I often look at it and think about a bit off the bottom and the right side – both compositions work, as do millions of others.

There is a census taken on Bonaventure Island every four years and the results now confirm that the Northern Gannet colony there is, in fact, the largest in the world. As of the 2009 Census, there are officially 59,589 nesting pairs. With virtually unlimited space for the colony to grow, it is expected to stay ahead of Bass Rock in Scotland, where the population has run out of possible nesting sites (a real estate shortage). It is commonly assumed that there are at least as many non-breeding “teens” and don’t forget that most nesting pairs have a baby each year.

• Songbirds of Pelee Workshop May 8-12, 2010

• Gannets Galore June14-16, 2010 - SOLD-OUT!

• Gannets Galore June 18-20, 2010

• Coastal Brown Bears of Katmai July 12-18, 2010

• Moose and fall colors, Maine Sept 27-Oct.1 , 2010

Comments welcome & appreciated.

Photographing the Ross's Geese of Bosque del Apache National Wildlife Refuge and kudos

Ross's Goose (Chen rossii, Oie de Ross) Bosque del Apache National Wildlife Refuge, New Mexico, USA ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 250, F8 1/1000s Manual Exposure. Full Frame. CLICK HERE TO BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Pro Tip:

I worked very hard at capturing the above full frame image of a Ross’s Goose in it’s recognizable environment while visiting Bosque del Apache National Wildlife Refuge in New Mexico last fall. I worked equally hard to get the image of a Ross’s Goose against a blue sky for my stock files. Having the blue-sky flight image in my stock photography files ensures sales to regional publications outside of that recognizable habitat of high desert mountain.

Ross's Goose (Chen rossii, Oie de Ross) Bosque del Apache National Wildlife Refuge, New Mexico, USA ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 250, F8 1/1250s Manual Exposure. Full Frame. CLICK HERE TO BUY A PRINT OR LICENSE IMAGE FOR PUBLICATION.

Ross’s Goose facts:

A tiny goose with black wingtips, the Ross’s Goose (Chen rossii, Oie de Ross) is about 40% smaller than the more abundant white phase Snow Goose. The Snow Goose is larger and has a larger bill without the greenish base and has a black grin patch along it’s bill edge (black “lips”). It breeds in the central Arctic and winters primarily in central California, but it is becoming more frequent farther east. It is named in honor of Bernard R. Ross, a Hudson’s Bay Company factor at Fort Resolution in Canada’s Northwest Territories.

Kudos

After viewing your two excellent Nature presentations in the last year at our camera club, I have come to conclude that you are in that top echelon of truly outstanding nature photographers, creating art - rather than just photographs. When I see your presentations, I keep saying under my breath... AMAZING!
Best regards,
Frederic Hore,
Past Nature Chair,
Lakeshore Camera Club
Pointe Claire, Quebec, Canada

Thanks again for your superb presentation yesterday evening.  Your images are fantastic and you are definitively an inspiration for a lot bird photographers like myself.
Cheers,
Pierre Giard
Nature Chair
Lakeshore Camera Club
Pointe Claire, Quebec, Canada

Comments welcome & appreciated.

The Screaming Eagle & when not to use flash

Bald Eagle (Haliaeetus leucocephalus Pygarge à tête blanche) Homer Alaska, USA. ©Christopher Dodds http://www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter,1.4X II Tele-converter, Gitzo tripod and Wimberley Head II. ISO 640, F20 1/80s Manual Exposure and Manual Focus. Full Frame. Click HERE to order a print or license image for publication.

I have been to Alaska to photograph Bald Eagles many times, and always wish for golden light during the first, and last, hour of light. It's often cloudy when I'm there, and my flash is always mounted and ready to go. Typically I would use some light fill flash on heavily overcast days; even when this bird looked to the side I used fill flash. The thing is, I was looking for a perfectly framed, tight portrait of a screaming eagle; and I wanted to see straight down it's throat without any shadows. The single best time to get this shot was during a snowstorm when the clouds and snow diffuse the natural light and bounce it around creating a virtually shadowless world.  It was hovering around freezing and the snow was changing to rain (as we'd endured for a couple of days). I saw this eagle singing and decided to dedicate some time to this shot. So, why no flash? Simple, It would have created a shadow from the front part of it's beak that is hooked downward.

Comments welcome & appreciated.

Northern Harrier & " Stressful Jobs that Pay Badly"

Northern Harrier   (Circus cyaneus, Busard Saint-Martin) Bosque del Apache National Wildlife Refuge, New Mexico, USA ©Christopher Dodds All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter, Canon 580 EXII Flash with Better Beamer, Gitzo tripod and Wimberley Head II  ISO 400, F8 1/800s Manual Mode. Full Frame. Click HERE to order a print or license image for publication.

Northern Harriers have owl-like facial disks to help with directional hearing; unusual among hawks, they use their sense of hearing to locate prey.

This article from CNNMoney.com caught my eye when someone posted a link to it on FaceBook. They forgot to mention that no matter what your area of expertise, there is always a pile of people who don't depend on photography to earn their living; and those people will all do the job for 1/10 the price, or even free. I remember when I used to charge $5,000.00 for a wedding and there were always another ten "photographers" charging $500.00; you do get what you pay for. Most people think that the life of a professional photographer is glamorous and well paying....Sigh, smile.

Click on the image to go directly to the CNN article.

Comments welcome & appreciated.

Brand Identity, Watermarks & Copyright Infringement as a Marketing Tool / Sales Aid

Eastern White-tailed Deer Buck Portrait (Odocoileus virginianus, Cerf de Virginie) ©Christopher Dodds www.chrisdoddsphoto.com Canon EOS 1Ds Mark III, 500mm F4, Gitzo 1325 Tripod and Wimberley Head II. ISO 250, F5 1/400s Manual mode.

As a passionate nature photographer, I often post images to this Blog, my website and various on-line nature photography forums like NatureScapes.net (where I happen to be a moderator for the bird photography forum). I regret any image that I have posted on the Internet without a very bold and obvious watermark. Let me explain: I have recently received two very different phone calls, from two very different people, in very different places. Both callers referred to a video that they had seen on YouTube.

Caller number one described the video and paid huge compliments to my images. She informed me that her son, Lee, had recently achieved the honor of becoming an Eagle Scout, and that he had asked his mother if she thought it would be all right for him to project the slideshow video to his Scout Troop during the evening of his Eagle Scout Court of Honor. She told me that there were only two images with copyright information visible, that both images were identified as mine, and that she was pretty sure they were used without permission. I granted permission for the viewing and thanked her for calling, her honesty and for raising her boy to achieve that honor (I was a Boy Scout myself). Congratulations Lee!

Caller number two called me and pointed me to that very same video, but this was a very different call. Long story short, he was calling to place an order for 16 large, signed prints for the golf course the he runs.

Despite the video producer stealing the images, he left my copyright watermarks intact and I doubt he made any financial gain, or caused me any financial loss, so a lawsuit would only cost me money. By leaving the video as is (not that I could have done anything about a video that I didn’t know about) I made a very substantial sale.

So, what's the moral of the story?

You are a brand: Identify your brand, market your brand and protect your images; do it boldly and do it consistently. The next time you consider making a small, transparent watermark, think of the Nature Photography Blog and the video below:

In closing, if they really want an image without a watermark, they most likely will find a way to remove it, or simply find another picture. If they really just want a picture for a slideshow like this one, then it becomes a great sales aid for you. 

This video clip was produced and posted to YouTube without my knowledge. Ten of the Bald Eagle images it contains are "stolen" from me, Christopher Dodds. Images in question can be viewed at the following times: 1:33, 1:41, 1:49, 1:54, 2:01, 2:35, 2:43, 3:02, 3:06.

Comments welcome & appreciated.

Twitching & The Black-Tailed Gull of Charlotte, Vermont

Black-tailed Gull (Larus crassirostris, Goéland à queue noire, BTGU) October 21, 2005 Lake Champlain, Charlotte, VT, USA ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1D Mark II, 500mm F4 IS, Gitzo tripod and Wimberley Head. ISO 200, F7.1 1/1250s Manual Mode. Full Frame. Click HERE to order a print or license image for publication.

First used in the 1950s to describe the nervous behavior of Howard Medhurst, a British birdwatcher, a twitcher is a birder who travels long distances to see a rare bird and check it off, on a list. Previously known as "pot-hunter", "tally-hunter", or "tick-hunter", a twitcher’s main goal is to accumulate species on their bird lists. Some birders engage in competition to accumulate the longest species list. The act of the pursuit itself is referred to as a "twitch" or a "chase". A rare bird that stays put long enough for people to see it is "twitchable" or "chaseable".

I am not a "Twitcher", so I don't run off to photograph rare birds at the drop of a hat. I certainly wouldn’t go running off to Lake Champlain to try to find a Black-tailed Gull amongst the thousands of Ring-billed Gulls that are typically found there; Lake Champlain is huge; it would be like finding a needle in a haystack. On October 21, 2005, I was on my way to Dead Creek Wildlife Management Area to photograph Snow Geese, when I got a call from a friend telling me about this rare Asian visitor in Charlotte, Vermont. I laughed when I heard that it was "along the shore of Lake Champlain", but decided that I would stop by for a look on my way to Dead Creek WMA. Not hopeful, I assembled my camera and set the exposure in manual mode and then headed for the water's edge where at least 50 birders had gathered. I set-up my camera in manual mode and started to eat a sandwich, when there it was. The image above was one of about thirty that I took within the first ten minutes of my arrival. I changed my plans and stay put, but the bird didn't re-appear that day. Great fun was had exchanging stories with the many birders present - the images were a nice bonus too.

Service Notice: EOS 7D: Residual Image in Picture
Thank you for using Canon products. We have confirmed that in certain camera settings and shooting conditions, the phenomenon described below may occur in images captured by the EOS 7D Digital SLR camera. Canon is currently investigating and analyzing the cause of this phenomenon, and we are planning to release a firmware update to address this issue. Once the support measures have been established, we will post the relevant information on our Web site. We offer our most sincere apologies to customers using this product who have been inconvenienced by this issue. Going forward, we will spare no effort in our quality management to make sure our customers can use our products with confidence. We hope our efforts will earn your understanding. Phenomenon In images captured by continuous shooting, and under certain conditions, barely noticeable traces of the immediately preceding frame may be visible. This phenomenon is not noticeable in an image with optimal exposure. The phenomenon may become more noticeable if a retouching process such as level compensation is applied to emphasize the image. Affected Product EOS 7D Digital SLR Support This contact information is for residents of the United States and Puerto Rico only. If you do not reside in the USA or Puerto Rico, please contact the Canon Customer Support Center in your region. Thank you, Customer Support Operations Canon U.S.A., Inc. Contact Information for Inquiries Canon Customer Support Center Hours: Monday-Friday 8:00 a.m. - 12:00 midnight. ET,   Saturday 10:00 a.m. - 8:00 p.m., excluding holidays Phone: 1-800-OK-CANON (toll free)   1-800-652-2666 TTD: 1-866-251-3752 (toll free) Email: carecenter@cits.canon.com For additional support options: www.usa.canon.com/support

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Photographing the Pied-billed Grebe: light illuminates - shadows define

Pied-billed Grebe Reflection (Podilymbus podiceps, Grèbe à bec bigarré) Bosque del Apache National Wildlife Refuge, New Mexico, USA ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1Ds Mark III, 500mm F4 IS, 2X II Tele-converter, Gitzo tripod and Wimberley Head II from VW Westfalia (thanks  Ethan). ISO 250, F16 1/320s Manual Mode. Full Frame. Click HERE to purchase a print or license image for publication.

Light Illuminates - Shadows Define

Though many try to take the credit for saying it, it was Howard Pyle who said, "Light illuminates texture and color - shadows define form" - though he was referring to painting, the same holds true for photography. Light is an incredibly important part of photography. Out in the field, or in the studio; it's quality, quantity and direction are all very important components in your final image. Many nature photographers advocate pointing your shadow directly at your subject, resulting in a direct, flat, frontal light source (the sun). While that is a good starting point, I strive to get my light source (the sun in this case) off to one side. As you can see in this image of a Pied-billed Grebe, the sun is off to my far right. The resulting image is full of light and shadow, creating a dramatic, detail rich image; every wet feather on the back of its neck is accentuated by both light and shadow. This method works incredibly well for white birds like Snowy Owls, that have a hollow feather structure.

The Bigger Pictures:

As promised when I started this Nature Photography Blog, I have been messing around with image sizes and page format. I do hope you like the new, bigger pictures and will try to get all of the older posts updatesd soon. Leave a comment to let me know how you like the new format.

Pied-billed Grebe facts:

Nicknamed dabchick, devil-diver, hell-diver and water witch, the Pied-billed Grebe, Podilymbus podiceps, feeds on fish (carp catfish & eels), insects (dragonflies, ants & beetles) and amphibians (frogs & tadpoles).
The most widespread of the North American Grebes, it is often found on remote ponds and marshes of Canada, parts of the United States and temperate South America. Preferring to escape danger by diving, this Grebe rarely flies.
Instead of having webbed feet like ducks, Pied-billed Grebes have lobes extending out the sides of it's toes to provide extra surface area for paddling.

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Photo Competition: Buyer Beware!

Coyote Autumn pup  (Canis latrans) Quebec, Canada (C) ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMark III, 500mm F4 IS, Gitzo Tripod & Wimberley Head II. ISO 500, 1/160s F4 Manual Mode. Full Frame. Click HERE to purchase a print or license image for publication.

So, you work for a magazine and your publisher is trying to squeeze a profit out of your magazine during these difficult economic times. Earning kudos from the boss may be easier than you would think: Just announce a photo competition where all entrants assign all publication rights (editorial, commercial & educational) AND they send a $20.00 bill with each submission. Just 1,000 entrants produces an image bank of at least that many images AND $20,000.00 for the magazine. The grand prize: get you picture published in the magazine. The most shocking part is how hard it was to find the fine print and I'm sure most people who sent off a cheque never read it. Oh, I almost forgot: the magazine does not have to pay publication rights to photographers anymore. Just something to think about next time you think about entering a competition…

Entries become the property of (insert magazine name here), a division of (insert company name here) Inc., which reserves the right, without further consideration, to use all photos and text in any publication, media, and related prodcts or promotions. The company cannot confirm receipt or return entries. By submitting your materials, you agree that your contact information may be given to the contest sponsor, which may use the information for marketing purposes. You further agree that your photo, text, name, and city and state may be posted on (insert company name here)-owned websites and, on sponsor websites, as well. If you are younger than 13 years of age, you will need to provide signed permission from a parent or guardian allowing you to enter the contest. - REAL FINE PRINT FROM A REAL PHOTO COMPETITION 

The Coyote , Canis latrans, runs with it's tail down, unlike domestic dogs with their tail up or wolves with their tail straight. Known as the best runner among the canids, the Coyote cruises at 25-30 mph (40-50km/h), with a top speed of 40 mph (65 km/h). Always an opportunist, Coyotes eat small mammals like mice, squirrels and rabbits, as well as birds, frogs, toads snakes, insects and fruit.

Comments welcome & appreciated.

Photographing the Common Raccoon with wide-open & fast lenses.

Common Raccoon  (Procyon Iotor, raton laveur) Quebec, Canada ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 5D Mark II, 70-200mm @ 195mm. ISO 400, F2.8 1/1000s Manual Mode.

Pro Tip: I'm amazed at the number of photographers out in the field today, and even more amazed at the inventory of professional camera gear they cart around with them. Many pay the hefty price, and carry the extra weight of fast lenses, rarely using them at their intended extremes. Try using your F2.8 lenses at F2.8, then try them at F16; while it is true that they are not quite as sharp at F2.8 than, say F4.5, or F5.6, I would bet money that you can't tell the difference with a full frame Canon 1DsIII and all of the pixels it has to offer. Try using your depth of field (or lack of one) to hide or accentuate different features, or areas, of your subject. A shallow depth of field is especially useful when photographing captive animals: I can't tell you how sick I am of looking at "snapshot" style captive images from "serious" photographers - mostly the result of too much depth of field with cluttered backgrounds.

Common Raccoon  (Procyon Iotor, raton laveur) Quebec, Canada ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMark III, 500mm F4 IS. ISO 800, 1/160s F4 Manual Mode.

The black mask across their eyes and ringed tails are the keys to identifying the "backyard bandit" of Southern Canada and much of the United States. Raccoons, Procyon Iotor, are amazing climbers and swimmers that den in hollow trees and spend the night foraging for food. When these masked marauders move into the suburbs, they become experts at opening garbage cans (waste bins).
Not true hibernators, Raccoons do sleep through much of the winter. By February, the mating urge sends the males on a quest regardless of the weather. Nine weeks later most females have three to six kits.

Comments welcome & appreciated.

Photographing the Boreal Owl & Ultimate Owl Camera Kit

Boreal Owl  or Tengmalm's Owl (Aegolius funereus, Nyctale de Tengmalm) Owl Woods, Amherst Island, Ontario, Canada Image Copyright ©Christopher Dodds  www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 50D, 100-400mm @ 285mm. ISO 400, F5.6 1/80s Manual. Purchase a print or license image for publication HERE.

The thick frost and -5°C temperature during my morning walk through the orchard with T-Bone this morning had me looking foreword to having my snow tires installed and the coming winter owl season.
Last year, I found that having a Canon 50D (with it's 1.6X crop factor) and my Canon 100-400mm zoom lens in a Lowepro Cirrus TLZ 25 Holster Style Case For Digital SLR & Telephoto Zoom Lens (Black) shoulder pouch was the ultimate owl kit to have with me at all times while scouting for roosting Saw-whet owls, Boreal owls, Long-eared owls and short-eared owls. I used to hike through the woods with my pro camera bodies and multiple lenses (including the 500mm F4 IS with matching Tele-converters) packed in my Lowepro Super Trekker. Both Boreal and Saw-whet owls are nocturnal and will probably stay on the same perch for most of the daylight hours, so if I decide I would like images with my 1DsIII and tripod mounted 500mm lens, I have plenty of time to go back to the car and get them. Long-eared and short-eared owls typically flush quite easily, so being ready with my ultimate hand-held rig is key to photographing them. This winter I will use Canon's new 7D with my 100-400mm zoom lens while hiking through the woods and I can't wait!
How do you get an image of a nocturnal owl with it's eyes wide open? - just wait as long as it takes for a birding group (often 10-20 people) to hike right up to you and the owl; there is often a thin layer of ice covering the snow or frozen swampland in the woods that makes quite a racket when that may people approach.

Known in North America as the Boreal Owl, Aegolius funereus, it is also known as Tengmalm's Owl, named after the Swedish naturalist Peter Gustaf Tengmalm.

SOLD: FOR SALE: CANON 1D MARK II

I have a used Canon 1D Mark II (not the 1D Mark IIN) for sale. This has been a much loved and used camera body that has many marks, scratches and little dings. It has been used professionally and it shows. 100% in working order and includes the original box , charger and contents. Also includes an extra battery. CAD$1,000.00 or best offer. Email me if interested: chris@chrisdoddsphoto.com

Comments welcome & appreciated.

The Many Moose of Baxter State Park. Trip Report Part III

Bull Moose Vertical (Alces, Elan, Orignal) Baxter State Park, Maine ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 1.4XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 500, F5.6 1/200s Manual.

As mentioned in earlier posts, this years trip to Baxter State Park in Maine was one of my most productive. Here's just a few of the 13 Moose we spent time photographing. It's always a thrill to get close, and close we got on a few occasions; It's best to let Moose come to you, rather than go off chasing them around the forest & remember that Bull Moose that are about two and a half years old (like the Moose in the photo above) are the most unpredictable and therefore the most dangerous; If you find yourself feeling a little uncomfortable, then slowly move away. Moose of this age are starting to "feel their oats" for the first time, and unsure of how to behave during this time of hormonal change.

Bull Moose Giant of the Northwoods (Alces, Elan, Orignal) Baxter State Park, Maine ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 2XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/160s Manual.

Named from the Algonquin term meaning "twig-eater", Moose rely most on their strongest senses: Hearing and smell. Their vision isn't the best, but with the placement of their eyes they can see almost 360°. Inhabiting dense forests throughout Canada, Maine and Alaska, Moose (Alces alces) are the giants of the deer family. They may lack the grace of other deer, but they are among North America's most magnificent mammals. A bull moose crashing through the underbrush in a northern bog is a sight not soon forgotten.
Alaska boasts the largest males: they weigh some 1,800 pounds, stand seven feet tall at the shoulder, and have antlers with a spread of over six feet. In addition to a massive body and a big, overhanging muzzle, the moose is characterized by a fold of skin on the throat (its function unknown) called the "bell" or "Dewlap". You may be able to distinguish particular moose by their distinctive dewlaps. Though long and spindly-looking, its legs are well suited for moving swiftly across snow, wading in water, and swimming.
During the fall rutting season, when their low, mooing calls echo through the forest, bulls battle over cows in savage antler-to-antler confrontations. By December the contests end and the bulls shed their hefty headgear.
In summer, moose wade into ponds and streams to eat aquatic plants, and in winter they browse on twigs and bark. Once exterminated in parts of their range- they were used as food by native peoples and early settlers, and their antlers have always been prized as trophies- moose have lately made quite a comeback.

Bull Moose Vertical Portrait (Alces, Elan, Orignal) Baxter State Park, Maine ©Christopher Dodds www.chrisdoddsphoto.com All Rights Reserved. Canon EOS 1DsMKIII, 500mm F4 and 2XII tele-converter Gitzo 1325 Tripod and Wimberley Head II. ISO 400, F8 1/125s Manual.

Do consider joining me for the Moose and fall colors of Maine Workshop next year.

Comments welcome & appreciated.